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Violin Strings A-G
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Violin Strings H-O
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Viola Strings A-O
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Cello Strings
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Violin Sheet Music
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Composers Violin A-C
- Accolay, Jean Baptiste
- Achron, Joseph Yulyevich
- Albinoni, Tomaso
- Arne, Thomas Augustine
- Bach, Johann Sebastian
- Beethoven, Ludwig van
- Bloch, Ernest
- Beriot, Charles Auguste De
- Brahms, Johannes
- Bridge, Frank
- Bruch, Max
- Carse, Adam
- Campagnoli, Bartolomeo
- Cerulli, Bob
- Chausson, Ernest
- Chopin, Frédéric François
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- Corigliano, John
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Composers Violin D-G
- Dancla, Charles
- Debussy, Claude
- Delius, Frederick
- De Falla, Manuel
- Dinicu, Grigoraș Ionică
- Doflein, Elma
- Drdla, Franz
- Dvorak, Antonin
- Eccles, Henri
- Edwards, Ross
- Elgar, Edward
- Faure, Gabriel
- Finzi, Gerald
- Fiocco, Joseph Hector
- Franck, César-Auguste
- Gade, Jacob
- Guareschi, Giovannino
- Giazotto, Remo
- Górecki, Henryk
- Glazunov, Alexander
- Composers Violin H-K
- Composers Violin L-M
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Composers Violin N-T
- Perlman, Itzhak
- Paganini, Niccolò
- Power, James
- Prokofiev, Sergei
- Rachmaninoff, Sergei
- Ravel, Maurice
- Rieding, Oskar
- Rimsky-Korsakov, Nikolai
- Rode, Jacques Pierre Joseph
- Saint-Saens, Camille
- Sarasate, Pablo de
- Schumann, Robert
- Schubert, Franz
- Schradieck, Henry
- Seitz, Friedrich
- Shostakovich, Dmitri
- Sibelius, Jean
- Smetana, Bedrich
- Spohr, Louis
- Strauss, Richard
- Stravinsky, Igor
- Suk , Josef
- Szelenyi, Istvan
- Szymanowski, Karol
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Piazzolla, Astor
- Composers Violin U-Z
- Popular Violin Sheet Music
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Composers Violin A-C
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Viola Sheet Music
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Composers Viola A-C
- Accolay, Jean-Baptiste
- Anderson, Kenneth
- Bach, Johann Christian
- Bach, Carl Philipp Emanuel
- Bach, Johann Sebastian
- Bartók, Béla
- Bax, Arnold
- Beethoven, Ludwig van
- Bériot, Charles Auguste de
- Biber, Heinrich Ignaz Franz
- Bloch, Ernest
- Boccherini, Luigi
- Böhm, Karlheinz
- Bohm, Theobald
- Bowen, York
- Brahms, Johannes
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max Felix
- Butterworth, Arthur
- Carter, Elliott
- Clarke, Rebecca
- Corelli, Arcangelo
- Corrette, Michel
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Composers Viola D-G
- Dale, Benjamin
- Dean, Brett
- Debussy, Claude
- Dittersdorf, Carl Ditters von
- Dodgson, Stephen
- Dounis, Demetrius Constantine
- Dvořák, Antonín
- Eccles, Henry
- Elgar, Edward
- Eliot, Norton, Charles
- Enesco, Georges
- Fauré, Gabriel
- Fiocco, Joseph-Hector
- Forbes, Watson
- Franck, Cesar
- Francoeur, François
- Fuchs, Lillian
- Gershwin, George
- Glazunov, Alexander
- Glinka, Mikhail
- Granados, Enrique
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Composers Viola H-K
- Handel, George Frideric
- Handoshkin, Ivan Evstafeivich
- Haydn, Joseph
- Hindemith, Paul
- Hoffmeister, Franz Anton
- Hovhaness, Alan
- Hubay, Jenő
- Hyde, Miriam Beatrice
- Jacob, Gordon
- Joachim, Joseph
- Jones, Matthew
- Kalliwoda, Johann Wenzel
- Kayser, Heinrich Ernst
- Kreisler, Fritz
- Kreutzer, Rodolphe
- Küchler, Ferdinand
- Jenkinson, Ezra
- Composers Viola L-M
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Composers Viola N-R
- Pachelbel, Johann
- Nyman, Michael
- Onslow, George
- Paganini, Niccolò
- Pergolesi, Giovanni Battista
- Piatigorsky, Gregor
- Piazzolla, Astor
- Prokofiev, Sergei
- Puccini, Giacomo
- Purcell, Henry
- Rachmaninoff, Sergei
- Ravel, Maurice
- Reger, Max
- Reinecke, Carl
