Gabrielli - The Complete Works for Cello

For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner string methods in German-speaking countries. More than half a million students have successfully learned to play string instruments using this publication. What makes this cello method so unique? - The leading German cello method now available in English. - Note reading is emphasised from the first lesson, encouraging ensemble playing from the very beginning. - Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing. - Advanced cello techniques such as varied bow strokes and shifting are introduced in a basic form Being a large instrument, the cello makes a lasting impression on many small children, frequently leading to a lifelong rapport. Früher Anfang auf dem Cello the 'Cello Sassmannshaus' was developed specifically to make proper musical and technical progress on this special instrument. It transfers the principles and experience gained from the violin tutor in order to ensure quick success. Volume 4, prepared by cello specialist Michael Corssen, is devoted almost exclusively to playing in positions. Positions 2, 3 and 4 are introduced and trained using familiar songs and delightful short recital pieces, some of them specially written for the volume by Bertold Hummel. Changes of position are first marked with a sign in the music so that they can be explicitly practiced. The volume provides varied suggestions for this purpose, encouraging learners to approach this technical challenge from different angles and to practice with imagination. The tutor is rounded off with an excursion into positions 5 and 6. Volume 4 also introduces the tenor clef and explains how to produce harmonics. By now learners have reached a level of achievement that allows them to venture into the 'genuine' cello literature, partially while studying Volume 4. Additional material can be found, for example, in Sebastian Lee's Forty Easy Etudes, op. 70 (BA 941), and David Popper's Fifteen Easy Melodic-Harmonic Etudes, op. 76, no. 1 (BA 6979). After this, the collection Concert Pieces for Cello and Piano (BA 9695) and the series Bärenreiter's Concert Pieces, likewise edited by Christoph Sass mannshaus, contain many musically rewarding pieces that form a bridge to the standard repertoire of the cello.