

Felix devoted to the string-quintet genre only two works sharing quite a few formal and musical similarities, though they were composed almost two decades apart.
In view of Mendelssohn's strong revising obsession, the quintets pose some challenges to the editor: In the A-Major quintet, after he replaced an inner movement and switched the order of the movements from the early version, a somewhat recognizable "final version" was published in 1833; the B-flat-Major quintet underwent several further rounds of revision after its provisional conclusion in 1845, presumably extending into the year of the composer's death (1847). The set of parts includes beside the second string quintet in B-flat Major both the complete early version as well as the complete published version of the first quintet in A Major, so that both versions can be played as independent works. Appearing alongside the parts edition to facilitate further engagement with the music text is also a study score.
Three Romantic Violin Concertos (Schirmer) brings together the Bruch G-minor, Mendelssohn E-minor, and Tchaikovsky D-major concertos—three pillars of the Romantic violin repertoire.
Key features
• Three iconic concertos in one volume
• A journey from lyricism to symphonic virtuosity
• Essential study and performance repertoire
• Cornerstone collection for advancing violinists
Mendelssohn, Violin Concerto in E Minor Op. 64 (Boosey & Hawkes). Simrock Original Edition.
Three Romantic Violin Concertos gathers the Bruch G-minor, Mendelssohn E-minor, and Tchaikovsky D-major concertos into one essential volume showcasing the full expressive arc of Romantic violin writing.
Key features
• Three iconic audience-favorite concertos
• From lyric warmth to symphonic virtuosity
• Core repertoire for every advancing violinist
• A lifelong foundation of Romantic expression