An excellent piece to introduce Early Music to students. Most rhythms are simple, with some quavers in the first violin part. Improvised percussion parts can be added for authenticity.
This piece of music is an excellent resource for educators looking to introduce their students to the beauty of Early Music. Its simple yet captivating rhythms, mostly composed of crotchets and minims, with a few quavers in the first violin part, make it a great starting point. To enhance the authenticity of the performance and give it a more genuine sound, some improvised percussion parts can be included based on the performance practices of this period.
Grieg's music is rooted in Norwegian folk songs. The "Watchman's Song" has a ghostly section conveyed through tremolo. A melancholic waltz follows, evoking a troll's cave. The contrast of keys and playing styles can refine any ensemble.
Pablo Sarasate (1844-1908) was a brilliant Spanish composer and violinist known for his expressive and technically challenging pieces like "The Carmen Fantasy" and "Zigeunerweisen". While retaining the original's virtuosity, this arrangement is accessible to younger musicians.
This music piece is based on an old English hymn that depicts a journey to hope, titled To the Palace of Light. It has a solemn beginning, turbulent middle, and faster, jig-like ending. Elements of the hymn can be heard throughout, making it a great choice to end a concert or festival.
Australia's National Anthem is a source of pride for Australians. We offer the first verse thoughtfully, with a piano part for accompaniment. A major key suits most voices. Great for school assemblies. Suitable for Grade 2 String Orchestra.
Bach, known for his exceptional music, was also a devoutly religious man. These two pieces of music serve as a testament to his faith. The arrangements highlight different sections of the ensemble as they take turns playing the beautiful melodies.
Pleyel, a renowned musician and entrepreneur in early 19th century Paris, wrote a beautiful piece for two violins in the late Classical style. The piece follows the sonata form and features a brooding first theme contrasted with an impish second theme played in staccato quavers. The movement ends with a lively duel between the violins, adding vibrancy and passion to the piece. Your orchestra will love it!