This book series is perfect for beginner violin students. It improves left and right-hand techniques with exercises and melodies. Part 4 focuses on B-Flat, E-Flat and A-Flat major scales, chromatic scale, G and C minor scales and changing keys.
If you are new to playing the violin, you will find the following series of books incredibly helpful. These books are meticulously designed to enhance all aspects of violin technique, including both left and right-hand techniques. Each book contains an extensive collection of exercises and melodies that will help you hone your skills and become a better player. Part 4 of the series is particularly noteworthy as it contains various exercises and melodies focusing on B-Flat, E-Flat, and A-Flat major scales, chromatic scales, G and C minor scales, and changing keys. By practising with this series of books, you can improve your violin technique and take your playing to the next level.
Otakar Sevcik's Violin Studies Op. 9 is a comprehensive collection of fifty-eight exercises for mastering Double Stopping on the violin. It includes extensive guidance and performance notes in four languages and provides a versatile approach to playing chords, harmonies and pedals. This book is an excellent source of technical challenges to refine your skills and expand your musical vocabulary.
Ševcík’s “School of Violin Technique” is a comprehensive guide covering every aspect of violin technique. It’s been one of violinists’ most important teaching methods for over 130 years. The latest version includes four books derived from the first edition and some unpublished works of Ševcík. Jaroslav Foltýn, a violin professor, has contributed to this latest version for an accurate methodological commentary.
• This is a brief about a new edition of a violin method that generations of violinists have used.
• It is a seminal work by a leading violin educator.
• Each book contains a methodological commentary by the editor in Czech, English, and German.
• This edition begins a series of new Bärenreiter publications of Ševcík’s principal works.
Otakar Sevcik was a renowned violin instructor who developed technical exercises for violinists. This volume focuses on changing positions and preparatory studies for three-octave scales. The exercises provide a musical framework for each shift, making them more effective. This Bosworth Edition includes helpful commentary.
Since 1901, the works of Otakar Sevcik have been the foundation of various schools of string playing worldwide. Many players have found Sevcik's works to be of great value in their technical development. When practising Sevcik's exercises, there are four primary aspects to consider:
• Maintaining pure intonation.
• Ensuring evenness of tone.
• Achieving exactness of rhythm.
• Promoting physical freedom and ease.
Op. 6 Part 1 contains exercises in the First Position.
Otakar Sevcik's works have been the foundation for many schools of string playing worldwide since 1901. Thousands of musicians still find Sevcik's techniques extremely helpful to develop their technical skills. When practising Sevcik's exercises, players should focus on four main elements: intonation accuracy, evenness of tone, rhythm precision, and physical freedom and ease. Specifically, Opus 1 Part 1 contains exercises for the first position.
This is the first part of a collection of violin studies composed and compiled by Otakar Sevcik. It includes a comprehensive set of exercises in the first position, which are great for preparing to develop double-stopping skills. These exercises are an excellent way to practice and improve your playing.
This book series is intended for beginners learning to play the violin. It aims to enhance all aspects of violin technique, including both the right- and left-hand. Each book in the series includes a variety of melodies and exercises. Part 6 of this series focuses on exercises that address 2nd, 3rd, and 4th positions, intonation, and chromatic progressions.
Ševčík’s complete works cover all aspects of violin technique, from elementary to advanced levels, including specific exercises for technical problems and analytical studies of standard violin concertos. His “Preparatory Trill Studies” cover finger placement, pressure on the strings, and fingerboard action. This edition is based on the original print with other sources found in Ševcík’s posthumous papers. The editor, Jaroslav Foltýn, is a violin professor at Prague Conservatory.
• Fundamental pedagogical work by a leading violin teacher
• With methodological notes by the editor (Cz/Eng/Ger)
• Moderate to advanced level of difficulty
