Little Symphony for Strings

Canon in D by Johann Pachelbel, published by Schott, is a beautifully arranged edition for string orchestra of one of the most beloved works in classical music. Ideal for intermediate ensembles, it is perfect for concerts, weddings, festivals, educational performances, and developing Baroque ensemble skills.

Key Features:

• Music by Johann Pachelbel for string orchestra

• Features the celebrated Canon in D

• Suitable for intermediate string ensembles

• Ideal for concerts, weddings, festivals, and educational performances

Brandenburg Concerto No. 3 in G Major, BWV 1048 – Viola II Part by Johann Sebastian Bach, published by Breitkopf & Härtel, is a modern scholarly edition of one of Bach's greatest orchestral works. Featuring the Viola II part and Emil Platen's practical solution for the concerto's famous two-chord middle section, it is an outstanding resource for educational and professional performance.

Key Features:

• Published by Breitkopf & Härtel

• Music by Johann Sebastian Bach

• Viola II part for Brandenburg Concerto No. 3, BWV 1048

• Modern scholarly performance edition

• Includes Emil Platen's stylistic expansion

• Develops ensemble playing, rhythm, articulation, and intonation

• Suitable for advanced students and orchestral musicians

This edition of the Brandenburg Concerto provides a modern performance material for Baroque music that fulfils the requirements of performers.

This edition of the Brandenburg Concerto provides a modern performance material for Baroque music that fulfils the requirements of performers.

Bach: Brandenburg Concerto No. 3 in G major BWV 1048 – Violin II Part by Johann Sebastian Bach, published by Breitkopf & Härtel, offers an engaging and demanding inner-voice role within one of Bach’s most energetic and innovative concertos.

Key features

• A fully engaged inner voice, not secondary accompaniment

• Central to rhythmic drive and contrapuntal texture

• Builds ensemble precision and listening skills

• Essential experience in Bach’s most forward-thinking orchestral writing