Otakar Sevcik's "School of Bowing Technique" offers technical exercises for violinists of all levels, from beginners to advanced players. Book 6 focuses on arpeggios on all four strings and includes helpful commentary.
Otakar Sevcik, a prominent figure in the world of violin pedagogy, left a lasting legacy with his technical exercises designed to challenge and improve players of all levels. His "School of Bowing Technique" is a comprehensive guide to developing the right hand's technical skills, focusing on the bowing style, accuracy, rhythm, wrist strength and speed. Book 6 of the series is particularly useful for intermediate and advanced players as it contains methods and exercises targeting arpeggios across four strings and various rhythmic variations. This Bosworth Edition is an excellent resource for any player looking to improve their technique, as it provides additional commentary and guidance on the exercises.
Otakar Sevcik was a renowned violin teacher who developed effective and rigorous technical exercises for violin players of all skill levels - from beginners to the most advanced. His book "School of Violin Technique" covers every aspect of violin technique, including special exercises for individual technical problems and analytical studies of popular concertos. The fourth book in the series focuses on double stops and harmonics, and this Bosworth Edition includes helpful commentary on the exercises.
"School of Bowing Technique" op. 2 by Otakar Ševčík is a significant violin tutor with over 4,000 bowing exercises arranged by difficulty. The latest version combines the original six volumes into two and is primarily based on the first edition. The editor is Jaroslav Foltýn, a professor of violin at the Prague Conservatory.
• New edition of a tutor that generations of violinists have grown up with
• Fundamental work by a leading violin educator
• Three volumes in increasing order of difficulty: easy-moderate–difficult
Otakar Sevcik was a famous violin teacher who developed "Scales and Arpeggios," a comprehensive set of exercises for beginner and advanced players. The book includes scales, arpeggios, chords, broken chords, triads, and double-stopping exercises spanning over two octaves. The Bosworth Edition has helpful commentary.
This book series is intended for violin students and aims to enhance their skills in both right- and left-hand techniques. Each book includes various exercises and melodies. Part 7 mainly focuses on exercises for connecting positions, finger gliding, fifth position, and broken.
Ševcík, Changes of Position and Preparatory Scale Studies op. 8 for violin (Baerenreiter)
Ševcík wrote extensively on violin technique, covering all levels of playing. His opus 8 is one of his most important works, focusing on position changes and scales over three octaves. Our new edition is based on the original print and Ševcík's posthumous papers, edited by Jaroslav Foltýn, a professor at Prague Conservatory.
• A fundamental pedagogical work from a superb violin teacher
• With methodological notes by the editor (Cz/Eng/Ger)
Otakar Sevcik was a renowned violin instructor who developed technical exercises for violinists. This volume focuses on changing positions and preparatory studies for three-octave scales. The exercises provide a musical framework for each shift, making them more effective. This Bosworth Edition includes helpful commentary.
Otakar Sevick was a famous Czech musician and violin teacher. He authored many relevant works, including a collection of 40 studies focusing on right-hand techniques. His violin teaching methods are practical and effective even after a century. The studies include exercises for string-crossing, arpeggios, triplets, bowing style changes, staccato, legato, and more.
Otakar Sevcik's works have been the foundation for many schools of string playing worldwide since 1901. Thousands of musicians still find Sevcik's techniques extremely helpful to develop their technical skills. When practising Sevcik's exercises, players should focus on four main elements: intonation accuracy, evenness of tone, rhythm precision, and physical freedom and ease. Specifically, Opus 1 Part 1 contains exercises for the first position.
