This piece for lower intermediate string orchestra features familiar sea shanties. All orchestra sections share the melody, making it dynamic and effective for nautical music lovers.
For String Orchestra Grade 2
The sweeping melodies of classic sea shanties resonate throughout this enchanting musical composition, which is designed to be played by a lower intermediate string orchestra. Each orchestra section is given ample opportunities to showcase their talents as the melody is passed between them. With its captivating rhythms and evocative harmonies, this piece is a must-listen for any music lover drawn to the allure of the sea.
For String Orchestra Grade 2
This music piece tells the legend of how the Kookaburra got its laugh. It was created for the Cooloola Shire Symphony Orchestra in Queensland, Australia, in collaboration with elders from the Nations in the area. The composition features a full orchestra, narrator, and didgeridoo. It's an engaging introduction to the orchestra for young listeners, with the didgeridoo blending well with the orchestra.
For Full Orchestra, Narrator and Didgeridoo Grade 4
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
For full orchestra and 2-part choir - Grade 3
'Heart in The Highlands', inspired by Robert Burns, evokes Scotland's rugged beauty with pizzicato, harmonics, dotted rhythms, and drones.
Pablo Sarasate (1844-1908) was a brilliant Spanish composer and violinist known for his expressive and technically challenging pieces like "The Carmen Fantasy" and "Zigeunerweisen". While retaining the original's virtuosity, this arrangement is accessible to younger musicians.
For String Orchestra Grade 2.
Stephen Chin admires the power of earth-moving equipment and the creativity of humans who push boundaries in the sciences and arts. He likens their groundbreaking efforts to the driving force found in the key of G minor, characterised by strong themes and the frequent use of downbows.
