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    Sevcik, Op. 1 Part 1 For Violin

    Sevcik, Op. 1 Part 1 For Violin

    $20.95

    Otakar Sevcik's works have been the foundation for many schools of string playing worldwide since 1901. Thousands of musicians still find Sevcik's techniques extremely helpful to develop their technical skills. When practising Sevcik's exercises, players should focus on four main elements: intonation accuracy, evenness of tone, rhythm precision, and physical freedom and ease. Specifically, Opus 1 Part 1 contains exercises for the first position.

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    Sevcik, Op. 1 Part 1 For Violin

    Otakar Sevcik's contributions to the world of string playing have been invaluable since 1901. His works have been used as the foundation for many schools of string playing all around the globe. Today, thousands of musicians rely on Sevcik's techniques to improve their technical abilities. 

    When practising Sevcik, musicians should pay close attention to four main elements crucial to their development: intonation accuracy, evenness of tone, rhythm precision, and physical freedom and ease. These elements are essential to playing scales, etudes, and pieces. 

    Opus 1 Part 1, in particular, focuses on exercises in the first position. The exercises are specifically curated to help musicians master the first position while improving their intonation, tonality, rhythm, and overall ease of playing.

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    Sevcik, Op. 1 Part 3 For Violin (Bosworth)

    Sevcik's Violin Studies is a century-old renowned method for improving violin technique. The Third part of Opus 1 reinforces strength, dexterity, accuracy, and position change exercises. It also includes scales and arpeggios spanning three octaves.

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    Sevcik, Op. 6 Part 1 For Violin

    Since 1901, the works of Otakar Sevcik have been the foundation of various schools of string playing worldwide. Many players have found Sevcik's works to be of great value in their technical development. When practising Sevcik's exercises, there are four primary aspects to consider:

    • Maintaining pure intonation.

    • Ensuring evenness of tone.

    • Achieving exactness of rhythm.

    • Promoting physical freedom and ease.

    Op. 6 Part 1 contains exercises in the First Position.

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    Sevcik, Op. 6 Part 7 for Violin (Bosworth)

    This book series is intended for violin students and aims to enhance their skills in both right- and left-hand techniques. Each book includes various exercises and melodies. Part 7 mainly focuses on exercises for connecting positions, finger gliding, fifth position, and broken.

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    Sevcik, Op. 6 Part 5 For Violin

    This book series is intended for beginners learning to play the violin. It is designed to enhance all aspects of violin technique, including both left-hand and right-hand playing. Each book includes several melodies and exercises. In Part 5 of the series, you will find exercises focusing on accidentals, major triads, minor triads, diminished fifth/augmented fourth, and the extension of the fourth finger.

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    Sevcik, Op. 1 Part 3 For Violin (Schirmer)

    Sevcik's Violin Studies is a century-old renowned method for improving violin technique. The Third part of Opus 1 reinforces strength, dexterity, accuracy, and position change exercises. It also includes scales and arpeggios spanning three octaves.

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    Sevcik, Op. 1 Part 4 For Violin (Bosworth)

    Otakar Sevcik was a renowned violin teacher who developed effective and rigorous technical exercises for violin players of all skill levels - from beginners to the most advanced. His book "School of Violin Technique" covers every aspect of violin technique, including special exercises for individual technical problems and analytical studies of popular concertos. The fourth book in the series focuses on double stops and harmonics, and this Bosworth Edition includes helpful commentary on the exercises. 

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    Sevcik, Op. 3 For Violin (Bosworth)

    Otakar Sevick was a famous Czech musician and violin teacher. He authored many relevant works, including a collection of 40 studies focusing on right-hand techniques. His violin teaching methods are practical and effective even after a century. The studies include exercises for string-crossing, arpeggios, triplets, bowing style changes, staccato, legato, and more.

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