An excellent piece to introduce Early Music to students. Most rhythms are simple, with some quavers in the first violin part. Improvised percussion parts can be added for authenticity.
This piece of music is an excellent resource for educators looking to introduce their students to the beauty of Early Music. Its simple yet captivating rhythms, mostly composed of crotchets and minims, with a few quavers in the first violin part, make it a great starting point. To enhance the authenticity of the performance and give it a more genuine sound, some improvised percussion parts can be included based on the performance practices of this period.
Intense and emotional, the music evokes feelings of desperation, anxiety, and frenzy. The dark tones of G minor and rapid rhythm create a menacing atmosphere. The hammering rhythm eventually overtakes a noble melody played by the cellos.
Ideal for a festival orchestra with players at different levels, this piece is based on the medieval melody "L'Homme Arme", depicting a sword-wielding warrior. The middle section features a violin solo as a lullaby reflecting the armed man's war experiences. The final section celebrates the armed man walking in the light of peace and liberty with the South African song "Simbayama".
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1
The Ming Dynasty (1368–1644) was a remarkable period in China’s history, characterised by extensive exploration and the expansion of trade routes to Europe, Africa, and the Indian Ocean, which resulted in a nearly doubled population. The Imperial Court became a hub for the arts, showcasing a diverse range of talents in literature, music, painting, sculpture, and ceramics. Artistic representations often depicted the calming lotus and dynamic horses, symbolising both serenity and strength, while music featured sustained notes and energetic rhythms that echoed these themes.
This suite of three unique pieces is perfect for beginners looking to improve technique and musicianship. Dedicated to Andrea Messenger OAM and the Western Suburbs String Orchestra community, inspiring young musicians everywhere.
The French court of the 17th and 18th centuries was renowned for its grandeur and beauty, envied by all composers in Europe. These three works embody that spirit.
These works are perfect for the beginner string ensemble player. They continue the earlier publication titled "A Dozen Dazzlers." They feature unison, simple parts and call-response writing and prepare the players for the greater demands of a full-string orchestra. All parts have been meticulously crafted for ease of playing and to focus on essential ensemble skills such as pizzicato, legato, staccato, and harmonics. These attractive pieces will ignite the students' imaginations.
The musette is a small French bagpipe that gained popularity in Louis XIV's time. It has a consistent G note for beginners. The "Air" is a beautiful tune from Handel's opera "Rinaldo". The set ends with a jolly bourree by the prolific composer Georg Philipp Telemann.