


Wilhelm Friedemann Bach was a highly talented German composer and performer born in 1710. He composed Three Duets for Two Violas in Berlin around 1775, which inherited the contrapuntal style of his father and contributed significantly to Berlin's musical heritage. There is a cyclical connection among the duets, and Bach adapted the music to maintain harmonic and melodic balance between the two instruments.
This music piece is written for two violas and has been edited by Altemark. It has been published by Breitkopf and Hartel.
Wilhelm Friedemann Bach (1710-1784) was a highly talented German composer and performer born in 1710. He was the second child and eldest son of the renowned Johann Sebastian Bach and Maria Barbara Bach. Wilhelm's musical prowess was evident in his Three Duets for two Violas, which he composed in Berlin, his final place of life and residence, around 1775. These magnificent duo sonatas inherited the contrapuntal style of his father and were a testament to his exceptional musical ability. During this time, Berlin had become one of the most significant musical centres, and Wilhelm's compositions significantly contributed to its cultural heritage.
Bach composed three duets, which he did not number, but their order is evident from the source. The first duet, Duetto I, is written in G Major, the second, Duetto II, in G Minor, and the third, Duetto III, in C Major. However, it is crucial to recognize that there is a cyclical connection among the three duets. In the version for two cellos, everything was lowered an octave, and the original keys were retained. However, in the duos for violin and cello, Bach had to transpose the music into other keys and make minor octave changes to better accommodate the different scales of the two instruments. This adaptation was essential to maintain the harmonic and melodic balance of the composition.
Anton Wranitzky (1761-1820), Three Duos Op. 20 for two Violin. Ed. Wolfgang Hasleder, Pub. Edition Walhall.
Bach: Three Sonatas in D minor after BWV 1043 by Johann Sebastian Bach, published by Dohr Verlag, transforms Bach’s famous Double Violin Concerto into intimate chamber sonatas rich in dialogue and contrapuntal clarity.
Key features
• A chamber reinterpretation of the Double Violin Concerto
• Emphasizes dialogue, balance, and ensemble unity
• Reveals Bach’s contrapuntal mastery in a new light
• Ideal for advanced violin duos and continuo players