- Richardson, Alan
- Rieding, Oskar
- Rimsky-Korsakov, Nikolai Andreyevich
- Rivier, Jean
- Rode, Jacques Pierre Joseph
- Composers Viola S-T
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Composers Viola A-C
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Cello Sheet Music
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Composers Cello A-C
- Andriessen, Louis
- Bach, Johann Sebastian
- Bantock, Granville
- Bartók, Béla
- Beethoven, Ludwig van
- Bloch, Ernest
- Boccherini, Luigi
- Boëllmann, Léon
- Brahms, Johannes
- Bréval, Jean-Baptiste
- Bridge, Frank
- Britten, Benjamin
- Bruch, Max
- Caix d'Hervelois, Louis de
- Carse, Adam
- Cassadó, Gaspar
- Cirri, Giovanni Battista
- Clarke, Rebecca
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Composers Cello D-G
- Dare, Marie
- Davydov, Karl
- Debussy, Claude Achille
- Fesch, Willem de
- Dvorak, Antonin Leopold
- Eccles, Henry
- Elgar, Sir Edward
- Falla, Manuel de
- Faure, Gabriel-Urbain
- Ferguson, Howard
- Feuillard, Louis
- Foss, Lukas
- Franchomme, Auguste
- Francoeur, François
- Gabrieli, Giovanni
- Galliard, Johann Ernst
- Glazunov, Alexander
- Goens, Daniël van
- Goltermann, Georg
- Guymer, Ingrid
- Granados, Enrique
- Gounod, Charles François
- Composers Cello H-K
- Composers Cello L-M
- Composers Cello N-R
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Composers Cello S-T
- Saint-Saëns, Camille
- Sammartini, Giuseppe
- Sassmannshaus, Kurt
- Schubert, Franz
- Schumann, Robert Alexander
- Sculthorpe, Peter
- Senaillé, Jean Baptiste
- Shostakovich, Dmitri
- Sibelius, Jean
- Squire, William Henry
- Strauss, Richard
- Stravinsky, Igor
- Tartini, Giuseppe
- Tchaikovsky, Pyotr Ilyich
- Telemann, Georg Philipp
- Trowell, Arnold
- Composers Cello U-Z
- Popular Cello Sheet Music
- Other Cello Sheet Music
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Composers Cello A-C
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Play Together
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School Orchestra A-H
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Finzi, Gerald
Gerald Finzi, a renowned composer from the United Kingdom, left an indelible mark on the world of music with his beautiful and evocative compositions. Born on July 14, 1901, Finzi's journey as a composer was shaped by personal loss, the beauty of the English countryside, and a deep connection to the poetry of Thomas Hardy.
Early Influences and Musical Beginnings
At the tender age of seven, Finzi experienced a significant loss when his father passed away. This event had a profound impact on him and would later find expression in his deeply emotive compositions. After the outbreak of the First World War, Finzi and his mother relocated to Harrogate, Yorkshire, where he began his musical education.
Under the guidance of composers Ernest Farrar and Edward Bairstow at York Minster, Finzi honed his skills in composition. The influence of these mentors would leave an indelible mark on his musical style, as he absorbed their teachings and developed his unique voice. Despite his young age, Finzi displayed tremendous talent and promise, setting the stage for a remarkable career in music.
Love for the English Countryside and the Poetry of Thomas Hardy
In 1922, drawn by the charm of the English countryside, Finzi decided to move to Painswick, Gloucestershire. Surrounded by the serene beauty of nature, he found solace and inspiration for his compositions. It was during this time that Finzi developed a deep admiration for the poetry of Thomas Hardy, whose words would become the foundation for some of his most beloved works.
One of Finzi's earliest published works, 'By Footpath and Stile' (1921-22), was a song cycle for baritones and string quartet set to texts by Thomas Hardy. This composition showcased Finzi's ability to capture the essence of Hardy's poetry and translate it into exquisite musical pieces. With this early success, Finzi's reputation as a masterful and compassionate poet-composer began to take shape.
