Two Portraits From Olde England Traditional Arr. Stephen Chin
$121.00
These pieces are from English folk songs. The Greens Bushes is about a lover who lost his beloved. The Wraggle Taggle Gypsies is about a group of nomads and their adventures.
Two Portraits From Olde England Traditional Arr. Stephen Chin
Both of these musical compositions are deeply rooted in the rich and vibrant tradition of English folk songs. The Greens Bushes is a poignant and melancholic piece that tells the story of a lover who has lost his beloved to someone else. The use of legato bowing, harmonics, and gentle pizzicato notes creates a sense of longing and wistfulness that is sure to tug at the heartstrings of the listener.
In contrast, The Wraggle Taggle Gypsies is a lively and spirited piece that captures the free-spirited nature of a wandering group of nomads and their hilarious exploits. The bold and robust notes used in this composition evoke a sense of adventure and excitement as if the listener is right there with the gypsies on their journey. Together, these two pieces showcase the incredible range and versatility of English folk music.
After the snowy start, climbers get to work. The fast melody depicts their chiselling on an icy rock face. A calm middle section shows the view from the top before the chiselling continues down. Younger players will love this energetic piece with catchy tunes and strong harmonies.
Lords of the Loch is a festival piece for string orchestra, quartet, and optional string ensemble. It's inspired by Finlaggan, a Scottish loch with islands once ruled by lords known for producing and exporting harps.
This arrangement of a popular spiritual is perfect for younger players. The melody is shared, making it easy for even the least experienced to participate. Clashing notes represent the train's whistle, while easily managed syncopated notes add spice and energy.
Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
In Greek mythology, the Furies brought the dead to the Underworld and were part of the legend of Orpheus. August Nolck's piece was originally for cello but is now perfect for developing string players' timing precision. The perpetual motion promotes refined right-hand movements and offers opportunities for section solos.
Pablo Sarasate (1844-1908) was a brilliant Spanish composer and violinist known for his expressive and technically challenging pieces like "The Carmen Fantasy" and "Zigeunerweisen". While retaining the original's virtuosity, this arrangement is accessible to younger musicians.