Three Masterpieces From The French Baroque By Lully Et Al Arr. Stephen Chin
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The French court of the 17th and 18th centuries was renowned for its grandeur and beauty, envied by all composers in Europe. These three works embody that spirit.
Three Masterpieces From The French Baroque By Lully Et Al Arr. Stephen Chin
The splendour of the seventeenth and eighteenth-century French court was unmatched. From the grandeur of its architecture to the opulence of its clothing and decor, every detail was carefully crafted to convey a sense of majesty and beauty. It was a wonder of the world that left all European composers in envy. The three works mentioned here perfectly capture the spirit of that time- the grandeur of the court, the beauty of its people, and the magnificence of its culture.
Two Italian Baroque masterpieces in contrast - Sarabande and Gigue. Simple melody with suspensions in Sarabande, orchestra showcases string crossings and quaver figuration in Gigue.
Join the Barcelona party! This piece captures the fun and energy of the Spanish city with catchy rhythms and authentic flavour. Your ensemble will love it.
Haydn's second symphony in a minor key is a classic Sturm und Drang piece with strong emotional changes. It's great for expanding classical repertoire and practising playing techniques in G minor.
This piece has three movements that explore different aspects of heat. It uses various techniques, such as pizzicato, legato melodies, staccato quarter notes, and double eighth notes, which are easy to manage for young players. It's a fun piece for any occasion!
La Tempesta di Mare is the overture to Salieri's opera, Cesare in Farmacusa. It narrates the journey of the young Julius Caesar as he sails through a treacherous storm to Farmacusa, near Sicily. The plot is filled with pirates, gypsy lovers, and, of course, Roman gods, providing much entertainment for audiences of that time.
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
This set of twelve short pieces is for basic orchestras and helps young musicians learn important string techniques. The pieces incorporate hissing, slapping of instruments, foot stomping, and improvisation to make playing in a string ensemble more enjoyable.
These majestic fanfares have inspired for centuries. Precision-crafted parts ensure easy playability and share main melodies amongst the ensemble. Roll out the red carpet!