Return to London and Encounter with Ralph Vaughan Williams
The rural and artistic solitude of Painswick eventually became overwhelming for Finzi, prompting his return to London in 1926. In the bustling city, he continued his musical studies with the esteemed RO Morris, a prominent British professor of the interwar years. It was during this time that Finzi had a fateful encounter with Ralph Vaughan Williams, a composer whose presence he recognized and admired.
Vaughan Williams, impressed by Finzi's talent, performed his Violin Concerto in 1928, providing a significant boost to Finzi's burgeoning career. This encounter also led to lasting friendships with other London-based composers such as Holst, Bliss, Rubbra, and Ferguson, who would become lifelong companions and sources of inspiration.
Teaching and Notable Successes
In 1930, Finzi was appointed as a teacher at the prestigious Royal Academy of Music. However, he left this position in 1933 after marrying artist Joy Black and decided to return to the countryside, settling in Aldbourne, Wiltshire. It was during this period that Finzi experienced notable successes with his compositions.
One such success was the full presentation of the song cycle "A Young Man's Exhortation" (1926-29) in London. This achievement, along with another early hit, 'Earth, Air, and Rain' (1928-32), solidified Finzi's reputation as a composer with a keen ability to intertwine poetry and music. These compositions showcased his mastery of melodic lines, harmonies, and poignant storytelling.
The Impact of World War II and Personal Struggles
Despite the promising trajectory of his career, Finzi's future was abruptly interrupted by the outbreak of World War II. The Three Choirs Festival's song cycle "Dies Natalis" (1925-39), which was expected to catapult him into the spotlight, was canceled due to the war. This setback, coupled with personal struggles, tested Finzi's resilience and creativity.
In 1939, Finzi and his wife relocated to Ashmansworth Farm in Hampshire. During the war years, he served in the Ministry of War Transport and opened his home to German and Czech refugees, demonstrating his compassion and commitment to helping others. Despite these challenging times, Finzi continued to compose, finding solace and inspiration even in the midst of turmoil.
Legacy and Final Years
With the establishment of peace, Finzi's career experienced a resurgence. He received numerous significant commissions, including a festival anthem, 'Lo, The Complete, Final Sacrifice' (1946-47), and a larger-scale ode, 'For St Cecilia' (1946-47). One of his most famous works, the Clarinet Concerto (1948-49), written for Frederick Thurston, showcased Finzi's ability to create captivating melodies and evoke deep emotional responses.
However, in 1951, tragedy struck when Finzi received a devastating diagnosis. He learned that he had Hodgkin's Disease, a form of leukemia, and was given between five and ten years to live. Despite the grim prognosis, Finzi remained dedicated to his craft, continuing to compose and collaborate with other musicians.
Recognition and Appreciation
In 1954, an all-Finzi concert at the Royal Festival Hall celebrated his immense contributions to British culture. This event served as a testament to Finzi's significance as a composer and solidified his place in the pantheon of influential British musicians. His music, characterized by its elegiac lyricism, mystical meditations, and moments of sparkling joy, continues to be widely appreciated and praised today.
Finzi's compositions, which encompass more than 100 songs for soloist or choir, speak to the fragility and transience of life. The deaths of his father, three siblings, and a teacher profoundly influenced his work, infusing it with a sense of melancholy and introspection. These themes have been explored in numerous books, further cementing Finzi's reputation as a composer of deep emotional resonance.
The End of an Era
On September 27, 1956, Gerald Finzi succumbed to Hodgkin's Disease, leaving behind a lasting musical legacy. The night before his passing, his Cello Concerto was broadcast for the first time, a poignant reminder of his talent and dedication to his craft. Today, his compositions continue to captivate audiences, firmly establishing him as one of the most influential British composers of the twentieth century.
Violin Compositions of Gerald Finzi
Gerald Finzi's life and music are a testament to the power of melody and the ability of music to touch the deepest corners of the human soul. His compositions, born out of personal experiences and a profound connection to nature and poetry, continue to resonate with audiences worldwide. With his unique voice and masterful craftsmanship, Finzi has left an indelible mark on the world of music, ensuring that his legacy will endure for generations to come.
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