This piece for lower intermediate string orchestra features familiar sea shanties. All orchestra sections share the melody, making it dynamic and effective for nautical music lovers.
The sweeping melodies of classic sea shanties resonate throughout this enchanting musical composition, which is designed to be played by a lower intermediate string orchestra. Each orchestra section is given ample opportunities to showcase their talents as the melody is passed between them. With its captivating rhythms and evocative harmonies, this piece is a must-listen for any music lover drawn to the allure of the sea.
The music is filled with lively melodies and counter-melodies that dance around the orchestra. The middle section features a string quartet solo interrupted by tutti utterances. The work offers a wide range of textures, dynamics, and haunting tunes that will captivate both players and audiences alike.
A musical arrangement for strings, percussion, and voice with four memorable Australian folk tunes that are easy to sing along to. The vocal part can be sung by a soloist or choir, and the lyrics are included. The piece can also be played as an instrumental work.
The Irish Blessing has been an inspiration for generations. This three-movement work for strings, SSAA choir, and optional bagpipes will make an impact on your audience.
Stephen Chin admires the power of earth-moving equipment and the creativity of humans who push boundaries in the sciences and arts. He likens their groundbreaking efforts to the driving force found in the key of G minor, characterised by strong themes and the frequent use of downbows.
Experience a captivating musical journey to Kyoto with “Two Silk Screens from Kyoto” by Stephen Chin. This evocative string orchestra piece beautifully reflects Japanese culture through graceful melodies and intricate harmonies. Immerse yourself in its meditative ambiance, as the strings evoke vivid images of cherry blossoms and serene landscapes.
Stephen Chin: “These two pieces were inspired by my visit to Japan. They capture memories of the country's beauty, contrasting the elegance of cranes by a lake with the dynamic movements of samurai. I frequently used the Japanese scale, Hirajōshi, along with other pentatonic scales throughout the set.”