Experience a captivating musical journey to Kyoto with “Two Silk Screens from Kyoto” by Stephen Chin. This evocative string orchestra piece beautifully reflects Japanese culture through graceful melodies and intricate harmonies. Immerse yourself in its meditative ambiance, as the strings evoke vivid images of cherry blossoms and serene landscapes.
Stephen Chin: “These two pieces were inspired by my visit to Japan. They capture memories of the country's beauty, contrasting the elegance of cranes by a lake with the dynamic movements of samurai. I frequently used the Japanese scale, Hirajōshi, along with other pentatonic scales throughout the set.”
Embark on a serene and captivating musical journey to Kyoto with “Two Silk Screens from Kyoto” by Stephen Chin. This evocative string orchestra piece beautifully captures the essence of Japanese culture. Inspired by the delicate art of silk screening, the composition weaves together graceful melodies and intricate harmonies, transporting listeners to the tranquil landscapes of ancient Kyoto. Immerse yourself in the elegant beauty and meditative ambiance of “Two Silk Screens from Kyoto,” allowing the strings to create vivid images of cherry blossoms and serene whispers in your mind.
Stephen Chin: “I was inspired to write these two pieces from a visit to Japan some years ago. They are just a little snapshot of so many exquisite memories of such a beautiful country. The wistful elegance of cranes in the wilderness wandering on a lake’s edge is contrasted with the dynamic and athletic movements of samurais in action. The use of the Japanese scale, Hirajōshi and other pentatonic scales are used frequently throughout the set.”
Genghis Khan, a feared warrior, and his soldiers ride through Mongolia into China. The piece's driving rhythms and accented chords create an atmosphere of strength and awe in battle. A gentler middle section uses the pentatonic scale, perhaps as Khan rests. The work concludes with a surge of energy as he moves towards his next battle.
For String Orchestra Grade 1.5
"Good-bye Budapest" is a traditional Hungarian czardas-style music piece. It begins with a haunting melody and languid strings, which then transition into a joyous free-for-all with various orchestra sections taking turns. A melancholic solo violin rendition is followed by the return of the czardas in D major, culminating in a ferocious presto. The music showcases a range of emotions, from introspection to frenzied joy and melancholy to ferocity.
For String Orchestra Grade 3
Mozart's Ave Verum Corpus and Alleluia from "Exultate Jubilate" are two of his most cherished liturgical compositions. All the difficult melismas have been adapted without losing the original excitement.
1. Ave Verum Corpus
2. Alleluia from Exultate Jubilate
For String Orchestra Grade 3
Enjoy your food, move your body to the beat, and have fun! This amazing set of seven compositions even features a piece by Henry VIII. Intermediate musicians will appreciate the diverse range of musical styles from different regions of the Renaissance era. The homophonic writing style is ideal for developing precise intonation and consistent bowing techniques.
For String Orchestra Level 2
On a stormy night, a carriage leaves for an unknown destination. Chased by someone, urgency intensifies with repeated quavers. Different string ensemble sections are highlighted—a warm middle section followed by an even greater sense of urgency. The journey ends quietly, igniting players' imaginations.
For String Orchestra Grade 1.5
This music piece is based on an old English hymn that depicts a journey to hope, titled To the Palace of Light. It has a solemn beginning, turbulent middle, and faster, jig-like ending. Elements of the hymn can be heard throughout, making it a great choice to end a concert or festival.
For double string orchestra, grades 2 & 4
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
For String Orchestra Grade 1.5
