The title Luna is the Latin word for “moon,” which is the subject of this lyrical original string orchestra work by composer Yukiko Nishimura. In a lilting waltz style, the composer has described the inspiration as “imagining the sky with the moon at daytime.” Nishimura's gift for melody shines throughout, especially in the middle section which includes lush passages in the upper strings with delicate pizzicato accompaniment.<br><br>Composer/pianist Yukiko Nishimura grew up in Japan and graduated from Tokyo National University of the Arts, where she studied with Atsutada Otaka. Upon graduation, she moved to the USA to study with Alfred Reed at U of Miami and later with Richard Danielpour at the Manhattan School of Music. Nishimura has received numerous commissions in a variety of genres from solo and chamber ensembles, to works for band, orchestra, film and theater. Among her honors are two Special Mentions at the Corciano International Composer Competition in Italy, the Aoyama Award, and a 2018 Nomination for the Hollywood Music in Media Prize.
This E minor piece emphasizes the importance of counting and rests. It includes simple rhythms, techniques like staccato, tenuto, pizzicato, and tremolo, and two sections for orchestra improvisation.
This famous concerto, originally for lute, is a great fit for solo viola with a few minor adjustments. With three short movements in the key of D major, this work will delight audiences and gives the director a chance to highlight an outstanding violist without being overly technically taxing. Can be played all in first position, although some shifting may be preferred to execute trills. Also, an opportunity for a solo cello to play continuo.
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