Ševcík’s “Violin School” is a timeless guide that covers all aspects of violin technique, including basic exercises, specific techniques, and detailed analyses of standard concertos. The new edition of Ševcík’s “School of Violin Technique” op. 1 consists of four books and includes other sources from Ševcík’s posthumous papers. Jaroslav Foltýn, a violin professor at the Prague Conservatory, provides the methodological commentary.

• There are new editions of a violin method that generations of violinists have used available.

• The seminal work of a renowned violin educator.

• Each book includes an editorial commentary with a methodology in Czech, English, and German languages by the editor.

• Bärenreiter has recently released a new series of publications featuring Ševcík’s major works.

This book series is intended for violin students and aims to enhance their skills in both right- and left-hand techniques. Each book includes various exercises and melodies. Part 7 mainly focuses on exercises for connecting positions, finger gliding, fifth position, and broken.

Otakar Sevcik was a renowned violin teacher who developed effective and rigorous technical exercises for violin players of all skill levels - from beginners to the most advanced. His book "School of Violin Technique" covers every aspect of violin technique, including special exercises for individual technical problems and analytical studies of popular concertos. The fourth book in the series focuses on double stops and harmonics, and this Bosworth Edition includes helpful commentary on the exercises. 

Otakar Sevcik's works have been the foundation for many schools of string playing worldwide since 1901. Thousands of musicians still find Sevcik's techniques extremely helpful to develop their technical skills. When practising Sevcik's exercises, players should focus on four main elements: intonation accuracy, evenness of tone, rhythm precision, and physical freedom and ease. Specifically, Opus 1 Part 1 contains exercises for the first position.

"School of Bowing Technique" op. 2 by Otakar Ševčík is a significant violin tutor with over 4,000 bowing exercises arranged by difficulty. The latest version combines the original six volumes into two and is primarily based on the first edition. The editor is Jaroslav Foltýn, a professor of violin at the Prague Conservatory.

Exercises for the Wrist I

• New edition of a tutor that generations of violinists have grown up with

• Fundamental work by a leading violin educator

• Three volumes in increasing order of difficulty: easy-moderate–difficult

• Methodological notes by the editor (Cz/Eng/Ger)

Otakar Sevick was an esteemed musician and violin teacher from the Czech Republic. He authored numerous crucial studies, methods, and teaching aids. One of his works is a collection of 40 studies focusing on the right-hand technique. These exercises cover a range of areas such as string-crossing, arpeggios, triplets, changing bowing styles, staccato, legato, and more. Even after a century, these resources remain valuable for aspiring violinists.

Sevcik, 40 Variations Op. 3 Unaccompanied (Barenreiter), perhaps his best-known composition, is a favourite with violin students

Ševčík’s complete works cover all aspects of violin technique, from elementary to advanced levels, including specific exercises for technical problems and analytical studies of standard violin concertos. His “Preparatory Trill Studies” cover finger placement, pressure on the strings, and fingerboard action. This edition is based on the original print with other sources found in Ševcík’s posthumous papers. The editor, Jaroslav Foltýn, is a violin professor at Prague Conservatory.

• Fundamental pedagogical work by a leading violin teacher

• With methodological notes by the editor (Cz/Eng/Ger)

• Moderate to advanced level of difficulty

Sevcik's Violin Studies is a century-old renowned method for improving violin technique. The Third part of Opus 1 reinforces strength, dexterity, accuracy, and position change exercises. It also includes scales and arpeggios spanning three octaves.