A musical arrangement for strings, percussion, and voice with four memorable Australian folk tunes that are easy to sing along to. The vocal part can be sung by a soloist or choir, and the lyrics are included. The piece can also be played as an instrumental work.
For Full Orchestra and Voice Grade 3
This incredible musical arrangement showcases the beauty of Australian folk tunes in a unique way. Featuring strings, percussion, and voice, it brings to life four of the most memorable tunes in a way that is accessible to everyone. Whether you're a soloist or part of a choir, the vocal part can be easily performed, and the audience can join in for a fun sing-along experience. The piece is complete with lyrics but can also be played as a purely instrumental work, making it versatile and suitable for any occasion.
For Full Orchestra and Voice Grade 3
Dig Tree and The Elegy reflect Australia's early explorers' unfortunate fate, while Goin' Overland captures the excitement of exploring the outback. The latter features various string techniques that highlight the Australian essence of the music.
For String Orchestra Grade 1.5
Chin, Haydn Symphony No.60 1st Movement
This arrangement for strings is faithful to the original work with the added features of sharing the melodic lines, a slight editing of a few bars of the bass part, a violin 3 part and a keyboard realization. It is also an excellent way to develop Classical style spiccato in more advanced players.
Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.
1. Hungarian Dance No. 1
2. Hungarian Dance No. 2
For String Orchestra Grade 3
Stephen Chin admires the power of earth-moving equipment and the creativity of humans who push boundaries in the sciences and arts. He likens their groundbreaking efforts to the driving force found in the key of G minor, characterised by strong themes and the frequent use of downbows.
Albeniz's piece was originally written for piano, showcasing Spanish passion and brilliance. It alludes to a legend from Asturias, with Moroccan influences. The use of string techniques adds intensity to this haunting work.
It's graded at level 3.5 for string orchestra.
