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Violin Sheet Music
- Composers Violin A-C
- Accolay, Jean Baptiste
- Achron, Joseph Yulyevich
- Albinoni, Tomaso
- Arne, Thomas Augustine
- Bach, Johann Sebastian
- Beethoven, Ludwig van
- Bloch, Ernest
- Beriot, Charles Auguste De
- Brahms, Johannes
- Bridge, Frank
- Bruch, Max
- Carse, Adam
- Campagnoli, Bartolomeo
- Cerulli, Bob
- Chausson, Ernest
- Chopin, Frédéric François
- Copland, Aaron
- Corelli, Arcangelo
- Corigliano, John
- Composers Violin D-G
- Dancla, Charles
- Debussy, Claude
- Delius, Frederick
- De Falla, Manuel
- Dinicu, Grigoraș Ionică
- Doflein, Elma
- Drdla, Franz
- Dvorak, Antonin
- Eccles, Henri
- Edwards, Ross
- Elgar, Edward
- Faure, Gabriel
- Finzi, Gerald
- Fiocco, Joseph Hector
- Franck, César-auguste
- Gade, Jacob
- Guareschi, Giovannino
- Giazotto, Remo
- Górecki, Henryk
- Glazunov, Alexander
- Composers Violin H-K
- Composers Violin L-M
- Composers Violin N-T
- Itzhak Perlman
- Paganini, Niccolò
- Power, James
- Prokofiev, Sergei
- Rachmaninoff, Sergei
- Ravel, Maurice
- Rieding, Oskar
- Rimsky-Korsakov
- Rode, Jacques Pierre Joseph
- Saint-Saens, Camille
- Sarasate, Pablo de
- Schumann, Robert
- Schubert, Franz
- Schradieck, Henry
- Seitz, Friedrich
- Shostakovich, Dmitri
- Sibelius, Jean
- Smetana, Bedrich
- Spohr, Louis
- Solos for Young Violinists
- Strauss, Richard
- Stravinsky, Igor
- Suk , Josef
- Szelenyi, Istvan
- Szymanowski, Karol
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Composers Violin U-Z
- Popular Violin Sheet Music
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Viola Sheet Music
- Composers Viola A-C
- Accolay, Jean-Baptiste
- Anderson, Kenneth
- Bach, Johann Christian
- Bach, Carl Philipp Emanuel
- Bach, Johann Sebastian
- Bartók, Béla
- Bax, Arnold
- Beethoven, Ludwig van
- Bériot, Charles Auguste de
- Biber, Heinrich Ignaz Franz
- Bloch, Ernest
- Boccherini, Luigi
- Böhm, Karlheinz
- Bohm, Theobald
- Bowen, York
- Brahms, Johannes
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max Felix
- Butterworth, Arthur
- Carter, Elliott
- Clarke, Rebecca
- Corelli, Arcangelo
- Corrette, Michel
- Composers Viola D-G
- Dale, Benjamin
- Dean, Brett
- Debussy, Claude
- Dittersdorf, Carl Ditters von
- Dodgson, Stephen
- Dounis, Demetrius Constantine
- Dvořák, Antonín
- Eccles, Henry
- Elgar, Edward
- Eliot, Norton, Charles
- Enesco, Georges
- Fauré, Gabriel
- Fiocco, Joseph-Hector
- Forbes, Watson
- Franck, Cesar
- Francoeur, François
- Fuchs, Lillian
- Gershwin, George
- Glazunov, Alexander
- Glinka, Mikhail
- Granados, Enrique
- Composers Viola H-K
- Handel, George Frideric
- Handoshkin, Ivan Evstafeivich
- Haydn, Joseph
- Hindemith, Paul
- Hoffmeister, Franz Anton
- Hovhaness, Alan
- Hubay, Jenő
- Hyde, Miriam Beatrice
- Jacob, Gordon
- Joachim, Joseph
- Jones, Matthew
- Kalliwoda, Johann Wenzel
- Kayser, Heinrich Ernst
- Kreisler, Fritz
- Kreutzer, Rodolphe
- Küchler, Ferdinand
- Jenkinson, Ezra
- Composers Viola L-M
- Composers Viola N-R
- Pachelbel, Johann
- Nyman, Michael
- Onslow, George
- Paganini, Niccolò
- Pergolesi, Giovanni Battista
- Piatigorsky, Gregor
- Piazzolla, Astor
- Prokofiev, Sergei
- Puccini, Giacomo
- Purcell, Henry
- Rachmaninoff, Sergei
- Ravel, Maurice
- Reger, Max
- Reinecke, Carl
- Richardson, Alan
- Rieding, Oskar
- Rimsky-Korsakov, Nikolai Andreyevich
- Rivier, Jean
- Rode, Jacques Pierre Joseph
- Composers Viola S-T
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Cello Sheet Music
- Composers Cello A-C
- Andriessen, Louis
- Bach, Johann Sebastian
- Bantock, Granville
- Bartók, Béla
- Beethoven, Ludwig van
- Bloch, Ernest
- Boccherini, Luigi
- Boëllmann, Léon
- Brahms, Johannes
- Bréval, Jean-Baptiste
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max
- Caix d'Hervelois, Louis de
- Carse, Adam
- Cassadó, Gaspar
- Cirri, Giovanni Battista
- Clarke, Rebecca
- Composers Cello D-G
- Dare, Marie
- Davydov, Karl
