"Arctic Fire" is a mesmerising composition that takes the listener on a journey of tonal surprises. The sound of the first violin harmonics is piercing and ethereal, evoking the image of blowing ice in a desolate Arctic landscape. The piece features effective textures and shifts in melody, with even the bass having a significant solo. It's a powerful composition that inspires musicians to let their imaginations soar.
The sound of the first violin harmonics in "Arctic Fire" is piercing and ethereal, evoking the image of blowing ice in a desolate Arctic landscape. As the music progresses, it takes the listener on a journey through a world of tonal surprises, featuring an array of techniques such as glissando, pizzicato, metrical changes, harmonics, tremolo, and drones. The piece is masterfully crafted, utilising effective textures that create a unique listening experience. A string quartet harmonises with the rest of the ensemble in one section, creating a beautiful and complex sound. The melody shifts throughout the composition, with each note leading seamlessly into the next. Even the bass has its moment to shine, with a significant solo that adds depth and richness to the piece. "Arctic Fire" is a composition that inspires musicians to let their imaginations soar and truly feel the power of the music.
Gobi Desert warriors, led by Genghis Khan, ride to China. The music's eighth notes, dissonant chords, and pounding melody vividly portray their might in battle. A calm pentatonic section shows them resting at night before moving mercilessly to the next fight.
The Iching, a series of texts created by Emperor Zhou in the 9th century BC China, helps interpret thoughts and dreams. Its orchestral representation features an energetic section that paints a vibrant life in ancient China and concludes with thrilling cascades of repeated sixteenth notes.
Simple music pieces with call-response writing can help beginners become confident playing in a full-string orchestra. Downloadable recorded accompaniments let students practice at their own pace. Teachers can use these pieces to transition students from solo playing to joining a string orchestra.
Pleyel, a renowned musician and entrepreneur in early 19th century Paris, wrote a beautiful piece for two violins in the late Classical style. The piece follows the sonata form and features a brooding first theme contrasted with an impish second theme played in staccato quavers. The movement ends with a lively duel between the violins, adding vibrancy and passion to the piece. Your orchestra will love it!
The French court of the 17th and 18th centuries was renowned for its grandeur and beauty, envied by all composers in Europe. These three works embody that spirit.
Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.