-
MenuBack
-
Instruments
-
-
Strings
-
-
Violin Strings
-
Violin Strings A-N
- Alphayue Violin Strings
- Ascente Violin Strings
- Chromcor Violin Strings
- Dominant Violin Strings
- Dominant Pro Violin Strings
- Eudoxa Violin Strings
- Evah Pirazzi Violin Strings
- Evah Pirazzi Gold Violin
- Goldbrokat Violin E Strings
- Helicore Violin Strings
- Hill Violin E String
- Jargar Violin Strings
- Kaplan Violin Strings
- Larsen Violin Strings
- Maestro Violin Strings
-
Violin Strings O-R
- Obligato Violin Strings
- Oliv Violin Strings
- Piranito Perpetual Strings
- Opal Titan Violin Strings
- Passione Violin Strings
- Peter Infeld Violin Strings
- Pirastro No. 1 E String
- Piranito Violin Strings
- Pirastro Gold Violin Strings
- Prelude Violin Strings
- Prim Precision Violin String
- Pro-Arte Violin Strings
- Protos Violin Strings
- Rondo Violin Strings
- Violin Strings S-Z
-
Violin Strings A-N
-
-
-
Viola Strings
- Viola Strings A-O
- Viola Strings P-Z
-
-
-
Cello Strings
-
Cello Strings A-O
- Alphayue Cello Strings
- Chorda Cello Strings
- Chromcor Cello Strings
- Clarendon Gold Strings for Cello
- Corelli Cello Strings
- Dominant Cello Strings
- Eudoxa Cello Strings
- Evah Pirazzi Cello Strings
- Helicore Cello Strings
- Jargar Cello Strings
- Kaplan Cello Strings
- Larsen Cello Strings
- Lenzner Cello Strings
- Maestro Cello Strings
- Obligato Cello Strings
- Opal Titan Cello Strings
-
Cello Strings P-Z
- NS Design Electric Cello Strings
- Passione Cello Strings
- Permanent Cello Strings
- Perpetual Cello Strings
- Piranito Cello Strings
- Prazision Cello Strings
- Prelude Cello Strings
- Prim Cello Strings
- Rondo Cello Strings
- Rostanvo Cello Strings
- Spirit Cello Strings
- Spirocore Cello Strings
- Versum Cello Strings
- Warchal Cello Strings
- ZMT - C Extension Cello Strings
-
Cello Strings A-O
-
-
-
Double Bass Strings
-
Double Bass Strings
- Belcanto Double Bass Strings
- Dominant Double Bass Strings
- Eudoxa Double Bass Strings
- Evah Pirazzi Double Bass Strings
- Helicore Double Bass Strings
- Kaplan Double Bass Strings
- Maestro Double Bass Strings
- NS Electric Double Bass Strings
- Obligato Double Bass Strings
- Prazision Double Bass Strings
- Prelude Double Bass Strings
- Spirocore Double Bass Strings
- Superflexible DBass Strings
-
Double Bass Strings
-
-
-
Bows
-
-
Cases
-
-
Accessories
-
-
Learn - All Grades
-
-
-
-
-
Beginner Methods A-N
- Abracadabra
- Adventures in Violinland
- The ABC's books
- All for Strings books
- Artistry in Strings
- A Tune A Day Books
- Blackwell Books
- Colour Strings Books
- Edward Huws Jones
- Encore On Strings
- Essential Elements
- Flying Start for Strings
- L Fin Beginning Ensemble Series
- Katherine and Hugh Colledge
- Mary Cohen Books
- Nelson Books
- New Directions for Strings
-
-
-
-
Perform
-
-
Violin Sheet Music
-
Composers Violin A-C
- Accolay, Jean Baptiste
- Achron, Joseph Yulyevich
- Albinoni, Tomaso
- Arne, Thomas Augustine
- Bach, Johann Sebastian
- Beethoven, Ludwig van
- Bloch, Ernest
- Beriot, Charles Auguste De
- Brahms, Johannes
- Bridge, Frank
- Bruch, Max
- Carse, Adam
- Campagnoli, Bartolomeo
- Cerulli, Bob
- Chausson, Ernest
- Chopin, Frédéric François
- Copland, Aaron
- Corelli, Arcangelo
- Corigliano, John
-
Composers Violin D-G
- Dancla, Charles
- Debussy, Claude
- Delius, Frederick
- De Falla, Manuel
- Dinicu, Grigoraș Ionică
- Doflein, Elma
- Drdla, Franz
- Dvorak, Antonin
- Eccles, Henri
- Edwards, Ross
- Elgar, Edward
- Faure, Gabriel
- Finzi, Gerald
- Fiocco, Joseph Hector
- Franck, César-Auguste
- Gade, Jacob
- Guareschi, Giovannino
- Giazotto, Remo
- Górecki, Henryk
- Glazunov, Alexander
- Composers Violin H-K
- Composers Violin L-M
-
Composers Violin N-T
- Perlman, Itzhak
- Paganini, Niccolò
- Power, James
- Prokofiev, Sergei
- Rachmaninoff, Sergei
- Ravel, Maurice
- Rieding, Oskar
- Rimsky-Korsakov, Nikolai
- Rode, Jacques Pierre Joseph
- Saint-Saens, Camille
- Sarasate, Pablo de
- Schumann, Robert
