This lyrical work is a shining presentation of Price's signature style. The opening G major theme modulates to A major, featuring brief solos for violin and cello. Although short, the piece requires mature musicality, shifting skills, and vibrato from your ensemble, with moments of delicate dynamics and rubato. Florence Beatrice Price (1887-1953) was a composer, organist and music teacher, and noted as the first African American woman to be recognised as a symphonic composer. Born in Little Rock, Arkansas, Florence Price's style blends European traditions with elements of the African American spirituals and blues-inspired melodies. (4:00)
These rounds from Germany, England, Scotland, Latin America, Israel, and Australia are completely compatible with first-year method books. All are in beginner-friendly keys, have simple rhythms, use hooked bows or two-note slurs, and will help your students learn to play independently whilst becoming more comfortable in an ensemble.
This E minor piece emphasizes the importance of counting and rests. It includes simple rhythms, techniques like staccato, tenuto, pizzicato, and tremolo, and two sections for orchestra improvisation.
This famous concerto, originally for lute, is a great fit for solo viola with a few minor adjustments. With three short movements in the key of D major, this work will delight audiences and gives the director a chance to highlight an outstanding violist without being overly technically taxing. Can be played all in first position, although some shifting may be preferred to execute trills. Also, an opportunity for a solo cello to play continuo.
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