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Violin Strings
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Violin Strings A-G
- Alphayue Violin Strings by Thomastik-Infeld
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Violin Strings H-O
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Violin Strings A-G
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Viola Strings
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Viola Strings A-O
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Viola Strings A-O
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Cello Strings
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Cello Strings H-P
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Double Bass Strings
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Double Bass Strings
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Beginner Methods A-N
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Violin Sheet Music
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Composers Violin A-C
- Accolay, Jean Baptiste
- Achron, Joseph Yulyevich
- Albinoni, Tomaso
- Arne, Thomas Augustine
- Bach, Johann Sebastian
- Beethoven, Ludwig van
- Bloch, Ernest
- Beriot, Charles Auguste De
- Brahms, Johannes
- Bridge, Frank
- Bruch, Max
- Carse, Adam
- Campagnoli, Bartolomeo
- Cerulli, Bob
- Chausson, Ernest
- Chopin, Frédéric François
- Copland, Aaron
- Corelli, Arcangelo
- Corigliano, John
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Composers Violin D-G
- Dancla, Charles
- Debussy, Claude
- Delius, Frederick
- De Falla, Manuel
- Dinicu, Grigoraș Ionică
- Doflein, Elma
- Drdla, Franz
- Dvorak, Antonin
- Eccles, Henri
- Edwards, Ross
- Elgar, Edward
- Faure, Gabriel
- Finzi, Gerald
- Fiocco, Joseph Hector
- Franck, César-Auguste
- Gade, Jacob
- Guareschi, Giovannino
- Giazotto, Remo
- Górecki, Henryk
- Glazunov, Alexander
- Composers Violin H-K
- Composers Violin L-M
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Composers Violin N-T
- Perlman, Itzhak
- Paganini, Niccolò
- Power, James
- Prokofiev, Sergei
- Rachmaninoff, Sergei
- Ravel, Maurice
- Rieding, Oskar
- Rimsky-Korsakov, Nikolai
- Rode, Jacques Pierre Joseph
- Saint-Saens, Camille
- Sarasate, Pablo de
- Schumann, Robert
- Schubert, Franz
- Schradieck, Henry
- Seitz, Friedrich
- Shostakovich, Dmitri
- Sibelius, Jean
- Smetana, Bedrich
- Spohr, Louis
- Strauss, Richard
- Stravinsky, Igor
- Suk , Josef
- Szelenyi, Istvan
- Szymanowski, Karol
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Piazzolla, Astor
- Composers Violin U-Z
- Popular Violin Sheet Music
- Other Violin Sheet Music
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Composers Violin A-C
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Viola Sheet Music
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Composers Viola A-C
- Accolay, Jean-Baptiste
- Anderson, Kenneth
- Bach, Johann Christian
- Bach, Carl Philipp Emanuel
- Bach, Johann Sebastian
- Bartók, Béla
- Bax, Arnold
- Beethoven, Ludwig van
- Bériot, Charles Auguste de
- Biber, Heinrich Ignaz Franz
- Bloch, Ernest
- Boccherini, Luigi
- Böhm, Karlheinz
- Bohm, Theobald
- Bowen, York
- Brahms, Johannes
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max Felix
- Butterworth, Arthur
- Carter, Elliott
- Clarke, Rebecca
- Corelli, Arcangelo
- Corrette, Michel
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Composers Viola D-G
- Dale, Benjamin
- Dean, Brett
- Debussy, Claude
- Dittersdorf, Carl Ditters von
- Dodgson, Stephen
- Dounis, Demetrius Constantine
- Dvořák, Antonín
- Eccles, Henry
- Elgar, Edward
- Eliot, Norton, Charles
- Enesco, Georges
- Fauré, Gabriel
- Fiocco, Joseph-Hector
- Forbes, Watson
- Franck, Cesar
- Francoeur, François
- Fuchs, Lillian
- Gershwin, George
- Glazunov, Alexander
- Glinka, Mikhail
- Granados, Enrique
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Composers Viola H-K
- Handel, George Frideric
- Handoshkin, Ivan Evstafeivich
- Haydn, Joseph
- Hindemith, Paul
- Hoffmeister, Franz Anton
- Hovhaness, Alan
- Hubay, Jenő
- Hyde, Miriam Beatrice
- Jacob, Gordon
- Joachim, Joseph
- Jones, Matthew
- Kalliwoda, Johann Wenzel
- Kayser, Heinrich Ernst
- Kreisler, Fritz
- Kreutzer, Rodolphe
- Küchler, Ferdinand
- Jenkinson, Ezra
- Composers Viola L-M
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Composers Viola N-R
- Pachelbel, Johann
- Nyman, Michael
- Onslow, George
- Paganini, Niccolò
- Pergolesi, Giovanni Battista
- Piatigorsky, Gregor
- Piazzolla, Astor
- Prokofiev, Sergei
- Puccini, Giacomo
- Purcell, Henry
- Rachmaninoff, Sergei
- Ravel, Maurice
- Reger, Max
- Reinecke, Carl
- Richardson, Alan
- Rieding, Oskar
- Rimsky-Korsakov, Nikolai Andreyevich
- Rivier, Jean
- Rode, Jacques Pierre Joseph
- Composers Viola S-T
- Composers Viola U-Z
- Popular Viola Sheet Music
- Other Viola Sheet Music
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Composers Viola A-C
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Cello Sheet Music
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Composers Cello A-C
- Andriessen, Louis
- Bach, Johann Sebastian
- Bantock, Granville
- Bartók, Béla
- Beethoven, Ludwig van
- Bloch, Ernest
- Boccherini, Luigi
- Boëllmann, Léon
- Brahms, Johannes
- Bréval, Jean-Baptiste
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max
- Caix d'Hervelois, Louis de
- Carse, Adam
- Cassadó, Gaspar
- Cirri, Giovanni Battista
