This book series is intended for violin students and aims to enhance their skills in both right- and left-hand techniques. Each book includes various exercises and melodies. Part 7 mainly focuses on exercises for connecting positions, finger gliding, fifth position, and broken.
This book series offers a comprehensive guide for those just starting to play the violin. The books cover many techniques for mastering the skill, including those for both the right and left hand.
Each book in the series is packed with exercises and melodies that are carefully crafted to help beginners improve their playing ability. Part 7 of the series is a precious resource for violin students, including exercises focusing on connecting positions, finger gliding, fifth position, and broken. These exercises are designed to help students develop excellent mastery and control over their playing and to help them master the more advanced techniques required to take their playing to the next level.
Otakar Sevcik is a renowned violin teacher known for his effective technical exercises catering to beginner and advanced violinists. His book, "School of Bowing Technique," focuses on developing the right-hand technique, including bowing style, accuracy, rhythms, and wrist speed/strength. Book 2 covers rhythmic exercises, different bowing styles, and sustained tones. This Bosworth Edition also includes helpful commentary on the exercises.
Sevcik's Violin Studies is a century-old renowned method for improving violin technique. The Third part of Opus 1 reinforces strength, dexterity, accuracy, and position change exercises. It also includes scales and arpeggios spanning three octaves.
"School of Bowing Technique" op. 2 by Otakar Ševčík is a significant violin tutor with over 4,000 bowing exercises arranged by difficulty. The latest version combines the original six volumes into two and is primarily based on the first edition. The editor is Jaroslav Foltýn, a professor of violin at the Prague Conservatory.
• New edition of a tutor that generations of violinists have grown up with
• Fundamental work by a leading violin educator
• Three volumes in increasing order of difficulty: easy-moderate–difficult
• Methodological notes by the editor (Cz/Eng/Ger)
Exercises for the Right Arm
Otakar Sevcik, a renowned violin pedagogue, created a series of "Preparatory Trill Studies" designed to help players of all levels improve their technique. These studies are rigorous and effective, covering finger placement and pressure on the strings and gradually building the trill motion from the beginning positions on the fingerboard.
Opus 7 Part 2 continues these initial principles and introduces double-stop exercises. This Bosworth Edition includes helpful commentary on the exercises to guide players through the process and improve their playing skills.
Otakar Sevcik was a famous violin teacher who developed effective technical exercises for players at all levels. His "School of Bowing Technique" focuses on right-hand precision, rhythmic accuracy, wrist speed, and strength. Book 4 covers arpeggios on two strings, and this Bosworth Edition has helpful commentary.
Otakar Sevcik's "School of Bowing Technique" offers technical exercises for violinists of all levels, from beginners to advanced players. Book 6 focuses on arpeggios on all four strings and includes helpful commentary.
Otakar Sevcik was a famous violin teacher who developed "Scales and Arpeggios," a comprehensive set of exercises for beginner and advanced players. The book includes scales, arpeggios, chords, broken chords, triads, and double-stopping exercises spanning over two octaves. The Bosworth Edition has helpful commentary.
Since 1901, the works of Otakar Sevcik have been the foundation of various schools of string playing worldwide. Many players have found Sevcik's works to be of great value in their technical development. When practising Sevcik's exercises, there are four primary aspects to consider:
• Maintaining pure intonation.
• Ensuring evenness of tone.
• Achieving exactness of rhythm.
• Promoting physical freedom and ease.
Op. 6 Part 1 contains exercises in the First Position.
