Feel the rush with this piece! The music's edgy rhythms and meter changes create a sense of urgency and desperation, like a frantic pursuit. A lyrical middle section offers a moment of respite before the thrilling journey resumes.
Get ready to experience an intense and exhilarating ride with the music of this piece! The daring and edgy rhythms, combined with the sudden changes of meter, create a sense of urgency and desperation, as if you are in the midst of a frantic pursuit. However, when you think you can't keep up with the pace, the music shifts to a mellow and more lyrical middle section. Here, the cellos and second violins share a beautifully crafted melody line that offers a moment of peaceful respite before the thrilling journey resumes.
The Wars of the Roses was a conflict between Lancaster and York from 1455 to 1487. Composer Walter Frye wrote music during this time, including "Alas, Alas, Alas is my Chief Song," which inspired this Fantasia. The piece depicts the storms of battle and blends antiquity with contemporary style.
This is an excellent intro to Early Music. Arbeau's second piece was later used in "Capriol Suite" by Peter Warlock. To add authenticity, improvise and add bass drum or tambour parts.
"Two pieces, one idea: work hard, play hard. "The Volga Boatmen" has a shared melody and well-crafted counter-melodies. "Two Guitars" is fun and infectious, exploring spiccato quavers."
Ignaz Joseph Pleyel was a renowned musician and entrepreneur who established a famous publishing house in Paris. This work, originally for two violins, embodies a late classical style with contrasting themes and a brighter ending. Your orchestra will enjoy this effective arrangement.
Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.
Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
No need to wait years to perform Grieg's "Holberg Suite" with your ensemble. This arrangement is true to the original but with less tricky figurations. It features off-string work, trills, accented quavers, light legato bowing, martele and pizzicato to make the performance sparkle!