Ševcík wrote extensively on violin technique, covering all levels of playing. His opus 8 is one of his most important works, focusing on position changes and scales over three octaves. Our new edition is based on the original print and Ševcík's posthumous papers, edited by Jaroslav Foltýn, a professor at Prague Conservatory.
• A fundamental pedagogical work from a superb violin teacher
• With methodological notes by the editor (Cz/Eng/Ger)
• Moderate level of difficulty
Franz Ševcík was a highly respected violinist and composer who devoted much of his career to teaching. He wrote extensively on violin technique and developed a comprehensive set of exercises covering all violin playing levels, from beginner to advanced. His works include exercises that address specific technical challenges and analytical studies of famous violin concertos.
One of Ševcík's most significant pedagogical works is his opus 8. This book, written between 1892 and 1895, focuses on position changes and preparatory studies for scales over three octaves, including 3rds, 6ths, octaves, and 10ths. These exercises are designed to help violinists master the complex fingerings and bowing techniques required to play at an advanced level.
Our new edition of Ševcík's opus 8 is based on the original print from the early 20th century, as well as sources from Ševcík's posthumous papers. The editor, Jaroslav Foltýn, is a highly respected professor of violin at the Prague Conservatory, a position that Ševcík once held. Foltýn has carefully updated the book to reflect modern pedagogical techniques while remaining faithful to Ševcík's original vision.
Otakar Sevick was a respected Czech musician and violin teacher. He wrote many essential studies, methods, and teaching tools, including a volume of 40 studies for right-hand technique. These exercises cover string-crossing, arpeggios, triplets, changing bowing styles, staccato, legato, and more, and remain valuable resources for aspiring violinists even after a century.
Ševčík’s complete works cover all aspects of violin technique, from elementary to advanced levels, including specific exercises for technical problems and analytical studies of standard violin concertos. His “Preparatory Trill Studies” cover finger placement, pressure on the strings, and fingerboard action. This edition is based on the original print with other sources found in Ševcík’s posthumous papers. The editor, Jaroslav Foltýn, is a violin professor at Prague Conservatory.
• Fundamental pedagogical work by a leading violin teacher
• With methodological notes by the editor (Cz/Eng/Ger)
• Moderate to advanced level of difficulty
"School of Bowing Technique" op. 2 by Otakar Ševčík is a significant violin tutor with over 4,000 bowing exercises arranged by difficulty. The latest version combines the original six volumes into two and is primarily based on the first edition. The editor is Jaroslav Foltýn, a professor of violin at the Prague Conservatory.
Exercises for the Wrist I
• New edition of a tutor that generations of violinists have grown up with
• Fundamental work by a leading violin educator
• Three volumes in increasing order of difficulty: easy-moderate–difficult
• Methodological notes by the editor (Cz/Eng/Ger)
This book series is intended for advanced violin students to improve their technique in both right- and left-hand positions. Part 2 comprises exercises ranging from the 2nd to 7th positions.
This book series is intended for violin students and aims to enhance their skills in both right- and left-hand techniques. Each book includes various exercises and melodies. Part 7 mainly focuses on exercises for connecting positions, finger gliding, fifth position, and broken.
Sevcik's Violin Studies is a century-old renowned method for improving violin technique. The Third part of Opus 1 reinforces strength, dexterity, accuracy, and position change exercises. It also includes scales and arpeggios spanning three octaves.
Sevcik's Violin Studies is a century-old renowned method for improving violin technique. The Third part of Opus 1 reinforces strength, dexterity, accuracy, and position change exercises. It also includes scales and arpeggios spanning three octaves.
Otakar Sevcik's works have been the foundation for many schools of string playing worldwide since 1901. Thousands of musicians still find Sevcik's techniques extremely helpful to develop their technical skills. When practising Sevcik's exercises, players should focus on four main elements: intonation accuracy, evenness of tone, rhythm precision, and physical freedom and ease. Specifically, Opus 1 Part 1 contains exercises for the first position.
