Two Silk Screens from Kyoto (Stephen Chin) for String Orchestra
$148.00
Experience a captivating musical journey to Kyoto with “Two Silk Screens from Kyoto” by Stephen Chin. This evocative string orchestra piece beautifully reflects Japanese culture through graceful melodies and intricate harmonies. Immerse yourself in its meditative ambiance, as the strings evoke vivid images of cherry blossoms and serene landscapes.
Stephen Chin: “These two pieces were inspired by my visit to Japan. They capture memories of the country's beauty, contrasting the elegance of cranes by a lake with the dynamic movements of samurai. I frequently used the Japanese scale, Hirajōshi, along with other pentatonic scales throughout the set.”
Two Silk Screens from Kyoto (Stephen Chin) for String Orchestra
Embark on a serene and captivating musical journey to Kyoto with “Two Silk Screens from Kyoto” by Stephen Chin. This evocative string orchestra piece beautifully captures the essence of Japanese culture. Inspired by the delicate art of silk screening, the composition weaves together graceful melodies and intricate harmonies, transporting listeners to the tranquil landscapes of ancient Kyoto. Immerse yourself in the elegant beauty and meditative ambiance of “Two Silk Screens from Kyoto,” allowing the strings to create vivid images of cherry blossoms and serene whispers in your mind.
Stephen Chin: “I was inspired to write these two pieces from a visit to Japan some years ago. They are just a little snapshot of so many exquisite memories of such a beautiful country. The wistful elegance of cranes in the wilderness wandering on a lake’s edge is contrasted with the dynamic and athletic movements of samurais in action. The use of the Japanese scale, Hirajōshi and other pentatonic scales are used frequently throughout the set.”
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Handel's famous works, "Largo" and "Hallelujah Chorus," are presented together. "Largo" explores Baroque arioso sonorities, while the Hallelujah Chorus is the most renowned chorus ever written. All parts have been adapted to retain the original antiphonal effect between the chorus and orchestra.
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"Good-bye Budapest" is a traditional Hungarian czardas-style music piece. It begins with a haunting melody and languid strings, which then transition into a joyous free-for-all with various orchestra sections taking turns. A melancholic solo violin rendition is followed by the return of the czardas in D major, culminating in a ferocious presto. The music showcases a range of emotions, from introspection to frenzied joy and melancholy to ferocity.