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A beautiful rendition of Mozart's Aria Giovanni, Hummel's unique spin on his teacher's work makes this piece a classic yet unique piece for any violist.
A foreword by Harold Truscott, 1973:
"In the later eighteenth century and early nineteenth many composers wrote fantasias, or potpurris, on well-known tunes, usually operatic, for a variety of instrumental combinations, often for piano alone. Their quality varies, from the frank string of tunes, either loosely strung together or not strung at all, to one such as this Fantasia of Humel. True, even in this case, there is no attempt to develop the barrowed material, but this material is beautifully presented, with a feeling of real artistry, and it is set off by a slow introduction and quick finale that frame it perfectly. The main tune is the tenor aria Il mio tesoro intanto, from Mozart's Don Giovanni, and it is arguable that it is better set off here than in the opera, where it has never been completely comfortable. It is true that Hummel uses only the first part of Mozart's tune; it is understandable that we would feel that the somewhat recitative-like middle part of the aria would not suit the viola piece, and therefore he has supplied a different part for the viola, which still springs quite logically from the first part. Hummel's presentation of this tune for viola with small orchestra is masterly and extremely discreet. The slow introduction and the 6/8 finale are, I assume, since I have not found them elsewhere, Hummel's own. The key scheme, of G minor for the introduction, B flat for the aria and D major for the finale, is also very convincing, odd though the D major may seem in this context. The whole forms a very worthwhile addition to any violists' repertoire."
Pièces de Concours – Volume 1 is a distinctive collection of six historic Paris Conservatoire competition pieces for viola and piano, edited by Jutta Puchhammer-Sédillot. Published by Schott, these rarely heard Romantic works combine lyrical and virtuosic challenges, with modern fingerings and bowings added for today’s violists.
Key Features:
• Six works for viola and piano
• From the Paris Conservatoire repertoire
• Edited by Jutta Puchhammer-Sédillot
• Published by Schott Music
• Intermediate to advanced level
• Ideal for advanced study, auditions, and recitals
Lionel Tertis: The Early Years – Book 2 is a distinctive collection of favourites arranged and composed by Lionel Tertis for his recitals and recordings. Edited by John White, it features works by Fauré, Haydn, Mendelssohn, Ireland, Wolstenholme, and Tertis himself for viola and piano.
Key Features:
• For viola and piano
• Edited by John White
• Published by Comus Edition
• Includes arrangements and original works associated with Lionel Tertis
• Varied advanced recital repertoire
• Ideal for serious viola study and performance
Music for Viola III, compiled and edited by Gusztáv Szeredi-Saupe, is a varied EMB collection of 13 works for viola and piano. Featuring music from Frescobaldi and Handel to Dvořák, Saint-Saëns, Rimsky-Korsakov, and Fauré, it offers rewarding repertoire for developing technique, expression, and stylistic versatility.
Key Features:
• 13 works for viola and piano
• Edited by Gusztáv Szeredi-Saupe
• Published by EMB
• Wide variety of composers and musical styles
• Develops technique and musical expression
• Ideal for lessons, examinations, and recitals
Fiddling for Classical Stiffs – Viola Version by Edward M. Caner introduces classically trained violists to the lively world of traditional fiddling. Published by Latham Music, it features familiar fiddle tunes while developing rhythm, articulation, bowing, and stylistic confidence.
Key Features:
• Traditional fiddle repertoire for viola
• By Edward M. Caner
• Published by Latham Music
• Intermediate level
• Develops rhythm, bowing, and fiddle style
• Ideal for classical violists exploring folk music
Pièces de Concours – Volume 1 is a distinctive collection of six historic Paris Conservatoire competition pieces for viola and piano, edited by Jutta Puchhammer-Sédillot. Published by Schott, these rarely heard Romantic works combine lyrical and virtuosic challenges, with modern fingerings and bowings added for today’s violists.
Key Features:
• Six works for viola and piano
• From the Paris Conservatoire repertoire
• Edited by Jutta Puchhammer-Sédillot
• Published by Schott Music
• Intermediate to advanced level
• Ideal for advanced study, auditions, and recitals
Concert Pieces for Viola and Piano, edited by Kurt Sassmannshaus and published by Bärenreiter, is a superb Level 3 anthology featuring a carefully selected collection of recital favourites for viola and piano. With works by renowned composers including Fauré, Dvořák, Grieg, Wieniawski, and Kalliwoda, it is an excellent resource for lessons, examinations, recitals, and developing musicianship.
Key Features:
• Edited by Kurt Sassmannshaus for viola and piano
• Level 3 anthology with viola part and piano reduction
• Features works by leading Classical and Romantic composers
• Ideal for lessons, examinations, recitals, and conservatory preparation
Chant Pastoral by Éric Roche is an expressive work for viola and piano, published by Éditions Combre. Its lyrical character makes it ideal for developing tone, phrasing, and musical expression.
Key Features:
• For viola and piano
• Composed by Éric Roche
• Published by Éditions Combre
• Lyrical and expressive in style
• Ideal for lessons and performance
Music for Viola I – From Bach to Stamitz is an Editio Musica Budapest collection of Baroque and Classical works for viola and piano, compiled and edited by Gusztáv Szeredi-Saupe. Featuring Bach, Handel, Telemann, Vanhal, Stamitz and others, it provides varied repertoire for developing technique, expression, and historical style.
Key Features:
• For viola and piano
• Edited by Gusztáv Szeredi-Saupe
• Published by Editio Musica Budapest
• Features works from Bach to Stamitz.
• Develops technique and stylistic awareness
• Ideal for lessons, examinations, and recitals