Variety of character, rhythm, and articulation gives Telemann’s Suite in D Major its particular value for the developing violist. Published by Schott, this engaging Baroque work challenges players to create clear contrasts between its sections while refining phrasing, bow control, rhythmic precision, and stylistic interpretation.

Key Features:

• Music by Telemann, published by Schott

• Characterful Baroque suite repertoire for viola

• Develops musical contrast and stylistic refinement

• Ideal for lessons, examinations, recitals, and conservatory study

Without accompaniment, there is nowhere for the musical line to hide. Telemann’s Twelve Fantasias for Solo Viola, published by Viola World, brings together twelve contrasting Baroque works that challenge the violist to command melody, rhythm, harmony, and character independently. An excellent complete collection for serious study, recital performance, examinations, and auditions.

Key Features:

• Complete collection of twelve Telemann Fantasias

• For unaccompanied solo viola

• Develops Baroque technique and musical independence

• Ideal for examinations, auditions, recitals, and conservatory study

Built on clarity, elegance, and musical dialogue, Telemann’s Sonata in B-flat Major, published by Amadeus, is rewarding Baroque repertoire for viola and piano. Its combination of lyrical expression and lively writing makes it particularly valuable for developing refined articulation, phrasing, ensemble awareness, and stylistic confidence.

Key Features:

• Music by Telemann for viola and piano

• Refined and expressive Baroque chamber repertoire

• Suitable for intermediate to advanced violists

• Ideal for examinations, recitals, lessons, and conservatory study

Telemann’s celebrated Concerto in G Major receives a particularly versatile treatment in this Editio Musica Budapest edition for viola or cello with piano accompaniment. Originally composed for viola and orchestra, it features a cello transcription by Árpád Pejtsik and piano reduction by Olivér Nagy, making this cornerstone of Baroque repertoire accessible to performers of either instrument.

Key Features:

• For viola or cello with piano accompaniment

• Cello transcription by Árpád Pejtsik

• Piano reduction by Olivér Nagy

• Ideal for examinations, recitals, conservatory study, and concerto preparation

12 Fantasias – Book 1 by Georg Philipp Telemann, arranged for unaccompanied viola by Louise Rood, offers serious players a rich combination of Baroque expression and technical study. With no accompaniment to rely upon, these fantasias develop musical independence, articulation, intonation, bow control, and a strong understanding of harmony and phrasing.

Key Features:

• Music by Telemann, arranged for viola by Louise Rood

• Written for unaccompanied solo viola

• Develops Baroque technique and musical independence

• Ideal for lessons, examinations, conservatory study, and recitals

A fundamental work for the serious violist, Telemann’s Concerto in G Major, published by International Music Company and edited by Milton Katims, combines elegant Baroque lyricism with lively technical writing. Presented for viola and piano, its four contrasting movements make it excellent repertoire for developing style, articulation, musical independence, and confident concerto performance.

Key Features:

• Music by Telemann, edited by Milton Katims

• Baroque concerto for viola with piano accompaniment

• Four contrasting movements: Largo, Allegro, Andante and Presto

• Ideal for examinations, auditions, recitals, and conservatory study

A cornerstone of the Baroque viola repertoire, Telemann’s Concerto in G Major places the viola in a genuine solo role across four contrasting movements. This Bärenreiter edition provides the solo viola part with a piano reduction of the original string and basso continuo accompaniment, making it particularly useful for study, rehearsals, auditions, and recital performance.

Key Features:

• Baroque concerto by Georg Philipp Telemann

• For solo viola with piano reduction

• Four movements: Largo, Allegro, Andante and Presto

• Essential repertoire for study, auditions, recitals, and concerto preparation

12 Fantasias – Book 2 by Georg Philipp Telemann, arranged for unaccompanied viola by Louise Rood, contains Fantasias Nos. 7–12. These substantial Baroque works challenge the violist to create melody, harmony, rhythm, and contrast without accompaniment, making the collection particularly valuable for developing technical control and mature musical independence.

Key Features:

• Music by Telemann, arranged for viola by Louise Rood

• Contains Fantasias Nos. 7–12 for unaccompanied viola

• Develops Baroque technique and musical independence

• Ideal for examinations, conservatory study, auditions, and recitals