Three Masterpieces From The French Baroque By Lully Et Al Arr. Stephen Chin
$121.00
The French court of the 17th and 18th centuries was renowned for its grandeur and beauty, envied by all composers in Europe. These three works embody that spirit.
Three Masterpieces From The French Baroque By Lully Et Al Arr. Stephen Chin
The splendour of the seventeenth and eighteenth-century French court was unmatched. From the grandeur of its architecture to the opulence of its clothing and decor, every detail was carefully crafted to convey a sense of majesty and beauty. It was a wonder of the world that left all European composers in envy. The three works mentioned here perfectly capture the spirit of that time- the grandeur of the court, the beauty of its people, and the magnificence of its culture.
Originally written for wind ensemble and later arranged for pianoforte, these charming movements have been carefully placed to give the sense of a fully integrated work. Some elements of this work are similar in vein to Mozart's famous "Eine Kleine Nachtmusik." Advanced intermediate players will enjoy the challenges of spiccato quavers, martele crotchets, measured tremolo, and lifted upbows, which are a must for developing precision and clarity in a more advanced string ensemble.
The music is a journey through the Mists of England, the lush green fields of Ireland, Wales's sublime beauty, and Scotland's invigorating highlands. The tunes and textures are vibrant, wistful, and unforgettable, making them perfect for any performance. Your players will be humming them long after the rehearsal is over.
Dig Tree and The Elegy reflect Australia's early explorers' unfortunate fate, while Goin' Overland captures the excitement of exploring the outback. The latter features various string techniques that highlight the Australian essence of the music.
This nautical-themed piece starts with violas and cellos evoking the swell of waves. The seconds create sea breeze sounds; the first violin plays the main theme energetically. Everyone gets a chance to participate, and the middle section featuring cellos is eerie. The suspenseful wait for the sea breezes to pick up again adds to the effect, and the piece ends with a fun and lively section.
This piece for lower intermediate string orchestra features familiar sea shanties. All orchestra sections share the melody, making it dynamic and effective for nautical music lovers.
