An excellent piece to introduce Early Music to students. Most rhythms are simple, with some quavers in the first violin part. Improvised percussion parts can be added for authenticity.
This piece of music is an excellent resource for educators looking to introduce their students to the beauty of Early Music. Its simple yet captivating rhythms, mostly composed of crotchets and minims, with a few quavers in the first violin part, make it a great starting point. To enhance the authenticity of the performance and give it a more genuine sound, some improvised percussion parts can be included based on the performance practices of this period.
This set of twelve short pieces is for basic orchestras and helps young musicians learn important string techniques. The pieces incorporate hissing, slapping of instruments, foot stomping, and improvisation to make playing in a string ensemble more enjoyable.
In Greek mythology, the Furies brought the dead to the Underworld and were part of the legend of Orpheus. August Nolck's piece was originally for cello but is now perfect for developing string players' timing precision. The perpetual motion promotes refined right-hand movements and offers opportunities for section solos.
Two contrasting works with enduring melodies. "Let All Mortal Flesh" is dynamic, from an old French folk song. The "Drunken Sailor" arrangement is a gem, highlighting all sections. A hit with younger musicians!
Hand-picking cotton is a gruelling task. 19th-century rural Americans sang to support each other. This piece starts with different players for each bar, evoking the image. The "Praising Song" celebrates the end of a tough day. An elementary ensemble will shine playing the double quavers, pizzicati, and syncopated beats.
On a stormy night, a carriage leaves for an unknown destination. Chased by someone, urgency intensifies with repeated quavers. Different string ensemble sections are highlighted—a warm middle section followed by an even greater sense of urgency. The journey ends quietly, igniting players' imaginations.
The Midnight Serenade starts with faint calls of the night. The haunting melody is shared throughout the piece over a waltz-like accompaniment. Dark Train is a dynamic composition based on a simple three-note ostinato, with whistle effects that excite younger players.
Two Italian Baroque masterpieces in contrast - Sarabande and Gigue. Simple melody with suspensions in Sarabande, orchestra showcases string crossings and quaver figuration in Gigue.
This piece for lower intermediate string orchestra features familiar sea shanties. All orchestra sections share the melody, making it dynamic and effective for nautical music lovers.