This arrangement combines the traditional melodies The Holly and the Ivy and Good King Wenceslas. Every section has melodic lines, and the music becomes quite chromatic and adventurous harmonically and rhythmically, morphing in and out of 7/8 as it leads to a dynamic finale. (Grade 3.5, Dur 3:00)
This famous concerto, originally for lute, is a great fit for solo viola with a few minor adjustments. With three short movements in the key of D major, this work will delight audiences and gives the director a chance to highlight an outstanding violist without being overly technically taxing. Can be played all in first position, although some shifting may be preferred to execute trills. Also, an opportunity for a solo cello to play continuo.
This E minor piece emphasizes the importance of counting and rests. It includes simple rhythms, techniques like staccato, tenuto, pizzicato, and tremolo, and two sections for orchestra improvisation.
These rounds from Germany, England, Scotland, Latin America, Israel, and Australia are completely compatible with first-year method books. All are in beginner-friendly keys, have simple rhythms, use hooked bows or two-note slurs, and will help your students learn to play independently whilst becoming more comfortable in an ensemble.