- Debussy, Claude Achille
- Fesch, Willem de
- Dvorak, Antonin Leopold
- Eccles, Henry
- Elgar, Sir Edward
- Falla, Manuel de
- Faure, Gabriel-Urbain
- Ferguson, Howard
- Feuillard, Louis
- Foss, Lukas
- Franchomme, Auguste
- Francoeur, François
- Gabrieli, Giovanni
- Galliard, Johann Ernst
- Glazunov, Alexander
- Goens, Daniël van
- Goltermann, Georg
- Guymer, Ingrid
- Granados, Enrique
- Gounod, Charles François
- Composers Cello H-K
- Composers Cello L-M
- Composers Cello N-R
- Composers Cello S-T
- Saint-Saëns, Camille
- Sammartini, Giuseppe
- Sassmannshaus, Kurt
- Schubert, Franz
- Schumann, Robert Alexander
- Sculthorpe, Peter
- Senaillé, Jean Baptiste
- Shostakovich, Dmitri
- Sibelius, Jean
- Squire, William Henry
- Strauss, Richard
- Stravinsky, Igor
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Trowell, Arnold
- Composers Cello U-Z
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- Composers Cello A-C
- Play Together
Faure, Gabriel
Gabriel Faure was a refined and gentle composer whose work inspired the development of modern French music. Fauré's musical talents became noticeable from a young age. When Louis Niedermeyer, a Swiss composer, and teacher, heard the child, he instantly welcomed him as a student. Camille Saint-Saens, Fauré's piano teacher, exposed him to Franz Liszt and Richard Wagner's music. Fauré's first composition, Trois romances sans paroles, was written when he was still a bachelor (1863). He was named church organist at the Madeleine Church in Paris and professor of composition at the Paris Conservatory in 1896. He succeeded Théodore Dubois as director of the conservatory in 1905, and he served in that role until compelled to retire in 1920 due to ill health and deafness. Maurice Ravel, Georges Enesco, and Nadia Boulanger were among his pupils.
Fauré was a master composer in every branch of chamber music, not just as a songwriter of great sophistication and sensitivity, but also as a songwriter of great refinement and sensitivity. He composed over 100 songs, including "Après un rêve" (c. 1865) and "Les Roses d'Ispahan" (1884), as well as song cycles such as La Bonne Chanson (1891–92) and L'Horizon chimérique (1893). (1922). He contributed to the piano literature with a variety of extremely original and exquisitely crafted compositions, the most representative and well-known of which are his 13 nocturnes, 13 barcaroles, and 5 impromptus. Other well-known works by Fauré include Ballade for piano and orchestra (1881; originally arranged for solo piano, 1877–79), two sonatas for violin and piano, and Berceuse for violin and piano (1880). The cello and piano sonata Élégie (1880; arranged for orchestra, 1896), as well as two sonatas for cello and piano, as well as chamber parts, are often performed and recorded. Fauré was not particularly fond of theater, but he composed incidental music for a number of productions, including Maurice Maeterlinck's Pelléas et Mélisande (1898), as well as two lyric dramas, Prométhée (1900) and Pénélope (1900). (1913). Masques et bergamasques is one of his only compositions composed for the orchestra alone (1919). While Fauré's Messe de requiem for solo voices, chorus, orchestra, and organ (1887) was not instantly popular, it has since become one of his most frequently performed compositions. Fauré succeeded in infusing conventional styles of music with a mélange of harmonic daring and freshness of creativity, considering his strong appreciation for traditional forms of music. His fondness for daring harmonic progressions and abrupt modulations, often performed with sublime beauty and a deceptive sense of ease, was one of the most striking features of his style. His unassuming movement paved the way for the new French school's more sensational advances.

10 products.
Berceuse Opus 16 For Violin By Faure (Hamelle)
Faure, Romance For Violin & Piano (Hamelle)
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