Enhance your sight-reading skills with this structured course designed specifically for cellists. This book features sight-reading examples that closely resemble those found in the AMEB comprehensive examination for cellists. It includes exercises ranging from Preliminary to Grade 8 levels. The content is typeset in a logical and easy-to-read format.

This graded repertoire collection is tailored for aspiring classical cellists, featuring pieces by leading Australian cellists and composers across various musical styles. It aligns with the technical requirements for each grade and includes clear typesetting and performance notes for preparation.

• Poor old battered broomstick (Lumsden and Attwood)

• Cossacks (Colledge and Colledge)

• Sailor's hornpipe (Traditional arr. Akerman)

• Cat's eyes (Blackwell and Blackwell)

• Prelude (Charpentier arr. Dahm)

• Celtic meditation (Fin)

• Tambourin (Gossec arr. Akerman)

• My grandfather's clock (Work arr. Chin)

• Melted mouse and roasted rat in choc'late sauce (Lumsden and Attwood)

• The ceilidh (Colledge and Colledge)

• Skateboard ride (Haughton)

• Basse dance (Warlock arr. Dahm)

This graded repertoire collection is tailored for aspiring classical cellists, featuring pieces by leading Australian cellists and composers across various musical styles. It aligns with the technical requirements for each grade and includes clear typesetting and performance notes for preparation.

• Sprint finish (Blackwell and Blackwell)

• Snap, crackle and pop (Fin)

• Study (Lee)

• The spinning top (Legg)

• Russian wedding (Blackwell and Blackwell)

• Waltz steps (Carse arr. Max)

• Bourrée and Menuetto (Hasse arr. Such)

• Forward, march! (Schlemüller arr. Cheney)

• Livi's blues (Cheney)

• Tarantella (Colledge and Colledge)

• Angel Blue (Vir)

• Siberian galop (Wedgwood)

This collection features cello accompaniments designed for practice and assistance during AMEB (Australian Music Examinations Board) examinations. It includes various pieces for various skill levels, providing challenging and accessible options to help students prepare effectively for their performances.

Contents:

• Chase in the dark (Blackwell and Blackwell)

• Sneekin' (Marshall)

• A little reverie (Carse)

• Fanfare (Chin)

• Bourrée (Handel arr. Hodgson)

• Eine kleine Geige möcht' ich haben (Traditional arr. Chin)

• Flash of light'ning (Lumsden and Attwood)

• Gypsy dance (Blackwell and Blackwell)

• Lollipop man (Colledge and Colledge)

• Lullaby (Haughton)

This graded repertoire collection is tailored for aspiring classical cellists. It features pieces by leading Australian cellists and composers across various musical styles. It aligns with the technical requirements for each grade and includes clear typesetting and performance notes for preparation.

• Etude caprice 

• Study 

• March of the Wooden Soldiers 

• The drummers 

• Theme and variations I-VI 

• Siciliéne and La tromba 

• Allegro 

• Allegro (I), Adagio and Allegro (II) 

• Largo and Allegro 

• Hamabdil 

• Tarantella 

• Allegretto grazioso 

• Priére 

• Joc cu bâta, Brâul and Buciumeana 

• Dragonfly Dreams 

• Oblivion 

• Fantasia on Greensleeves 

This graded repertoire collection is tailored for aspiring classical cellists, featuring pieces by leading Australian cellists and composers across various musical styles. It aligns with the technical requirements for each grade and includes clear typesetting and performance notes for preparation.

• Wasps! (Hewitt-Jones)

• Variations on Greensleeves (Lawrence)

• Study (Lee)

• Feeling fine and Busy bees (Mooney)

• Sonatine (Kayser)

• Tempo di ballo (Nölck)

• Sarabanda (Tartini arr. Such)

• Allegro (Vivaldi arr. Weretka)

• Budapesto (Cheney)

• Summertime (Gershwin arr. De Smet)

• Spaβvogel (Grechaninov)

• The train (Lovell)

This collection of piano accompaniments enhances practice and supports performances for AMEB examinations. Providing a rich musical backdrop for cellists, Aligned with the AMEB Cello Series 2 repertoire for Grade 1. Essential for solo practice and formal assessment, aiding skill development for students and instructors.

• Poor old battered broomstick (Lumsden and Attwood)

• Cossacks (Colledge and Colledge)

• Sailor's hornpipe (Traditional arr. Akerman)

• Cat's eyes (Blackwell and Blackwell)

• Prelude (Charpentier arr. Dahm)

• Celtic meditation (Fin)

• Tambourin (Gossec arr. Akerman)

• My grandfather's clock (Work arr. Chin)

• Melted mouse and roasted rat in choc'late sauce (Lumsden and Attwood)

• The ceilidh (Colledge and Colledge)

• Skateboard ride (Haughton)

• Basse dance (Warlock arr. Dahm)