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Violin Strings
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Violin Strings A-G
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Violin Strings H-O
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Violin Strings A-G
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Viola Strings
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Cello Strings
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Cello Strings H-P
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Double Bass Strings
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Double Bass Strings
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Beginner Methods A-N
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Violin Sheet Music
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Composers Violin A-C
- Accolay, Jean Baptiste
- Achron, Joseph Yulyevich
- Albinoni, Tomaso
- Arne, Thomas Augustine
- Bach, Johann Sebastian
- Beethoven, Ludwig van
- Bloch, Ernest
- Beriot, Charles Auguste De
- Brahms, Johannes
- Bridge, Frank
- Bruch, Max
- Carse, Adam
- Campagnoli, Bartolomeo
- Cerulli, Bob
- Chausson, Ernest
- Chopin, Frédéric François
- Copland, Aaron
- Corelli, Arcangelo
- Corigliano, John
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Composers Violin D-G
- Dancla, Charles
- Debussy, Claude
- Delius, Frederick
- De Falla, Manuel
- Dinicu, Grigoraș Ionică
- Doflein, Elma
- Drdla, Franz
- Dvorak, Antonin
- Eccles, Henri
- Edwards, Ross
- Elgar, Edward
- Faure, Gabriel
- Finzi, Gerald
- Fiocco, Joseph Hector
- Franck, César-Auguste
- Gade, Jacob
- Guareschi, Giovannino
- Giazotto, Remo
- Górecki, Henryk
- Glazunov, Alexander
- Composers Violin H-K
- Composers Violin L-M
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Composers Violin N-T
- Perlman, Itzhak
- Paganini, Niccolò
- Power, James
- Prokofiev, Sergei
- Rachmaninoff, Sergei
- Ravel, Maurice
- Rieding, Oskar
- Rimsky-Korsakov, Nikolai
- Rode, Jacques Pierre Joseph
- Saint-Saens, Camille
- Sarasate, Pablo de
- Schumann, Robert
- Schubert, Franz
- Schradieck, Henry
- Seitz, Friedrich
- Shostakovich, Dmitri
- Sibelius, Jean
- Smetana, Bedrich
- Spohr, Louis
- Solos for Young Violinists
- Strauss, Richard
- Stravinsky, Igor
- Suk , Josef
- Szelenyi, Istvan
- Szymanowski, Karol
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Piazzolla, Astor
- Composers Violin U-Z
- Popular Violin Sheet Music
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Composers Violin A-C
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Viola Sheet Music
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Composers Viola A-C
- Accolay, Jean-Baptiste
- Anderson, Kenneth
- Bach, Johann Christian
- Bach, Carl Philipp Emanuel
- Bach, Johann Sebastian
- Bartók, Béla
- Bax, Arnold
- Beethoven, Ludwig van
- Bériot, Charles Auguste de
- Biber, Heinrich Ignaz Franz
- Bloch, Ernest
- Boccherini, Luigi
- Böhm, Karlheinz
- Bohm, Theobald
- Bowen, York
- Brahms, Johannes
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max Felix
- Butterworth, Arthur
- Carter, Elliott
- Clarke, Rebecca
- Corelli, Arcangelo
- Corrette, Michel
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Composers Viola D-G
- Dale, Benjamin
- Dean, Brett
- Debussy, Claude
- Dittersdorf, Carl Ditters von
- Dodgson, Stephen
- Dounis, Demetrius Constantine
- Dvořák, Antonín
- Eccles, Henry
- Elgar, Edward
- Eliot, Norton, Charles
- Enesco, Georges
- Fauré, Gabriel
- Fiocco, Joseph-Hector
- Forbes, Watson
- Franck, Cesar
- Francoeur, François
- Fuchs, Lillian
- Gershwin, George
- Glazunov, Alexander
- Glinka, Mikhail
- Granados, Enrique
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Composers Viola H-K
- Handel, George Frideric
- Handoshkin, Ivan Evstafeivich
- Haydn, Joseph
- Hindemith, Paul
- Hoffmeister, Franz Anton
- Hovhaness, Alan
- Hubay, Jenő
- Hyde, Miriam Beatrice
- Jacob, Gordon
- Joachim, Joseph
- Jones, Matthew
- Kalliwoda, Johann Wenzel
- Kayser, Heinrich Ernst
- Kreisler, Fritz
- Kreutzer, Rodolphe
- Küchler, Ferdinand
- Jenkinson, Ezra
- Composers Viola L-M
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Composers Viola N-R
- Pachelbel, Johann
- Nyman, Michael
- Onslow, George
- Paganini, Niccolò
- Pergolesi, Giovanni Battista
- Piatigorsky, Gregor
- Piazzolla, Astor
- Prokofiev, Sergei
- Puccini, Giacomo
- Purcell, Henry
- Rachmaninoff, Sergei
- Ravel, Maurice
- Reger, Max
- Reinecke, Carl
- Richardson, Alan
- Rieding, Oskar
- Rimsky-Korsakov, Nikolai Andreyevich
- Rivier, Jean
- Rode, Jacques Pierre Joseph
- Composers Viola S-T
- Composers Viola U-Z
- Popular Viola Sheet Music
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Composers Viola A-C
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Cello Sheet Music
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Composers Cello A-C
- Andriessen, Louis
- Bach, Johann Sebastian
- Bantock, Granville
- Bartók, Béla
- Beethoven, Ludwig van
- Bloch, Ernest
- Boccherini, Luigi
- Boëllmann, Léon
- Brahms, Johannes
- Bréval, Jean-Baptiste
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max
- Caix d'Hervelois, Louis de
- Carse, Adam
- Cassadó, Gaspar
- Cirri, Giovanni Battista
- Clarke, Rebecca
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Composers Cello D-G
- Dare, Marie
- Davydov, Karl
- Debussy, Claude Achille
- Fesch, Willem de
- Dvorak, Antonin Leopold
- Eccles, Henry
- Elgar, Sir Edward
- Falla, Manuel de
- Faure, Gabriel-Urbain
- Ferguson, Howard
- Feuillard, Louis
- Foss, Lukas
- Franchomme, Auguste
- Francoeur, François
- Gabrieli, Giovanni
- Galliard, Johann Ernst
- Glazunov, Alexander
- Goens, Daniël van
- Goltermann, Georg
- Guymer, Ingrid
- Granados, Enrique
- Gounod, Charles François
- Composers Cello H-K
- Composers Cello L-M
- Composers Cello N-R
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Composers Cello S-T
