

An excellent piece to introduce Early Music to students. Most rhythms are simple, with some quavers in the first violin part. Improvised percussion parts can be added for authenticity.
1. La Bergamesca
2. Schiralazula Marazula
3. Minni Amor
4. Dance
5. Il Canario
For String Orchestra Grade 1
This piece of music is an excellent resource for educators looking to introduce their students to the beauty of Early Music. Its simple yet captivating rhythms, mostly composed of crotchets and minims, with a few quavers in the first violin part, make it a great starting point. To enhance the authenticity of the performance and give it a more genuine sound, some improvised percussion parts can be included based on the performance practices of this period.
1. La Bergamesca
2. Schiralazula Marazula
3. Minni Amor
4. Dance
5. Il Canario
For String Orchestra Grade 1
Originally for string quintet, this piece was arranged by Boccherini for guitar and string quartet. Castanets add a Spanish touch. Boccherini explored diverse textures and string effects within the Classical Period. The music's elegance and vibrancy captivate players and audiences alike.
For String Orchestra Grade 3.5
Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.
1. Hungarian Dance No. 1
2. Hungarian Dance No. 2
For String Orchestra Grade 3
Debussy was inspired by mysticism and exotic items. He combined Gregorian chant with Eastern influences in "Funeral Urn" and showcased his unique style with "The Girl with the Flaxen Hair". Students will enjoy the challenging rhythms and harmonies in these works.
1. Funeral Urn
2. The Girl with the Flaxen Hair
For String Orchestra Grade 4
Albeniz's piece was originally written for piano, showcasing Spanish passion and brilliance. It alludes to a legend from Asturias, with Moroccan influences. The use of string techniques adds intensity to this haunting work.
It's graded at level 3.5 for string orchestra.
The music is a journey through the Mists of England, the lush green fields of Ireland, Wales's sublime beauty, and Scotland's invigorating highlands. The tunes and textures are vibrant, wistful, and unforgettable, making them perfect for any performance. Your players will be humming them long after the rehearsal is over.
Listen to #1 – Mists of the Winter Solstice
Listen to #2 – Road to County Derry
Vivaldi wrote many concertos for different instruments, including one for mandolin and strings. The composition's formal structure remains unaltered, but some intricate figurations have been tweaked. The music creates a dialogue between the orchestra's sections as they share the melody. The Baroque string crossings and harmonic progressions make the piece enjoyable to play.
For String Orchestra Grade 3
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
For String Orchestra Grade 1.5
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