This book series is intended for violin students and aims to enhance their skills in both right- and left-hand techniques. Each book includes various exercises and melodies. Part 7 mainly focuses on exercises for connecting positions, finger gliding, fifth position, and broken.
This book series offers a comprehensive guide for those just starting to play the violin. The books cover many techniques for mastering the skill, including those for both the right and left hand.
Each book in the series is packed with exercises and melodies that are carefully crafted to help beginners improve their playing ability. Part 7 of the series is a precious resource for violin students, including exercises focusing on connecting positions, finger gliding, fifth position, and broken. These exercises are designed to help students develop excellent mastery and control over their playing and to help them master the more advanced techniques required to take their playing to the next level.
Otakar Sevick was a famous Czech musician and violin teacher. He authored many relevant works, including a collection of 40 studies focusing on right-hand techniques. His violin teaching methods are practical and effective even after a century. The studies include exercises for string-crossing, arpeggios, triplets, bowing style changes, staccato, legato, and more.
Otakar Sevcik's "School of Bowing Technique" offers technical exercises for violinists of all levels, from beginners to advanced players. Book 6 focuses on arpeggios on all four strings and includes helpful commentary.
Sevcik's Violin Studies is a century-old renowned method for improving violin technique. The Third part of Opus 1 reinforces strength, dexterity, accuracy, and position change exercises. It also includes scales and arpeggios spanning three octaves.
"School of Bowing Technique" op. 2 by Otakar Ševčík is a significant violin tutor with over 4,000 bowing exercises arranged by difficulty. The latest version combines the original six volumes into two and is primarily based on the first edition. The editor is Jaroslav Foltýn, a professor of violin at the Prague Conservatory.
• New edition of a tutor that generations of violinists have grown up with
• Fundamental work by a leading violin educator
• Three volumes in increasing order of difficulty: easy-moderate–difficult
Otakar Sevcik's works have been the foundation for many schools of string playing worldwide since 1901. Thousands of musicians still find Sevcik's techniques extremely helpful to develop their technical skills. When practising Sevcik's exercises, players should focus on four main elements: intonation accuracy, evenness of tone, rhythm precision, and physical freedom and ease. Specifically, Opus 1 Part 1 contains exercises for the first position.
Ševcík wrote extensively on violin technique, covering all levels of playing. His opus 8 is one of his most important works, focusing on position changes and scales over three octaves. Our new edition is based on the original print and Ševcík's posthumous papers, edited by Jaroslav Foltýn, a professor at Prague Conservatory.
• A fundamental pedagogical work from a superb violin teacher
• With methodological notes by the editor (Cz/Eng/Ger)
Otakar Sevcik, a renowned violin pedagogue, created a series of "Preparatory Trill Studies" designed to help players of all levels improve their technique. These studies are rigorous and effective, covering finger placement and pressure on the strings and gradually building the trill motion from the beginning positions on the fingerboard.
Opus 7 Part 2 continues these initial principles and introduces double-stop exercises. This Bosworth Edition includes helpful commentary on the exercises to guide players through the process and improve their playing skills.
Otakar Sevick was an esteemed musician and violin teacher from the Czech Republic. He authored numerous crucial studies, methods, and teaching aids. One of his works is a collection of 40 studies focusing on the right-hand technique. These exercises cover a range of areas such as string-crossing, arpeggios, triplets, changing bowing styles, staccato, legato, and more. Even after a century, these resources remain valuable for aspiring violinists.
Sevcik, 40 Variations Op. 3 Unaccompanied (Barenreiter), perhaps his best-known composition, is a favourite with violin students