Unleash the sparkling brilliance of Pyotr Ilyich Tchaikovsky’s "Valse-Scherzo, Op. 34" for violin, available in this EMB edition. Written in 1877, this exuberant showpiece is celebrated for its dazzling virtuosity, lyrical charm, and lively waltz rhythms. The "Valse-Scherzo" is a favourite among advanced violinists and a staple of recital programs, offering performers the opportunity to showcase technical agility and expressive flair. EMB’s edition provides clear, practical notation for both violin and piano, helping soloists and accompanists achieve a polished performance. This edition is ideal for advanced students, professionals, and anyone seeking to add a touch of Russian elegance and energy to their repertoire.
Tchaikovsky’s “Souvenir d’un Lieu Cher” (Faber/IMC), edited by Ivan Galamian, is a lyrical three-movement suite for violin and piano that draws on Russian folk influences and showcases violinistic brilliance.
Tchaikovsky’s “Violin Concerto in D, Op. 35” (Peters), edited by Carl Flesch, is a Romantic-era masterpiece with expressive melodies and technical brilliance for advanced violinists.
Tchaikovsky’s "Violin Concerto in D, Op. 35" (Peters), edited by David Oistrakh, is a Romantic masterpiece with expressive melodies and technical brilliance—ideal for advanced violinists.
Tchaikovsky’s “Chanson Triste, Op. 40 No. 2” (Schott) brings Russian lyricism to the violin, offering a haunting and expressive piece for advanced players.
Tchaikovsky’s “Violin Concerto Op. 35” (Schirmer) is a beloved Romantic classic, recognized for its expressive melodies and technical brilliance. Written in 1878, it is one of the most famous—and most challenging—violin concertos ever composed. If you have any questions or queries, please do not hesitate to contact us.
Tchaikovsky’s “Serenade Melancholique, Op. 26” (Edition Butorac Munchen) is a haunting, lyrical showpiece for violin and piano, revised by Tomislav Butorac.
Tchaikovsky’s “Waltz from ‘Sleeping Beauty’” is a delightful, lyrical favourite arranged for violin and piano—ideal for recitals and special occasions.