- Schubert, Franz
- Schradieck, Henry
- Seitz, Friedrich
- Shostakovich, Dmitri
- Sibelius, Jean
- Smetana, Bedrich
- Spohr, Louis
- Solos for Young Violinists
- Strauss, Richard
- Stravinsky, Igor
- Suk , Josef
- Szelenyi, Istvan
- Szymanowski, Karol
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Composers Violin U-Z
- Popular Violin Sheet Music
- Other Violin Sheet Music
-
Composers Violin A-C
-
-
-
Viola Sheet Music
-
Composers Viola A-C
- Accolay, Jean-Baptiste
- Anderson, Kenneth
- Bach, Johann Christian
- Bach, Carl Philipp Emanuel
- Bach, Johann Sebastian
- Bartók, Béla
- Bax, Arnold
- Beethoven, Ludwig van
- Bériot, Charles Auguste de
- Biber, Heinrich Ignaz Franz
- Bloch, Ernest
- Boccherini, Luigi
- Böhm, Karlheinz
- Bohm, Theobald
- Bowen, York
- Brahms, Johannes
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max Felix
- Butterworth, Arthur
- Carter, Elliott
- Clarke, Rebecca
- Corelli, Arcangelo
- Corrette, Michel
-
Composers Viola D-G
- Dale, Benjamin
- Dean, Brett
- Debussy, Claude
- Dittersdorf, Carl Ditters von
- Dodgson, Stephen
- Dounis, Demetrius Constantine
- Dvořák, Antonín
- Eccles, Henry
- Elgar, Edward
- Eliot, Norton, Charles
- Enesco, Georges
- Fauré, Gabriel
- Fiocco, Joseph-Hector
- Forbes, Watson
- Franck, Cesar
- Francoeur, François
- Fuchs, Lillian
- Gershwin, George
- Glazunov, Alexander
- Glinka, Mikhail
- Granados, Enrique
-
Composers Viola H-K
- Handel, George Frideric
- Handoshkin, Ivan Evstafeivich
- Haydn, Joseph
- Hindemith, Paul
- Hoffmeister, Franz Anton
- Hovhaness, Alan
- Hubay, Jenő
- Hyde, Miriam Beatrice
- Jacob, Gordon
- Joachim, Joseph
- Jones, Matthew
- Kalliwoda, Johann Wenzel
- Kayser, Heinrich Ernst
- Kreisler, Fritz
- Kreutzer, Rodolphe
- Küchler, Ferdinand
- Jenkinson, Ezra
- Composers Viola L-M
-
Composers Viola N-R
- Pachelbel, Johann
- Nyman, Michael
- Onslow, George
- Paganini, Niccolò
- Pergolesi, Giovanni Battista
- Piatigorsky, Gregor
- Piazzolla, Astor
- Prokofiev, Sergei
- Puccini, Giacomo
- Purcell, Henry
- Rachmaninoff, Sergei
- Ravel, Maurice
- Reger, Max
- Reinecke, Carl
- Richardson, Alan
- Rieding, Oskar
- Rimsky-Korsakov, Nikolai Andreyevich
- Rivier, Jean
- Rode, Jacques Pierre Joseph
- Composers Viola S-T
- Composers Viola U-Z
- Popular Viola Sheet Music
- Other Viola Sheet Music
-
Composers Viola A-C
-
-
-
Cello Sheet Music
-
Composers Cello A-C
- Andriessen, Louis
- Bach, Johann Sebastian
- Bantock, Granville
- Bartók, Béla
- Beethoven, Ludwig van
- Bloch, Ernest
- Boccherini, Luigi
- Boëllmann, Léon
- Brahms, Johannes
- Bréval, Jean-Baptiste
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max
- Caix d'Hervelois, Louis de
- Carse, Adam
- Cassadó, Gaspar
- Cirri, Giovanni Battista
- Clarke, Rebecca
-
Composers Cello D-G
- Dare, Marie
- Davydov, Karl
- Debussy, Claude Achille
- Fesch, Willem de
- Dvorak, Antonin Leopold
- Eccles, Henry
- Elgar, Sir Edward
- Falla, Manuel de
- Faure, Gabriel-Urbain
- Ferguson, Howard
- Feuillard, Louis
- Foss, Lukas
- Franchomme, Auguste
- Francoeur, François
- Gabrieli, Giovanni
- Galliard, Johann Ernst
- Glazunov, Alexander
- Goens, Daniël van
- Goltermann, Georg
- Guymer, Ingrid
- Granados, Enrique
- Gounod, Charles François
- Composers Cello H-K
- Composers Cello L-M
- Composers Cello N-R
-
Composers Cello S-T
- Saint-Saëns, Camille
- Sammartini, Giuseppe
- Sassmannshaus, Kurt
- Schubert, Franz
- Schumann, Robert Alexander
- Sculthorpe, Peter
- Senaillé, Jean Baptiste
- Shostakovich, Dmitri
- Sibelius, Jean
- Squire, William Henry
- Strauss, Richard
- Stravinsky, Igor
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Trowell, Arnold
- Composers Cello U-Z
- Popular Cello Sheet Music
- Other Cello Sheet Music
-
Composers Cello A-C
-
-
-
-
Play Together
-
Rimsky-Korsakov, Nikolai
