An excellent piece to introduce Early Music to students. Most rhythms are simple, with some quavers in the first violin part. Improvised percussion parts can be added for authenticity.
This piece of music is an excellent resource for educators looking to introduce their students to the beauty of Early Music. Its simple yet captivating rhythms, mostly composed of crotchets and minims, with a few quavers in the first violin part, make it a great starting point. To enhance the authenticity of the performance and give it a more genuine sound, some improvised percussion parts can be included based on the performance practices of this period.
Two contrasting works with enduring melodies. "Let All Mortal Flesh" is dynamic, from an old French folk song. The "Drunken Sailor" arrangement is a gem, highlighting all sections. A hit with younger musicians!
This arrangement of a popular spiritual is perfect for younger players. The melody is shared, making it easy for even the least experienced to participate. Clashing notes represent the train's whistle, while easily managed syncopated notes add spice and energy.
After the snowy start, climbers get to work. The fast melody depicts their chiselling on an icy rock face. A calm middle section shows the view from the top before the chiselling continues down. Younger players will love this energetic piece with catchy tunes and strong harmonies.
Mozart's Ave Verum Corpus and Alleluia from "Exultate Jubilate" are two of his most cherished liturgical compositions. All the difficult melismas have been adapted without losing the original excitement.
Two great pieces for young players! "Guitar Lullaby" is based on a familiar melody with a wide range. Hold the instrument like a guitar. "Chit Chat" is a catchy call and response piece with syncopated rhythms.
Whether dancing freely, creating something inspiring, or powering through a gym class, moving positively inspires this work, supported by driving rhythms, contrasting textures, and melodic lines.
These booklets promote accurate intonation, a left-hand framework, and a well-projected tone. They cover up to four sharps and three flats, providing a solid diatonic foundation. When studied with etudes and pieces, they achieve tonal beauty.