This graded repertoire collection is tailored for aspiring classical cellists, featuring pieces by leading Australian cellists and composers across various musical styles. It aligns with the technical requirements for each grade and includes clear typesetting and performance notes for preparation.

• Wasps! (Hewitt-Jones)

• Variations on Greensleeves (Lawrence)

• Study (Lee)

• Feeling fine and Busy bees (Mooney)

• Sonatine (Kayser)

• Tempo di ballo (Nölck)

• Sarabanda (Tartini arr. Such)

• Allegro (Vivaldi arr. Weretka)

• Budapesto (Cheney)

• Summertime (Gershwin arr. De Smet)

• Spaβvogel (Grechaninov)

• The train (Lovell)

Enhance your sight-reading skills with this structured course designed specifically for cellists. This book features sight-reading examples that closely resemble those found in the AMEB comprehensive examination for cellists. It includes exercises ranging from Preliminary to Grade 8 levels. The content is typeset in a logical and easy-to-read format.

This collection of piano accompaniments enhances practice and supports performances for AMEB examinations. Aligned with the AMEB Cello Series 2 repertoire for Grade 2, each piece provides a rich musical backdrop for cellists. These accompaniments are essential for both solo practice and formal assessment, aiding skill development for students and instructors.

• Sprint finish (Blackwell and Blackwell)

• Snap, crackle and pop (Fin)

• Study (Lee)

• The spinning top (Legg)

• Russian wedding (Blackwell and Blackwell)

• Waltz steps (Carse arr. Max)

• Bourrée and Menuetto (Hasse arr. Such)

• Forward, march! (Schlemüller arr. Cheney)

• Livi's blues (Cheney)

• Tarantella (Colledge and Colledge)

• Angel Blue (Vir)

• Siberian galop (Wedgwood)

This collection of piano accompaniments enhances practice and supports performances for AMEB examinations. Aligned with the AMEB Cello Series 2 repertoire for Grade 3, each piece provides a rich musical backdrop for cellists. These accompaniments are essential for both solo practice and formal assessment, aiding skill development for students and instructors.

• Variations on Greensleeves (Lawrence)

• Study (Lee)

• Feeling fine and Busy bees (Mooney)

• Sonatine (Kayser)

• Tempo di ballo (Nölck)

• Sarabanda (Tartini arr. Such)

• Allegro (Vivaldi arr. Weretka)

• Budapesto (Cheney)

• Summertime (Gershwin arr. De Smet)

• Spaβvogel (Grechaninov)

• The train (Lovell)

This graded repertoire collection is tailored for aspiring classical cellists, featuring pieces by leading Australian cellists and composers across various musical styles. It aligns with the technical requirements for each grade and includes clear typesetting and performance notes for preparation.

• Looping the loop (Cohen)

• Study (Lee)

• The spinning wheel (Legg)

• Soldatenmarsch (Schumann arr. Mooney)

• Yankee Doodle (Traditional arr. Mooney)

• Lascia ch'io pianga (Handel arr. Dahm)

• Adagio and Gavot (Hook arr. Hodgson)

• Ave Maria! (Schubert arr. Weretka)

• La follia (Vivaldi arr. Weretka)

• Spanish dance (Adorian arr. Cheney)

• Als die alte Mutter (Dvořák arr. Weretka)

• Gavotte (Popper)

• Spooky song (Swayne)

This graded repertoire collection is tailored for aspiring classical cellists, featuring pieces by leading Australian cellists and composers across various musical styles. It aligns with the technical requirements for each grade and includes clear typesetting and performance notes for preparation.

• Poor old battered broomstick (Lumsden and Attwood)

• Cossacks (Colledge and Colledge)

• Sailor's hornpipe (Traditional arr. Akerman)

• Cat's eyes (Blackwell and Blackwell)

• Prelude (Charpentier arr. Dahm)

• Celtic meditation (Fin)

• Tambourin (Gossec arr. Akerman)

• My grandfather's clock (Work arr. Chin)

• Melted mouse and roasted rat in choc'late sauce (Lumsden and Attwood)

• The ceilidh (Colledge and Colledge)

• Skateboard ride (Haughton)

• Basse dance (Warlock arr. Dahm)

This graded repertoire collection is tailored for aspiring classical cellists, featuring pieces by leading Australian cellists and composers across various musical styles. It aligns with the technical requirements for each grade and includes clear typesetting and performance notes for preparation.

• Sprint finish (Blackwell and Blackwell)

• Snap, crackle and pop (Fin)

• Study (Lee)

• The spinning top (Legg)

• Russian wedding (Blackwell and Blackwell)

• Waltz steps (Carse arr. Max)

• Bourrée and Menuetto (Hasse arr. Such)

• Forward, march! (Schlemüller arr. Cheney)

• Livi's blues (Cheney)

• Tarantella (Colledge and Colledge)

• Angel Blue (Vir)

• Siberian galop (Wedgwood)

This collection of piano accompaniments enhances practice and supports performances for AMEB examinations. Providing a rich musical backdrop for cellists, Aligned with the AMEB Cello Series 2 repertoire for Grade 1. Essential for solo practice and formal assessment, aiding skill development for students and instructors.

• Poor old battered broomstick (Lumsden and Attwood)

• Cossacks (Colledge and Colledge)

• Sailor's hornpipe (Traditional arr. Akerman)

• Cat's eyes (Blackwell and Blackwell)

• Prelude (Charpentier arr. Dahm)

• Celtic meditation (Fin)

• Tambourin (Gossec arr. Akerman)

• My grandfather's clock (Work arr. Chin)

• Melted mouse and roasted rat in choc'late sauce (Lumsden and Attwood)

• The ceilidh (Colledge and Colledge)

• Skateboard ride (Haughton)

• Basse dance (Warlock arr. Dahm)