Experience a captivating musical journey to Kyoto with “Two Silk Screens from Kyoto” by Stephen Chin. This evocative string orchestra piece beautifully reflects Japanese culture through graceful melodies and intricate harmonies. Immerse yourself in its meditative ambiance, as the strings evoke vivid images of cherry blossoms and serene landscapes.
Stephen Chin: “These two pieces were inspired by my visit to Japan. They capture memories of the country's beauty, contrasting the elegance of cranes by a lake with the dynamic movements of samurai. I frequently used the Japanese scale, Hirajōshi, along with other pentatonic scales throughout the set.”
Embark on a serene and captivating musical journey to Kyoto with “Two Silk Screens from Kyoto” by Stephen Chin. This evocative string orchestra piece beautifully captures the essence of Japanese culture. Inspired by the delicate art of silk screening, the composition weaves together graceful melodies and intricate harmonies, transporting listeners to the tranquil landscapes of ancient Kyoto. Immerse yourself in the elegant beauty and meditative ambiance of “Two Silk Screens from Kyoto,” allowing the strings to create vivid images of cherry blossoms and serene whispers in your mind.
Stephen Chin: “I was inspired to write these two pieces from a visit to Japan some years ago. They are just a little snapshot of so many exquisite memories of such a beautiful country. The wistful elegance of cranes in the wilderness wandering on a lake’s edge is contrasted with the dynamic and athletic movements of samurais in action. The use of the Japanese scale, Hirajōshi and other pentatonic scales are used frequently throughout the set.”
Pleyel, Haydn's student, had exceptional musical talent. The Duet Opus 8 no. 2 is a delightful and accessible piece highlighting different parts of the ensemble, showcasing diverse musical techniques like spiccato quavers, slurred string crossings, and martel crotchets. It's a great starting point for those who want to appreciate Classical music.
This piece of music is intended for a string orchestra with a difficulty level of grade 3.
Pleyel, a renowned musician and entrepreneur in early 19th century Paris, wrote a beautiful piece for two violins in the late Classical style. The piece follows the sonata form and features a brooding first theme contrasted with an impish second theme played in staccato quavers. The movement ends with a lively duel between the violins, adding vibrancy and passion to the piece. Your orchestra will love it!
For String Orchestra Grade 3.5
This is an excellent intro to Early Music. Arbeau's second piece was later used in "Capriol Suite" by Peter Warlock. To add authenticity, improvise and add bass drum or tambour parts.
1. Bransle
2. Pavan
3. Ballo Furlano
For String Orchestra Grade 1.5
In Greek mythology, the Furies brought the dead to the Underworld and were part of the legend of Orpheus. August Nolck's piece was originally for cello but is now perfect for developing string players' timing precision. The perpetual motion promotes refined right-hand movements and offers opportunities for section solos.
For String Orchestra Grade 1.5
Australia's National Anthem is a source of pride for Australians. We offer the first verse thoughtfully, with a piano part for accompaniment. A major key suits most voices. Great for school assemblies. Suitable for Grade 2 String Orchestra.
"Good-bye Budapest" is a traditional Hungarian czardas-style music piece. It begins with a haunting melody and languid strings, which then transition into a joyous free-for-all with various orchestra sections taking turns. A melancholic solo violin rendition is followed by the return of the czardas in D major, culminating in a ferocious presto. The music showcases a range of emotions, from introspection to frenzied joy and melancholy to ferocity.
For String Orchestra Grade 3
This piece uses dynamic change and harmonics to evoke the beauty and mystery of the stratosphere.
Dedicated to Stephen's wonderful wife, Ann. Grade 3.
This enchanting tone poem creates a peaceful atmosphere with its soft melodies and forest whispers. The sweeping beauty of the noble theme leads to a faster section with contrasting themes and variations. The string section uses various techniques to create a dynamic sound, featuring a brief solo quartet. The piece ends with a reference to the opening melody and the sound of a waterfall. Musicians will enjoy using their imagination to bring this musical landscape to life.
For String Orchestra Grade 3.5
