Since 1901, the works of Otakar Sevcik have been the foundation of various schools of string playing worldwide. Many players have found Sevcik's works to be of great value in their technical development. When practising Sevcik's exercises, there are four primary aspects to consider:
• Maintaining pure intonation.
• Ensuring evenness of tone.
• Achieving exactness of rhythm.
• Promoting physical freedom and ease.
Op. 6 Part 1 contains exercises in the First Position.
Otakar Sevcik, a renowned musician, has been a beacon of hope for many string players since 1901. His works have served as the foundation of various schools of string playing across the globe. Sevcik's exercises are considered invaluable for technical development, and thousands of players have benefitted from them. The exercises are designed to focus on four essential aspects of playing: maintaining pure intonation, ensuring evenness of tone, achieving exactness of rhythm, and promoting physical freedom and ease. Op. 6 Part 1, in particular, contains exercises in the First Position, which are crucial for beginners and advanced players alike.
This book series is intended for violin students and aims to enhance their skills in both right- and left-hand techniques. Each book includes various exercises and melodies. Part 7 mainly focuses on exercises for connecting positions, finger gliding, fifth position, and broken.
Otakar Sevick was a famous Czech musician and violin teacher. He authored many relevant works, including a collection of 40 studies focusing on right-hand techniques. His violin teaching methods are practical and effective even after a century. The studies include exercises for string-crossing, arpeggios, triplets, bowing style changes, staccato, legato, and more.
Ševcík wrote extensively on violin technique, covering all levels of playing. His opus 8 is one of his most important works, focusing on position changes and scales over three octaves. Our new edition is based on the original print and Ševcík's posthumous papers, edited by Jaroslav Foltýn, a professor at Prague Conservatory.
• A fundamental pedagogical work from a superb violin teacher
• With methodological notes by the editor (Cz/Eng/Ger)
• Moderate level of difficulty
"School of Bowing Technique" op. 2 by Otakar Ševčík is a significant violin tutor with over 4,000 bowing exercises arranged by difficulty. The latest version combines the original six volumes into two and is primarily based on the first edition. The editor is Jaroslav Foltýn, a professor of violin at the Prague Conservatory.
• New edition of a tutor that generations of violinists have grown up with
• Fundamental work by a leading violin educator
• Three volumes in increasing order of difficulty: easy-moderate–difficult
• Methodological notes by the editor (Cz/Eng/Ger)
Exercises for the Right Arm
Sevcik's Violin Studies is a century-old renowned method for improving violin technique. The Third part of Opus 1 reinforces strength, dexterity, accuracy, and position change exercises. It also includes scales and arpeggios spanning three octaves.
This book series is perfect for beginner violin students. It improves left and right-hand techniques with exercises and melodies. Part 4 focuses on B-Flat, E-Flat and A-Flat major scales, chromatic scale, G and C minor scales and changing keys.
Otakar Sevick was an esteemed musician and violin teacher from the Czech Republic. He authored numerous crucial studies, methods, and teaching aids. One of his works is a collection of 40 studies focusing on the right-hand technique. These exercises cover a range of areas such as string-crossing, arpeggios, triplets, changing bowing styles, staccato, legato, and more. Even after a century, these resources remain valuable for aspiring violinists.
Sevcik, 40 Variations Op. 3 Unaccompanied (Barenreiter), perhaps his best-known composition, is a favourite with violin students
Otakar Sevcik's works have been the foundation for many schools of string playing worldwide since 1901. Thousands of musicians still find Sevcik's techniques extremely helpful to develop their technical skills. When practising Sevcik's exercises, players should focus on four main elements: intonation accuracy, evenness of tone, rhythm precision, and physical freedom and ease. Specifically, Opus 1 Part 1 contains exercises for the first position.
