Ševcík wrote extensively on violin technique, covering all levels of playing. His opus 8 is one of his most important works, focusing on position changes and scales over three octaves. Our new edition is based on the original print and Ševcík's posthumous papers, edited by Jaroslav Foltýn, a professor at Prague Conservatory.
• A fundamental pedagogical work from a superb violin teacher
• With methodological notes by the editor (Cz/Eng/Ger)
• Moderate level of difficulty
Franz Ševcík was a highly respected violinist and composer who devoted much of his career to teaching. He wrote extensively on violin technique and developed a comprehensive set of exercises covering all violin playing levels, from beginner to advanced. His works include exercises that address specific technical challenges and analytical studies of famous violin concertos.
One of Ševcík's most significant pedagogical works is his opus 8. This book, written between 1892 and 1895, focuses on position changes and preparatory studies for scales over three octaves, including 3rds, 6ths, octaves, and 10ths. These exercises are designed to help violinists master the complex fingerings and bowing techniques required to play at an advanced level.
Our new edition of Ševcík's opus 8 is based on the original print from the early 20th century, as well as sources from Ševcík's posthumous papers. The editor, Jaroslav Foltýn, is a highly respected professor of violin at the Prague Conservatory, a position that Ševcík once held. Foltýn has carefully updated the book to reflect modern pedagogical techniques while remaining faithful to Ševcík's original vision.
Otakar Sevcik was a famous violin teacher who developed effective technical exercises for players at all levels. His "School of Bowing Technique" focuses on right-hand precision, rhythmic accuracy, wrist speed, and strength. Book 4 covers arpeggios on two strings, and this Bosworth Edition has helpful commentary.
Since 1901, the works of Otakar Sevcik have been the foundation of various schools of string playing worldwide. Many players have found Sevcik's works to be of great value in their technical development. When practising Sevcik's exercises, there are four primary aspects to consider:
• Maintaining pure intonation.
• Ensuring evenness of tone.
• Achieving exactness of rhythm.
• Promoting physical freedom and ease.
Op. 6 Part 1 contains exercises in the First Position.
This book series is intended for beginners learning to play the violin. It is designed to enhance all aspects of violin technique, including both left-hand and right-hand playing. Each book includes several melodies and exercises. In Part 5 of the series, you will find exercises focusing on accidentals, major triads, minor triads, diminished fifth/augmented fourth, and the extension of the fourth finger.
This book series is perfect for beginner violin students. It improves left and right-hand techniques with exercises and melodies. Part 4 focuses on B-Flat, E-Flat and A-Flat major scales, chromatic scale, G and C minor scales and changing keys.
Otakar Sevcik was a renowned violin instructor who developed technical exercises for violinists. This volume focuses on changing positions and preparatory studies for three-octave scales. The exercises provide a musical framework for each shift, making them more effective. This Bosworth Edition includes helpful commentary.
Otakar Sevcik was a famous violin teacher who developed "Scales and Arpeggios," a comprehensive set of exercises for beginner and advanced players. The book includes scales, arpeggios, chords, broken chords, triads, and double-stopping exercises spanning over two octaves. The Bosworth Edition has helpful commentary.
Sevcik's Violin Studies is a century-old renowned method for improving violin technique. The Third part of Opus 1 reinforces strength, dexterity, accuracy, and position change exercises. It also includes scales and arpeggios spanning three octaves.
This book series is intended for beginners learning to play the violin. It aims to enhance all aspects of violin technique, including both the right- and left-hand. Each book in the series includes a variety of melodies and exercises. Part 6 of this series focuses on exercises that address 2nd, 3rd, and 4th positions, intonation, and chromatic progressions.
