

This edition of the Brandenburg Concerto provides a modern performance material for Baroque music that fulfils the requirements of performers.
This edition of the Brandenburg Concerto provides a modern performance material for Baroque music that fulfils the requirements of performers.
The Brandenburg Concerto No. 3 has only two chords instead of a "slow movement". Bach probably intended the solo instruments to perform an improvisation here, as Handel did in his organ concertos. However, while it may be easy for a proficient organ soloist to improvise in Handel's music, it is impossible for the nine solo parts in Bach's piece.
Emil Platen's solution provides an unstructured expansion preceding the two chords written by Bach. It employs all the string instruments and incorporates stylistic elements of the concerto while avoiding the impression of being an independent movement.
Bach: Brandenburg Concerto No. 3 in G major BWV 1048 – Violin II Part by Johann Sebastian Bach, published by Breitkopf & Härtel, offers an engaging and demanding inner-voice role within one of Bach’s most energetic and innovative concertos.
Key features
• A fully engaged inner voice, not secondary accompaniment
• Central to rhythmic drive and contrapuntal texture
• Builds ensemble precision and listening skills
• Essential experience in Bach’s most forward-thinking orchestral writing
Bach: Brandenburg Concerto No. 3 in G major BWV 1048 – Violin III Part by Johann Sebastian Bach, published by Breitkopf & Härtel, offers an engaging orchestral role within one of Bach’s most innovative and energetic concertos.
Key features
• A fully engaged orchestral voice, not a secondary part
• Central to the concerto’s rhythmic drive and texture
• Develops ensemble precision and contrapuntal awareness
• Essential experience in Bach’s most democratic orchestral writing
Bach: Brandenburg Concerto No. 3 in G major BWV 1048 – Violin I Part by Johann Sebastian Bach, published by Breitkopf & Härtel, offers a demanding and exhilarating leadership role within one of Bach’s most energetic and groundbreaking orchestral works.
Key features
• A lead violin role within a fully democratic string texture
• Central to rhythmic drive and ensemble cohesion
• Requires clarity, stamina, and stylistic authority
• Essential repertoire for advanced Baroque orchestral playing