Nikolai Rimsky-Korsakov (18 March 1844 – 21 June 1908) was a Russian composer who was a member of the "Five" group of composers. He was a virtuoso when it came to orchestration. Capriccio Espagnol, the Russian Easter Festival Overture, the symphonic suite Scheherazade, and suites and fragments from several of his 15 operas are all staples of classical music repertory. Scheherazade shows his utilization of fairy-tale and folk subjects. Rimsky-Korsakov, like fellow composer Mily Balakirev and critic Vladimir Stasov, believed in developing a nationalistic style of classical music. This style rejected typical Western compositional approaches and combined Russian folk songs and tales with exotic harmonic, melodic, and rhythmic components known as musical orientalism. After becoming a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871, Rimsky-Korsakov developed an appreciation for Western musical techniques. He went through a three-year self-education program and became a master of Western methods, combining them with influences from Mikhail Glinka and other The Five members. Exposure to Richard Wagner's works expanded Rimsky-composition Korsakov's and orchestration techniques. Rimsky-Korsakov worked as a composer and teacher while also serving in the Russian military, first as a commander in the Imperial Russian Navy and then as the civilian Inspector of Naval Bands. He claimed that reading novels and hearing about his older brother's naval exploits sparked his interest in the ocean as a child. The musical tableau Sadko and Scheherazade, two of his best-known symphonic pieces, may have been influenced by his love of the water. As Inspector of Naval Bands, Rimsky-Korsakov improved his orchestration skills by expanding his understanding of woodwind and brass instruments. He passed on his knowledge to his students and through a textbook on orchestration written by his son-in-law Maximilian Steinberg after his death.
Rimsky-Korsakov composed a large number of original Russian nationalist works. During his decades as a teacher, he prepared compositions by The Five for performance, bringing them into the active classical repertory, and shaping a generation of future composers and musicians. As a result, Rimsky-Korsakov is regarded as "the major architect" of what is known as the "Russian style" in classical music. His effect on younger composers was especially significant. He acted as a bridge between Glinka's and The Five's autodidactism and the professionally trained composers who were the standard in Russia by the end of the nineteenth century. While Rimsky-style Korsakov was influenced by Glinka, Balakirev, Hector Berlioz, Franz Liszt, and, for a brief period, Wagner, he "directly transmitted this style to two generations of Russian composers" and influenced non-Russian composers such as Maurice Ravel, Claude Debussy, Paul Dukas, and Ottorino Respighi. Rimsky-Korsakov followed the Five's musical ideals. In the Russian Easter Festival Overture, he used Orthodox liturgical motifs, a folk song in Capriccio Espagnol, and orientalism in Scheherazade, perhaps his best-known composition. He was a prolific composer but also one who was always critical of himself. He reworked every orchestral arrangement, including his Third Symphony, some of them multiple times, such as Antar and Sadko. These alterations range from minor tempo, phrasing, and instrumental detail adjustments to total transposition and recomposition. "Study Liszt and Balakirev more closely, and you'll discover that a great deal in me is not mine," Rimsky-Korsakov told Vasily Yastrebtsev regarding the influences in his music. He was influenced by Balakirev's use of the whole tone scale, treatment of folk tunes, musical orientalism, and Liszt's harmonic daring. Even though he used Glinka and Liszt as harmonic models, his whole tone and octatonic scales demonstrate his uniqueness. These compositional approaches were created for his operas' "fantastic" portions, representing magical or supernatural characters and happenings.

6 products.
Boxed:
Sticky Header:
Sticky Add To Cart
Sticky Footer:
Font: