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Violin Strings H-O
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Violin Strings A-G
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Cello Strings
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Violin Sheet Music
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Composers Violin A-C
- Accolay, Jean Baptiste
- Achron, Joseph Yulyevich
- Albinoni, Tomaso
- Arne, Thomas Augustine
- Bach, Johann Sebastian
- Beethoven, Ludwig van
- Bloch, Ernest
- Beriot, Charles Auguste De
- Brahms, Johannes
- Bridge, Frank
- Bruch, Max
- Carse, Adam
- Campagnoli, Bartolomeo
- Cerulli, Bob
- Chausson, Ernest
- Chopin, Frédéric François
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- Corigliano, John
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Composers Violin D-G
- Dancla, Charles
- Debussy, Claude
- Delius, Frederick
- De Falla, Manuel
- Dinicu, Grigoraș Ionică
- Doflein, Elma
- Drdla, Franz
- Dvorak, Antonin
- Eccles, Henri
- Edwards, Ross
- Elgar, Edward
- Faure, Gabriel
- Finzi, Gerald
- Fiocco, Joseph Hector
- Franck, César-Auguste
- Gade, Jacob
- Guareschi, Giovannino
- Giazotto, Remo
- Górecki, Henryk
- Glazunov, Alexander
- Composers Violin H-K
- Composers Violin L-M
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Composers Violin N-T
- Perlman, Itzhak
- Paganini, Niccolò
- Power, James
- Prokofiev, Sergei
- Rachmaninoff, Sergei
- Ravel, Maurice
- Rieding, Oskar
- Rimsky-Korsakov, Nikolai
- Rode, Jacques Pierre Joseph
- Saint-Saens, Camille
- Sarasate, Pablo de
- Schumann, Robert
- Schubert, Franz
- Schradieck, Henry
- Seitz, Friedrich
- Shostakovich, Dmitri
- Sibelius, Jean
- Smetana, Bedrich
- Spohr, Louis
- Solos for Young Violinists
- Strauss, Richard
- Stravinsky, Igor
- Suk , Josef
- Szelenyi, Istvan
- Szymanowski, Karol
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Piazzolla, Astor
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- Popular Violin Sheet Music
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Composers Violin A-C
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Viola Sheet Music
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Composers Viola A-C
- Accolay, Jean-Baptiste
- Anderson, Kenneth
- Bach, Johann Christian
- Bach, Carl Philipp Emanuel
- Bach, Johann Sebastian
- Bartók, Béla
- Bax, Arnold
- Beethoven, Ludwig van
- Bériot, Charles Auguste de
- Biber, Heinrich Ignaz Franz
- Bloch, Ernest
- Boccherini, Luigi
- Böhm, Karlheinz
- Bohm, Theobald
- Bowen, York
- Brahms, Johannes
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max Felix
- Butterworth, Arthur
- Carter, Elliott
- Clarke, Rebecca
- Corelli, Arcangelo
- Corrette, Michel
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Composers Viola D-G
- Dale, Benjamin
- Dean, Brett
- Debussy, Claude
- Dittersdorf, Carl Ditters von
- Dodgson, Stephen
- Dounis, Demetrius Constantine
- Dvořák, Antonín
- Eccles, Henry
- Elgar, Edward
- Eliot, Norton, Charles
- Enesco, Georges
- Fauré, Gabriel
- Fiocco, Joseph-Hector
- Forbes, Watson
- Franck, Cesar
- Francoeur, François
- Fuchs, Lillian
- Gershwin, George
- Glazunov, Alexander
- Glinka, Mikhail
- Granados, Enrique
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Composers Viola H-K
- Handel, George Frideric
- Handoshkin, Ivan Evstafeivich
- Haydn, Joseph
- Hindemith, Paul
- Hoffmeister, Franz Anton
- Hovhaness, Alan
- Hubay, Jenő
- Hyde, Miriam Beatrice
- Jacob, Gordon
- Joachim, Joseph
- Jones, Matthew
- Kalliwoda, Johann Wenzel
- Kayser, Heinrich Ernst
- Kreisler, Fritz
- Kreutzer, Rodolphe
- Küchler, Ferdinand
- Jenkinson, Ezra
- Composers Viola L-M
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Composers Viola N-R
- Pachelbel, Johann
- Nyman, Michael
- Onslow, George
- Paganini, Niccolò
- Pergolesi, Giovanni Battista
- Piatigorsky, Gregor
- Piazzolla, Astor
- Prokofiev, Sergei
- Puccini, Giacomo
- Purcell, Henry
- Rachmaninoff, Sergei
- Ravel, Maurice
- Reger, Max
- Reinecke, Carl
- Richardson, Alan
- Rieding, Oskar
- Rimsky-Korsakov, Nikolai Andreyevich
- Rivier, Jean
- Rode, Jacques Pierre Joseph
- Composers Viola S-T
- Composers Viola U-Z
- Popular Viola Sheet Music
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Composers Viola A-C
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Cello Sheet Music
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Composers Cello A-C
- Andriessen, Louis
- Bach, Johann Sebastian
- Bantock, Granville
- Bartók, Béla
- Beethoven, Ludwig van
- Bloch, Ernest
- Boccherini, Luigi
- Boëllmann, Léon
- Brahms, Johannes
- Bréval, Jean-Baptiste
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max
- Caix d'Hervelois, Louis de
- Carse, Adam
- Cassadó, Gaspar
- Cirri, Giovanni Battista
- Clarke, Rebecca
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Composers Cello D-G
- Dare, Marie
- Davydov, Karl
- Debussy, Claude Achille
- Fesch, Willem de
- Dvorak, Antonin Leopold
- Eccles, Henry
- Elgar, Sir Edward
- Falla, Manuel de
- Faure, Gabriel-Urbain
- Ferguson, Howard
- Feuillard, Louis
- Foss, Lukas
- Franchomme, Auguste
- Francoeur, François
- Gabrieli, Giovanni
- Galliard, Johann Ernst
- Glazunov, Alexander
- Goens, Daniël van
- Goltermann, Georg
- Guymer, Ingrid
- Granados, Enrique
- Gounod, Charles François
- Composers Cello H-K
- Composers Cello L-M
- Composers Cello N-R
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Composers Cello S-T
- Saint-Saëns, Camille
- Sammartini, Giuseppe
- Sassmannshaus, Kurt
- Schubert, Franz
- Schumann, Robert Alexander
- Sculthorpe, Peter
- Senaillé, Jean Baptiste
- Shostakovich, Dmitri
- Sibelius, Jean
- Squire, William Henry
- Strauss, Richard
- Stravinsky, Igor
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Trowell, Arnold
- Composers Cello U-Z
- Popular Cello Sheet Music
- Other Cello Sheet Music
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Composers Cello A-C
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Play Together
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School Orchestra A-H
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Achron, Joseph Yulyevich
Joseph Yulyevich Achron (1886-1943) was a renowned Russian violinist and composer who left an indelible mark on the world of music. His unique style, influenced by his deep connection to Jewish music, set him apart from his contemporaries. Despite being hailed as one of the most undervalued modern composers, Achron's work continues to captivate audiences to this day.
Early Years and Fascination with Jewish Music
Born on May 1, 1886, in Russia, Joseph Yulyevich Achron displayed prodigious talent from a young age. His fascination with Jewish music and his ambition to create a distinct Jewish harmonic and contrapuntal style would shape his entire career. In 1911, Achron became a member of the Society for Jewish Folk Music, dedicating his life to the study and practice of Jewish music. His commitment to this cause would become the defining characteristic of his work.
Recognition and Career Beginnings
Achron's talent and dedication to Jewish music quickly garnered attention, and his compositions began to gain recognition. His first notable "Jewish" work, the Hebrew Melody, gained instant recognition thanks to the interpretation of renowned violinist Jascha Heifetz. This piece showcased Achron's ability to infuse Jewish elements into his compositions, captivating audiences with its emotional depth and melodic richness.
World War I and Post-War Success
The outbreak of World War I disrupted Achron's career, as he was conscripted into the Russian Army from 1916 to 1918. However, even in the midst of war, Achron's passion for music remained unwavering. Following the war, he embarked on a series of successful concert tours across Europe, the Near East, and Russia. Between 1919 and 1922, Achron performed over 1000 concerts, solidifying his reputation as a virtuoso violinist and composer.
Berlin and the Creation of Jibneh
In 1922, Achron relocated to Berlin, Germany, where he co-founded the Jewish music publishing house Jibneh with Mikhail Gnessin. This venture allowed Achron to further explore and promote Jewish music, establishing him as a leading figure in the Jewish music community. Achron's time in Berlin also provided him with opportunities to collaborate with other esteemed musicians, broadening his artistic horizons.
Arrival in the United States
In 1925, Achron made a significant move to the United States, where he began teaching violin at the Westchester Conservatory in New York. This marked a new chapter in his career, as he sought to share his knowledge and passion for music with aspiring musicians. Achron's expertise as a violinist and composer attracted attention, and in 1927, he had the honor of giving his Violin Concerto No. 1 to the Boston Symphony Orchestra, further solidifying his reputation as a composer of note.
The International Stage and Film Music
Achron's talent extended beyond the concert hall, as he ventured into the world of film music composition. In 1934, he relocated to Hollywood, California, where he composed music for films while continuing to perform as a concert violinist. His ability to seamlessly blend his classical training with the demands of the film industry showcased his versatility as a composer.
Achron's Violin Concertos
Throughout his career, Achron composed three violin concertos, each displaying his artistic maturity and evolution. In 1936, he debuted his Violin Concerto No. 2 with the Los Angeles Philharmonic Orchestra, captivating audiences with its intricate melodies and innovative harmonies. Jascha Heifetz, a close friend and collaborator, commissioned Achron's third violin concerto in 1939, a testament to their enduring partnership and Achron's significant contributions to the violin repertoire.
Experimental Techniques and Legacy
As Achron's career progressed, he delved into experimental techniques such as atonality and polytonality, pushing the boundaries of traditional composition. His willingness to explore new musical territories showcased his relentless pursuit of artistic growth. Achron's final work, the Concerto for solo piano, Op. 74, exemplified his adventurous spirit and marked the culmination of his artistic journey.
Final Years and Legacy
Tragically, Joseph Yulyevich Achron's life was cut short when he passed away in Hollywood in 1943. However, his impact on the world of music continues to resonate. A year after his death, the Joseph Achron Memorial Committee was founded by prominent composers, instrumentalists, conductors, and critics, testament to the lasting influence of his music.
Conclusion
Joseph Yulyevich Achron's life and musical journey were defined by his unwavering dedication to Jewish music and his relentless pursuit of artistic innovation. His compositions, infused with Jewish elements, continue to inspire and move audiences worldwide. Despite being underappreciated during his lifetime, Achron's legacy as a violinist and composer has endured, solidifying his place among the greats of classical music. As we reflect on his life and contributions, we are reminded of the power of music to transcend boundaries and touch the deepest parts of our souls.
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