- Saint-Saëns, Camille
- Sammartini, Giuseppe
- Sassmannshaus, Kurt
- Schubert, Franz
- Schumann, Robert Alexander
- Sculthorpe, Peter
- Senaillé, Jean Baptiste
- Shostakovich, Dmitri
- Sibelius, Jean
- Squire, William Henry
- Strauss, Richard
- Stravinsky, Igor
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Trowell, Arnold
- Composers Cello U-Z
- Popular Cello Sheet Music
- Other Cello Sheet Music
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Composers Cello A-C
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Play Together
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School Orchestra A-H
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Carse, Adam
Adam Carse (19 May 1878 - 2 November 1958) was a highly regarded English composer, renowned for his expertise in orchestral and instrumental history. While his contributions to the study of musical instruments and orchestras are widely recognized, Carse's compositions for young string players and pianists continue to be cherished and sought after to this day.
Early Life and Education
Adam Carse was born on 19 May 1878 in England. He displayed a deep passion for music from an early age and began his musical education in Germany. Carse later pursued further studies at the prestigious Royal Academy of Music in London, where he not only honed his composition skills but also excelled as a lecturer.
Orchestral Works
Carse's compositions spanned a wide range of genres, with a particular focus on orchestral works. He composed several symphonies, showcasing his mastery of orchestration and musical storytelling. One of his early symphonic works, "The Death of Tintagiles" (1902), and the captivating "In a Balcony" (1905), which was performed at the Proms, highlight Carse's early accomplishments as an orchestral composer.
Carse's symphonies were well-received, with the second symphony, in G minor, premiering in London in November 1908. The Royal College of Music orchestra performed the piece, with Carse himself conducting. Another notable symphony, the third, was presented by the Bournemouth Municipal Orchestra on April 20, 1932. The BBC broadcasted the performance from the Bournemouth Pavilion, further solidifying Carse's reputation as a prominent orchestral composer.
Chamber Music
In addition to his orchestral works, Adam Carse also contributed significantly to the chamber music repertoire. His compositions showcased his ability to create intimate and expressive musical conversations within smaller ensembles. One notable chamber work is the "Violin Sonata" from 1921, which captivates listeners with its melodic richness and intricate interplay between the violin and piano.
Carse's "Miniature String Quartet in A minor" (1934) is another gem in his chamber music collection. This composition demonstrates his versatility as a composer, effortlessly combining various musical themes and styles to create a captivating and emotionally charged musical experience.
Pedagogical Piano Compositions
Aside from his larger-scale works, Adam Carse also composed numerous pieces for aspiring young musicians. His pedagogical piano compositions are particularly beloved and continue to be cherished by piano students and teachers alike. One such work is the "Miniature Scherzo," which was selected as one of the ten test pieces for the Daily Express national piano playing competition in 1928. The piece's technical challenges and expressive qualities make it a valuable addition to piano repertoire for students.
Contributions to Orchestral History
While Adam Carse's compositional achievements are widely celebrated, his contributions to the field of orchestral history are equally noteworthy. Carse authored two significant books that shed light on the development and evolution of orchestras over time. Published in 1940, "The Orchestra in the Eighteenth Century" provides a comprehensive exploration of orchestral practices during this period, offering valuable insights into the musical landscape of the time.
Carse's second book, "The Orchestra from Beethoven to Berlioz," published in 1948, delves into the Romantic era, examining the orchestral innovations and advancements that took place during this transformative period in music history. These books remain essential resources for scholars, musicians, and music enthusiasts interested in understanding the development of orchestras throughout history.
Legacy and Recognition
Adam Carse's contributions to music, both as a composer and a historian, have earned him widespread recognition and acclaim. His compositions continue to be performed and appreciated by musicians and audiences worldwide. Carse's passion for music education is also reflected in his compositions tailored for students of diverse abilities, ensuring that his musical legacy lives on through the next generation of musicians.
In recognition of his immense contributions to the field of music, Adam Carse was appointed as a Fellow and Professor at the Royal Academy of Music, where he had once studied. His dedication to preserving musical history led him to donate his extensive collection of over 350 antique wind instruments to the Horniman Museum, where they continue to be cherished and studied today.
Conclusion
Adam Carse's life and musical legacy resonate with musicians and music enthusiasts alike. His compositions, ranging from symphonies and chamber music to pedagogical piano pieces, showcase his versatility and talent as a composer. Simultaneously, his contributions to orchestral history through his insightful books have provided invaluable resources for those interested in understanding the evolution of orchestras. Adam Carse's impact on the world of music continues to be felt, ensuring that his contributions endure for generations to come.
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