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An ostinato of crotchets supports a driving quaver-note melody in the key of A minor. Many techniques are explored, including staccato, two-note slurs, hooked bowing, and pizzicato. A frantic, spooky race, with a few accidentals along the way.
This famous concerto, originally for lute, is a great fit for solo viola with a few minor adjustments. With three short movements in the key of D major, this work will delight audiences and gives the director a chance to highlight an outstanding violist without being overly technically taxing. Can be played all in first position, although some shifting may be preferred to execute trills. Also, an opportunity for a solo cello to play continuo.
This E minor piece emphasizes the importance of counting and rests. It includes simple rhythms, techniques like staccato, tenuto, pizzicato, and tremolo, and two sections for orchestra improvisation.
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