Ševcík’s “School of Violin Technique” is a comprehensive guide covering every aspect of violin technique. It’s been one of violinists’ most important teaching methods for over 130 years. The latest version includes four books derived from the first edition and some unpublished works of Ševcík. Jaroslav Foltýn, a violin professor, has contributed to this latest version for an accurate methodological commentary.

• This is a brief about a new edition of a violin method that generations of violinists have used. 

• It is a seminal work by a leading violin educator. 

• Each book contains a methodological commentary by the editor in Czech, English, and German. 

• This edition begins a series of new Bärenreiter publications of Ševcík’s principal works.

This book series is intended for beginners learning to play the violin. It is designed to enhance all aspects of violin technique, including both left-hand and right-hand playing. Each book includes several melodies and exercises. In Part 5 of the series, you will find exercises focusing on accidentals, major triads, minor triads, diminished fifth/augmented fourth, and the extension of the fourth finger.

"School of Bowing Technique" op. 2 by Otakar Ševčík is a significant violin tutor with over 4,000 bowing exercises arranged by difficulty. The latest version combines the original six volumes into two and is primarily based on the first edition. The editor is Jaroslav Foltýn, a professor of violin at the Prague Conservatory.

Exercises for the Wrist I

• New edition of a tutor that generations of violinists have grown up with

• Fundamental work by a leading violin educator

• Three volumes in increasing order of difficulty: easy-moderate–difficult

• Methodological notes by the editor (Cz/Eng/Ger)

Ševčík’s complete works cover all aspects of violin technique, from elementary to advanced levels, including specific exercises for technical problems and analytical studies of standard violin concertos. His “Preparatory Trill Studies” cover finger placement, pressure on the strings, and fingerboard action. This edition is based on the original print with other sources found in Ševcík’s posthumous papers. The editor, Jaroslav Foltýn, is a violin professor at Prague Conservatory.

• Fundamental pedagogical work by a leading violin teacher

• With methodological notes by the editor (Cz/Eng/Ger)

• Moderate to advanced level of difficulty

Since 1901, the works of Otakar Sevcik have been the foundation of various schools of string playing worldwide. Many players have found Sevcik's works to be of great value in their technical development. When practising Sevcik's exercises, there are four primary aspects to consider:

• Maintaining pure intonation.

• Ensuring evenness of tone.

• Achieving exactness of rhythm.

• Promoting physical freedom and ease.

Op. 6 Part 1 contains exercises in the First Position.

Otakar Sevcik's Violin Studies Op. 9 is a comprehensive collection of fifty-eight exercises for mastering Double Stopping on the violin. It includes extensive guidance and performance notes in four languages and provides a versatile approach to playing chords, harmonies and pedals. This book is an excellent source of technical challenges to refine your skills and expand your musical vocabulary.

This book series is intended for violin students and aims to enhance their skills in both right- and left-hand techniques. Each book includes various exercises and melodies. Part 7 mainly focuses on exercises for connecting positions, finger gliding, fifth position, and broken.

Otakar Sevick was an esteemed musician and violin teacher from the Czech Republic. He authored numerous crucial studies, methods, and teaching aids. One of his works is a collection of 40 studies focusing on the right-hand technique. These exercises cover a range of areas such as string-crossing, arpeggios, triplets, changing bowing styles, staccato, legato, and more. Even after a century, these resources remain valuable for aspiring violinists.

Sevcik, 40 Variations Op. 3 Unaccompanied (Barenreiter), perhaps his best-known composition, is a favourite with violin students