Three Masterpieces From The French Baroque By Lully Et Al Arr. Stephen Chin
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The French court of the 17th and 18th centuries was renowned for its grandeur and beauty, envied by all composers in Europe. These three works embody that spirit.
Three Masterpieces From The French Baroque By Lully Et Al Arr. Stephen Chin
The splendour of the seventeenth and eighteenth-century French court was unmatched. From the grandeur of its architecture to the opulence of its clothing and decor, every detail was carefully crafted to convey a sense of majesty and beauty. It was a wonder of the world that left all European composers in envy. The three works mentioned here perfectly capture the spirit of that time- the grandeur of the court, the beauty of its people, and the magnificence of its culture.
Lords of the Loch is a festival piece for string orchestra, quartet, and optional string ensemble. It's inspired by Finlaggan, a Scottish loch with islands once ruled by lords known for producing and exporting harps.
Pablo Sarasate (1844-1908) was a brilliant Spanish composer and violinist known for his expressive and technically challenging pieces like "The Carmen Fantasy" and "Zigeunerweisen". While retaining the original's virtuosity, this arrangement is accessible to younger musicians.
This music piece is based on an old English hymn that depicts a journey to hope, titled To the Palace of Light. It has a solemn beginning, turbulent middle, and faster, jig-like ending. Elements of the hymn can be heard throughout, making it a great choice to end a concert or festival.
Dig Tree and The Elegy reflect Australia's early explorers' unfortunate fate, while Goin' Overland captures the excitement of exploring the outback. The latter features various string techniques that highlight the Australian essence of the music.
This piece is filled with poignant melodies and a haunting main theme that returns towards the end. The rhythmic drive, varied modes, and string crossings make it enjoyable for players. The exquisite sonorities and spellbinding action will dazzle the audience and leave them wanting to dance.
Two contrasting works with enduring melodies. "Let All Mortal Flesh" is dynamic, from an old French folk song. The "Drunken Sailor" arrangement is a gem, highlighting all sections. A hit with younger musicians!
These works are perfect for the beginner string ensemble player. They continue the earlier publication titled "A Dozen Dazzlers." They feature unison, simple parts and call-response writing and prepare the players for the greater demands of a full-string orchestra. All parts have been meticulously crafted for ease of playing and to focus on essential ensemble skills such as pizzicato, legato, staccato, and harmonics. These attractive pieces will ignite the students' imaginations.
Nicolo Paganini was an exceptional violinist, and this particular piece is the final one in a series of caprices that represent the pinnacle of violin technique. It has inspired other great composers such as Rachmaninov. This arrangement preserves the melody, harmony, and structure, allowing players of all levels to experience and appreciate the beauty of Paganini's work.