Tchaikovsky Souvenir D'un Lieu Cher For Violin (Faber)
$31.95
Tchaikovsky’s “Souvenir d’un Lieu Cher” (Faber/IMC), edited by Ivan Galamian, is a lyrical three-movement suite for violin and piano that draws on Russian folk influences and showcases violinistic brilliance.
Tchaikovsky Souvenir D'un Lieu Cher For Violin (Faber)
Immerse yourself in the rich lyricism of Pyotr Ilyich Tchaikovsky’s “Souvenir d’un Lieu Cher” for violin and piano, edited by Ivan Galamian and published by International Music Company (Faber). Meaning “memory of a dear place,” this evocative suite was composed between March and May of 1878 and consists of three contrasting movements: Meditation (D minor), Scherzo (C minor), and Mélodie (E-flat major)—the latter described by Tchaikovsky as a “Song without words.” The work is built upon Tchaikovsky’s hallmark melodic beauty, drawing inspiration from Russian folk music and showcasing the composer’s exceptional skill in writing for the violin. The solo part is notable for its expressive range, timbre diversity, and violinistic effects, making it a favourite among advanced students and professionals. This edition, carefully edited by the esteemed Ivan Galamian, offers clear, authoritative notation and is ideal for recitals, competitions, or enriching your chamber repertoire.
Key Features:
Suite for violin and piano by Tchaikovsky
Edited by Ivan Galamian, Faber/IMC edition
Composed in 1878, inspired by Russian folk music
Features three movements: Meditation, Scherzo, Mélodie
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Key Features:
•Romantic miniature from "Souvenir d’un lieu cher"
Tchaikovsky’s "Sérénade Mélancolique, Op. 26" (Henle) is a Romantic masterpiece, edited by Alexander Komarov with fingerings by Klaus Schilde and Ingolf Turban. This urtext edition, based on Russian first editions, offers both marked and unmarked string parts for advanced violinists.
Key Features:
•First concerto work for violin, prelude to the Violin Concerto
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Tchaikovsky’s “Violin Concerto Op. 35” (Schirmer) is a beloved Romantic classic, recognized for its expressive melodies and technical brilliance. Written in 1878, it is one of the most famous—and most challenging—violin concertos ever composed. If you have any questions or queries, please do not hesitate to contact us.