Schubert's Sonatina Op. 137, No. 1's Allegro molto movement, originally for violin and piano, has been arranged for strings, making it more accessible.

Composer Franz Schubert was a skilled violinist who wrote over 12 string quartets by age 19. His first three violin sonatas, including Sonata No. 1 in D major, D 384, were later published as Sonatinas in 1836. The charming piece of music is relatively easy to perform.

Schubert's "März 1816" sonata has an intimate atmosphere, perfect for a small ensemble. It features three movements: Allegro molto, Andante, and Allegro vivace. The Allegro molto is a lively and fast-paced movement, followed by a slower, more contemplative Andante. The piece concludes with a rousing Allegro vivace.

Evaristo Felice Dall'Abaco and Antonio Vivaldi lived during the same era. Dall'Abaco's piece features an opening Prelude and a Ciaconna that includes variations on a fixed bass. This Baroque piece introduces players to various musical textures.

For String Orchestra Grade 3

Simple music pieces with call-response writing can help beginners become confident playing in a full-string orchestra. Downloadable recorded accompaniments let students practice at their own pace. Teachers can use these pieces to transition students from solo playing to joining a string orchestra.

For String Orchestra Grade 0.5-1

Showcase your beginner strings and concert band in an orchestra with this fun rondo piece written in the Hungarian style. The wind, strings and full orchestra each have their own chance to shine, and the manageable note values and pitch repertoire make it perfect for novices.

The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.

For full orchestra and 2-part choir - Grade 3

For String Orchestra Grade 1.5

Albeniz's piece was originally written for piano, showcasing Spanish passion and brilliance. It alludes to a legend from Asturias, with Moroccan influences. The use of string techniques adds intensity to this haunting work.

It's graded at level 3.5 for string orchestra.

These booklets promote accurate intonation, a left-hand framework, and a well-projected tone. They cover up to four sharps and three flats, providing a solid diatonic foundation. When studied with etudes and pieces, they achieve tonal beauty.

For violin Level 1.5-3