

This incredibly powerful lyrical work by Brian Balmages draws its DNA from a series of suspended harmonies that constantly flow throughout the ensemble. Designed to expand the artistic norms often associated with younger ensembles, Sunset Suspended is equally appropriate for intermediate or advanced orchestras. Stunning. (3:00)
Waking up on a cold winter day. Sledding. Hot chocolate. It's a snow day! Written by Katie O'Hara LaBrie, Snow Day! is craftily designed only using the notes of a D major scale. This highly accessible piece, with its bright melodies and jingle bell accompaniment will delight students and audiences.
Chin, Haydn Symphony No.60 1st Movement
This arrangement for strings is faithful to the original work with the added features of sharing the melodic lines, a slight editing of a few bars of the bass part, a violin 3 part and a keyboard realization. It is also an excellent way to develop Classical style spiccato in more advanced players.
Two contrasting works with enduring melodies. "Let All Mortal Flesh" is dynamic, from an old French folk song. The "Drunken Sailor" arrangement is a gem, highlighting all sections. A hit with younger musicians!
1. Let All Mortal Flesh Keep Silent
2. Drunken Sailor
For String Orchestra Grade 1.5
Scored in D major, this winning march for first-year strings opens and ends with dramatic pyramid entrances from the bottom up -- cellos and basses first, then violas, then 2nd Violins, and finally 1st Violins. Rhythms are simple, bowings are clearly marked, and the optional percussion part for snare drum and bass drum enhances the parade-style theme. Duration 1:40.
Haydn’s Lost Chorale is a revised version of The Abbey, inspired by Haydn’s St. Anthony’s Chorale. It’s scored for string orchestra with optional piano, including violin 3 (treble viola) and violin parts. It features a dotted rhythm, quasi-classical textures and singing themes.
Keith Sharp earned a Bachelor of Music degree in 1984. He's been a string educator in Brisbane since then, creating award-winning programs and compositions. His works are popular in Australia and internationally. Keith is also a clinician, guest conductor, and guest lecturer.