Albeniz's piece was originally written for piano, showcasing Spanish passion and brilliance. It alludes to a legend from Asturias, with Moroccan influences. The use of string techniques adds intensity to this haunting work.
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
On a stormy night, a carriage leaves for an unknown destination. Chased by someone, urgency intensifies with repeated quavers. Different string ensemble sections are highlighted—a warm middle section followed by an even greater sense of urgency. The journey ends quietly, igniting players' imaginations.
This piece for lower intermediate string orchestra features familiar sea shanties. All orchestra sections share the melody, making it dynamic and effective for nautical music lovers.
The legend of Excalibur is an exciting tale that captivates young minds. King Arthur's sword, Excalibur, emerges from the waters, followed by a sword dance. The mysterious theme reappears before a thrilling finale. Written for advanced and elementary players, it's a fantastic piece for a string festival or an advanced orchestra.
For String Orchestra Grade 3 & 1.5 (advanced and optional elementary strings)
Originally written for wind ensemble and later arranged for pianoforte, these charming movements have been carefully placed to give the sense of a fully integrated work. Some elements of this work are similar in vein to Mozart's famous "Eine Kleine Nachtmusik." Advanced intermediate players will enjoy the challenges of spiccato quavers, martele crotchets, measured tremolo, and lifted upbows, which are a must for developing precision and clarity in a more advanced string ensemble.
The Cliffs of Moher, rising about 200 meters above the Atlantic on Ireland's west coast, are home to many birds and sea life, such as grey seals and dolphins. In this work, I aimed to capture the feeling of sea spray, the beauty of green pastures, and the vibrant atmosphere of nearby towns, using musical textures such as pizzicato, sustained notes, bass melodies, and a reflective violin solo.
Vivaldi wrote many concertos for different instruments, including one for mandolin and strings. The composition's formal structure remains unaltered, but some intricate figurations have been tweaked. The music creates a dialogue between the orchestra's sections as they share the melody. The Baroque string crossings and harmonic progressions make the piece enjoyable to play.