- Clarke, Rebecca
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Composers Cello D-G
- Dare, Marie
- Davydov, Karl
- Debussy, Claude Achille
- Fesch, Willem de
- Dvorak, Antonin Leopold
- Eccles, Henry
- Elgar, Sir Edward
- Falla, Manuel de
- Faure, Gabriel-Urbain
- Ferguson, Howard
- Feuillard, Louis
- Foss, Lukas
- Franchomme, Auguste
- Francoeur, François
- Gabrieli, Giovanni
- Galliard, Johann Ernst
- Glazunov, Alexander
- Goens, Daniël van
- Goltermann, Georg
- Guymer, Ingrid
- Granados, Enrique
- Gounod, Charles François
- Composers Cello H-K
- Composers Cello L-M
- Composers Cello N-R
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Composers Cello S-T
- Saint-Saëns, Camille
- Sammartini, Giuseppe
- Sassmannshaus, Kurt
- Schubert, Franz
- Schumann, Robert Alexander
- Sculthorpe, Peter
- Senaillé, Jean Baptiste
- Shostakovich, Dmitri
- Sibelius, Jean
- Squire, William Henry
- Strauss, Richard
- Stravinsky, Igor
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Trowell, Arnold
- Composers Cello U-Z
- Popular Cello Sheet Music
- Other Cello Sheet Music
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Composers Cello A-C
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Play Together
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School Orchestra A-H
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Monn, Georg Matthias
Matthias Georg Monn was one of the most talented composers of the classical era. Born in Vienna in 1717, his music was characterized by its technical brilliance and ingenious use of harmony. Despite his significant contributions to the development of classical music, Monn is largely forgotten today. However, his legacy lives on through the works of his more famous contemporaries, influenced by his style.
Early life and musical career
Matthias Georg Monn was born in Vienna to a family of musicians. His father was a cellist in the Imperial Court Orchestra, and he began teaching Matthias when he was just six years old. Matthias quickly showed an aptitude for music, and by the age of twelve, he was already playing in the orchestra.
In addition to his studies with his father, Monn studied composition with Johann Joseph Fux, the renowned composer and music theorist. Fux recognized Monn's talent and encouraged him to continue studying music. Under Fux's tutelage, Monn developed his unique style and began composing his works.
Monn's early works were well-received by his contemporaries, and he quickly gained a reputation as a talented composer and cellist. In 1741, he joined the court orchestra of Prince Paul Esterházy in Eisenstadt, where he remained for the next 15 years. During this time, he composed some of his most famous works, including his Cello Concerto in G minor, which Mozart later arranged for piano.
Contributions to classical music
Matthias Georg Monn made significant contributions to the development of classical music. He was one of the first composers to use the cello as a solo instrument, and his works for the instrument remain some of the most challenging and technically demanding pieces in the cello repertoire.
Monn was also an innovator in his use of harmony. He was one of the first composers to use the dominant seventh chord as a dominant chord, which significantly differed from the traditional use of the dominant chord. This innovation had a significant influence on the development of classical music and paved the way for new harmonic possibilities in the works of later composers.
In addition to his contributions to the development of the cello as a solo instrument and his innovations in harmony, Monn was also a gifted teacher. His pupils included some of the most famous composers of the classical era, including Mozart and Haydn. Monn's style heavily influenced both of these composers, and his influence can be heard in their works.
Monn's innovative techniques and unique style
Matthias Georg Monn's music was characterized by its technical brilliance and innovative use of harmony. He was a master of the cello, and his works for the instrument remain some of the most challenging pieces in the repertoire.
Monn's use of harmony was also groundbreaking. He was one of the first composers to use the dominant seventh chord as a dominant chord, which significantly influenced the development of classical music. This innovation paved the way for new harmonic possibilities in the works of later composers.
Monn's style was also characterized by its sophistication and elegance. His compositions were technically demanding, but they were also beautiful and expressive. His use of counterpoint was particularly notable, and his works showcase his ability to weave complex melodies together in a harmonically rich and musically satisfying way.
Conclusion
Matthias Georg Monn was a musical genius whose contributions to the development of classical music cannot be overstated. His works remain some of the most technically demanding and harmonically sophisticated pieces in the classical repertoire. Despite this, Monn is largely forgotten today. However, his legacy lives on through the works of his more famous contemporaries, influenced by his style. Monn's innovative techniques and unique style continue to inspire and influence musicians today, and his place in the pantheon of great composers of the classical era is well-deserved.
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