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Composers Violin A-C
- Accolay, Jean Baptiste
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Composers Violin D-G
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Composers Violin N-T
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- Suk , Josef
- Szelenyi, Istvan
- Szymanowski, Karol
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Viola Sheet Music
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Composers Viola A-C
- Accolay, Jean-Baptiste
- Anderson, Kenneth
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- Brahms, Johannes
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- Clarke, Rebecca
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Composers Viola D-G
- Dale, Benjamin
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- Dvořák, Antonín
- Eccles, Henry
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Composers Viola H-K
- Handel, George Frideric
- Handoshkin, Ivan Evstafeivich
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- Hyde, Miriam Beatrice
- Jacob, Gordon
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- Jones, Matthew
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- Jenkinson, Ezra
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Composers Viola N-R
- Pachelbel, Johann
- Nyman, Michael
- Onslow, George
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- Pergolesi, Giovanni Battista
- Piatigorsky, Gregor
- Piazzolla, Astor
- Prokofiev, Sergei
- Puccini, Giacomo
- Purcell, Henry
- Rachmaninoff, Sergei
- Ravel, Maurice
- Reger, Max
- Reinecke, Carl
- Richardson, Alan
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- Rode, Jacques Pierre Joseph
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Cello Sheet Music
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Composers Cello A-C
- Andriessen, Louis
- Bach, Johann Sebastian
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- Bloch, Ernest
- Boccherini, Luigi
- Boëllmann, Léon
- Brahms, Johannes
- Bréval, Jean-Baptiste
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max
- Caix d'Hervelois, Louis de
- Carse, Adam
- Cassadó, Gaspar
- Cirri, Giovanni Battista
- Clarke, Rebecca
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Composers Cello D-G
- Dare, Marie
- Davydov, Karl
- Debussy, Claude Achille
- Fesch, Willem de
- Dvorak, Antonin Leopold
- Eccles, Henry
- Elgar, Sir Edward
- Falla, Manuel de
- Faure, Gabriel-Urbain
- Ferguson, Howard
- Feuillard, Louis
- Foss, Lukas
- Franchomme, Auguste
- Francoeur, François
- Gabrieli, Giovanni
- Galliard, Johann Ernst
- Glazunov, Alexander
- Goens, Daniël van
- Goltermann, Georg
- Guymer, Ingrid
- Granados, Enrique
- Gounod, Charles François
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Composers Cello S-T
- Saint-Saëns, Camille
- Sammartini, Giuseppe
- Sassmannshaus, Kurt
- Schubert, Franz
- Schumann, Robert Alexander
- Sculthorpe, Peter
- Senaillé, Jean Baptiste
- Shostakovich, Dmitri
- Sibelius, Jean
- Squire, William Henry
- Strauss, Richard
- Stravinsky, Igor
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Trowell, Arnold
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Composers Cello A-C
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Play Together
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School Orchestra A-H
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Dvorak, Antonin
Antonin Dvoák (8 September 1841 - 1 May 1904) was a renowned Czech composer who achieved international acclaim during the Romantic era. His music, deeply rooted in the folk traditions of Moravia and Bohemia, showcased a unique fusion of nationalistic elements with symphonic traditions. Dvoák's innovative approach revolutionized the symphonic landscape, captivating audiences worldwide.
Childhood and Musical Talent
Antonin Dvoák's musical journey began at a young age. Born on September 8, 1841, in Nelahozeves, a small village in Bohemia, he showed exceptional talent as a violinist from a tender age. At just six years old, he embarked on violin lessons, quickly mastering the instrument. This early exposure to music instilled a lifelong passion within Dvoák, setting the stage for his remarkable career.
Early Performances and Recognition
Dvoák's first public performances took place in Prague in 1872, marking the beginning of his professional career. However, it was in 1873, at the age of 31, that he garnered significant attention and acclaim. His compositions captivated audiences, earning him recognition as a rising musical genius. Seeking to expand his fame beyond Prague, Dvoák submitted his First Symphony to a prestigious competition in Germany. Although he did not win, this endeavor caught the attention of renowned composer Johannes Brahms, who was part of the jury.
Brahms' Influence and International Recognition
Johannes Brahms, deeply impressed by Dvoák's talent, introduced the aspiring composer to his publisher, Simrock. This encounter paved the way for Dvoák's breakthrough composition, the Slavonic Dances, Op. 46. These vibrant and melodious dances, commissioned by Simrock, quickly gained popularity and established Dvoák's international reputation. In 1878, the Berlin music critic Louis Ehlert praised the Slavonic Dances, and they became a commercial success.
Exploration of Sacred Music and Stabat Mater
In 1880, Dvoák ventured into the realm of sacred music with his composition of Stabat Mater. This powerful choral work premiered in Prague, captivating audiences and receiving widespread acclaim. Its success extended beyond Czech borders, as it made a significant impact when performed in London in 1883. The Stabat Mater continued to resonate with audiences across the United Kingdom and the United States, solidifying Dvoák's position as a prominent composer.
English Connections and the London Philharmonic Orchestra
Dvoák's relationship with England flourished, as he visited the country nine times throughout his career. He conducted performances of his own compositions, forging connections with the British musical community. His Seventh Symphony was composed specifically for the London Philharmonic Orchestra, further cementing his ties to England. In March 1890, Dvoák embarked on a visit to Russia, where he showcased his compositions through concerts in Moscow and Saint Petersburg.
Appointment at the Prague Conservatory
In 1891, Dvoák was appointed as a professor at the Prague Conservatory. This prestigious position allowed him to nurture young musical talents and contribute to the development of Czech music. During this period, he composed one of his most celebrated chamber works, the Dumky Trio. This piece exemplifies Dvoák's ability to blend folk influences with classical forms, captivating listeners with its emotional depth and melodic richness.
Journey to the United States
In 1892, Dvoák embarked on a new chapter in his life by accepting the position of director at the National Conservatory of Music in New York City. This move provided him with the opportunity to explore American musical traditions and foster cultural exchange. Jeannette Thurber, the president of the conservatory, offered Dvoák a substantial salary, allowing him to experience financial security and unprecedented recognition.
Iconic Works: Symphony From the New World and Cello Concerto
It was during his time in the United States that Dvoák composed two of his most iconic orchestral works. The Symphony From the New World, often regarded as his masterpiece, showcases Dvoák's ability to infuse American themes with his distinctive musical language. This symphony, characterized by its lyrical melodies and incorporation of Native American and African American musical elements, solidified Dvoák's status as a visionary composer.
Dvoák's Cello Concerto, another renowned composition, stands as one of the most highly acclaimed works in the cello repertoire. Its technical virtuosity and emotional depth have captivated audiences for generations, earning it a place among the greatest concertos ever written.
Spillville, Iowa: Inspiration and Creativity
In the summer of 1893, Dvoák sought solace and inspiration in the small town of Spillville, Iowa. Immersed in a community predominantly composed of Czech immigrants, he found comfort and a sense of belonging. The tranquil surroundings of Spillville, often referred to as his "summer Vysoka," influenced his creative output. It was during this time that Dvoák composed his renowned String Quartet in F Major, Op. 96, known as the American Quartet, a testament to his time spent in the United States.
Return to Bohemia and Lasting Legacy
Despite his successful tenure in the United States, Dvoák's longing for his homeland eventually led him back to Bohemia in 1895. His reputation had soared in Europe, and he was hailed as a national treasure. Dvoák's operas, often featuring Czech librettos and reflecting the spirit of the Czech people, became beloved staples of the repertoire. Among his operatic works, Rusalka stands as the most popular, capturing the essence of Czech folklore and mythology.
Dvoák's diverse body of work extends beyond operas and symphonies. His eighth Humoresque and the ballad "Songs My Mother Taught Me" are among his lesser-known compositions, frequently performed and recorded. His ability to effortlessly navigate various musical forms and genres solidifies his position as one of the most versatile composers of his time.
Conclusion
Antonin Dvoák's musical journey encompasses a lifetime of innovation, exploration, and cultural exchange. His ability to fuse folk influences with symphonic traditions revolutionized the classical music landscape, earning him international acclaim. From his early successes in Prague to his groundbreaking compositions in the United States, Dvoák's legacy continues to captivate audiences worldwide. The annual Dvoák Prague International Music Festival stands as a testament to his enduring influence and serves as a celebration of his life and achievements.
10 products.
Dvorak, Slavonic Dance Themes No. 1 G min for Violin (Lengnick)
Dvorak, Sonatine Op. 100 for Violin (Peters)
Dvorak, Ballade Op. 15 for Violin and Piano
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