The Cello I Part for Bach’s Brandenburg Concerto No. 3 in G Major, BWV 1048 is a practical Breitkopf & Härtel orchestral edition. It includes Emil Platen’s optional solution for the concerto’s unusual middle section, where Bach originally supplied only two chords.

Key Features:

• Cello I part only

• Brandenburg Concerto No. 3, BWV 1048

• Published by Breitkopf & Härtel

• Optional middle section by Emil Platen

• Practical orchestral performance material

• Ideal for rehearsal and concert use

The Cello III Part for Bach’s Brandenburg Concerto No. 3 in G Major, BWV 1048 is part of the Breitkopf & Härtel Urtext orchestral edition, edited by Werner Felix. Designed for practical performance, it provides cellists with a reliable part for this celebrated and energetic Baroque masterpiece.

Key Features:

• Cello III part only

• Bach’s Brandenburg Concerto No. 3

• BWV 1048

• Breitkopf & Härtel Urtext edition

• Edited by Werner Felix

• OB 4065-25

• Ideal for orchestral rehearsal and performance

Old Masters for Young Players, edited by Percy Such, is a Schott collection of accessible classical pieces for cello and piano. Featuring Bach, Handel, Purcell, Gluck, Rameau and other early masters, it provides enjoyable repertoire for developing technique and musical style.

Key Features:

• For cello and piano

• Edited by Percy Such

• Published by Schott Music

• Very easy to easy level

• Features ten classical selections

• Ideal for lessons, study, and performance

Bach’s Six Suites for Cello Solo, BWV 1007–1012 are cornerstone works of the cello repertoire. Edited by August Wenzinger for Bärenreiter, this respected edition includes all six suites with practical performance markings informed by historical performance practice.

Key Features:

• All six Bach Cello Suites

• For unaccompanied cello

• Edited by August Wenzinger

• Published by Bärenreiter

• Edition BA 320

• 70 pages

• Ideal for advanced study and performance

Bach’s Six Suites for Solo Cello, BWV 1007–1012 are presented in this respected Stainer & Bell edition, edited by renowned cellist Paul Tortelier with assistance from Frieder Lenz. Containing all six suites, it offers an interpretative performance edition for serious cello study and recital use.

Key Features:

• All six Bach Cello Suites

• For unaccompanied cello

• Edited by Paul Tortelier

• Assisted by Frieder Lenz

• Published by Stainer & Bell

• Ideal for advanced study and performance

Bach’s Six Suites for Cello Solo, BWV 1007–1012 are presented in this classic G. Schirmer edition, revised and edited by Frits Gaillard. Containing all six suites for unaccompanied cello, it is a practical edition for serious study and performance.

Key Features:

• All six Cello Suites, BWV 1007–1012

• For unaccompanied cello

• Edited by Frits Gaillard

• Published by G. Schirmer

• Includes performance notes

• Ideal for advanced study and recitals

Bach’s Three Sonatas, BWV 1027–1029 are presented in this Bärenreiter edition for cello and harpsichord/piano. Edited by Hans Eppstein, the collection includes the Sonatas in G major, D major, and G minor and offers sophisticated Baroque repertoire for advanced study and performance.

Key Features:

• Three Bach sonatas for cello

• BWV 1027–1029

• Edited by Hans Eppstein

• Published by Bärenreiter

• Edition BA 5210

• Ideal for advanced study and performance

Bach’s Arioso is a beautifully lyrical work arranged for cello and piano by Sam Franko. Published by G. Schirmer, this piece provides an excellent opportunity to develop expressive tone, legato playing, and sensitive phrasing.

Key Features:

• For cello and piano

• Music by J. S. Bach

• Transcribed by Sam Franko

• Published by G. Schirmer

• Lyrical and expressive Baroque repertoire

• Ideal for study and recital performance