Sevcik, Op.6 Bk.4 for Violin

This book series is intended for advanced violin students to improve their technique in both right- and left-hand positions. Part 2 comprises exercises ranging from the 2nd to 7th positions.

Otakar Sevcik, a renowned violin pedagogue, created a series of "Preparatory Trill Studies" designed to help players of all levels improve their technique. These studies are rigorous and effective, covering finger placement and pressure on the strings and gradually building the trill motion from the beginning positions on the fingerboard.

Opus 7 Part 2 continues these initial principles and introduces double-stop exercises. This Bosworth Edition includes helpful commentary on the exercises to guide players through the process and improve their playing skills.

"School of Bowing Technique" op. 2 by Otakar Ševčík is a significant violin tutor with over 4,000 bowing exercises arranged by difficulty. The latest version combines the original six volumes into two and is primarily based on the first edition. The editor is Jaroslav Foltýn, a professor of violin at the Prague Conservatory.

Exercises for the Wrist I

• New edition of a tutor that generations of violinists have grown up with

• Fundamental work by a leading violin educator

• Three volumes in increasing order of difficulty: easy-moderate–difficult

• Methodological notes by the editor (Cz/Eng/Ger)

Sevcik's Violin Studies is a century-old renowned method for improving violin technique. The Third part of Opus 1 reinforces strength, dexterity, accuracy, and position change exercises. It also includes scales and arpeggios spanning three octaves.

Ševcík’s “Violin School” is a timeless guide that covers all aspects of violin technique, including basic exercises, specific techniques, and detailed analyses of standard concertos. The new edition of Ševcík’s “School of Violin Technique” op. 1 consists of four books and includes other sources from Ševcík’s posthumous papers. Jaroslav Foltýn, a violin professor at the Prague Conservatory, provides the methodological commentary.

• There are new editions of a violin method that generations of violinists have used available.

• The seminal work of a renowned violin educator.

• Each book includes an editorial commentary with a methodology in Czech, English, and German languages by the editor.

• Bärenreiter has recently released a new series of publications featuring Ševcík’s major works.

Ševcík’s “School of Violin Technique” is a comprehensive guide covering every aspect of violin technique. It’s been one of violinists’ most important teaching methods for over 130 years. The latest version includes four books derived from the first edition and some unpublished works of Ševcík. Jaroslav Foltýn, a violin professor, has contributed to this latest version for an accurate methodological commentary.

• This is a brief about a new edition of a violin method that generations of violinists have used. 

• It is a seminal work by a leading violin educator. 

• Each book contains a methodological commentary by the editor in Czech, English, and German. 

• This edition begins a series of new Bärenreiter publications of Ševcík’s principal works.

Ševčík’s complete works cover all aspects of violin technique, from elementary to advanced levels, including specific exercises for technical problems and analytical studies of standard violin concertos. His “Preparatory Trill Studies” cover finger placement, pressure on the strings, and fingerboard action. This edition is based on the original print with other sources found in Ševcík’s posthumous papers. The editor, Jaroslav Foltýn, is a violin professor at Prague Conservatory.

• Fundamental pedagogical work by a leading violin teacher

• With methodological notes by the editor (Cz/Eng/Ger)

• Moderate to advanced level of difficulty

Since 1901, the works of Otakar Sevcik have been the foundation of various schools of string playing worldwide. Many players have found Sevcik's works to be of great value in their technical development. When practising Sevcik's exercises, there are four primary aspects to consider:

• Maintaining pure intonation.

• Ensuring evenness of tone.

• Achieving exactness of rhythm.

• Promoting physical freedom and ease.

Op. 6 Part 1 contains exercises in the First Position.