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    Sevcik, Op. 1 Part 1 For Violin

    Sevcik, Op. 1 Part 1 For Violin

    $20.95

    Otakar Sevcik's works have been the foundation for many schools of string playing worldwide since 1901. Thousands of musicians still find Sevcik's techniques extremely helpful to develop their technical skills. When practising Sevcik's exercises, players should focus on four main elements: intonation accuracy, evenness of tone, rhythm precision, and physical freedom and ease. Specifically, Opus 1 Part 1 contains exercises for the first position.

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    Sevcik, Op. 1 Part 1 For Violin

    Otakar Sevcik's contributions to the world of string playing have been invaluable since 1901. His works have been used as the foundation for many schools of string playing all around the globe. Today, thousands of musicians rely on Sevcik's techniques to improve their technical abilities. 

    When practising Sevcik, musicians should pay close attention to four main elements crucial to their development: intonation accuracy, evenness of tone, rhythm precision, and physical freedom and ease. These elements are essential to playing scales, etudes, and pieces. 

    Opus 1 Part 1, in particular, focuses on exercises in the first position. The exercises are specifically curated to help musicians master the first position while improving their intonation, tonality, rhythm, and overall ease of playing.

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    Otakar Sevick was an esteemed musician and violin teacher from the Czech Republic. He authored numerous crucial studies, methods, and teaching aids. One of his works is a collection of 40 studies focusing on the right-hand technique. These exercises cover a range of areas such as string-crossing, arpeggios, triplets, changing bowing styles, staccato, legato, and more. Even after a century, these resources remain valuable for aspiring violinists.

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    • Ensuring evenness of tone.

    • Achieving exactness of rhythm.

    • Promoting physical freedom and ease.

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    Sevcik, Op. 8 For Violin (Bosworth)

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    Ševcík’s “Violin School” is a timeless guide that covers all aspects of violin technique, including basic exercises, specific techniques, and detailed analyses of standard concertos. The new edition of Ševcík’s “School of Violin Technique” op. 1 consists of four books and includes other sources from Ševcík’s posthumous papers. Jaroslav Foltýn, a violin professor at the Prague Conservatory, provides the methodological commentary.

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