The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
Music lovers and enthusiasts have been captivated by the Gloria from the Latin Mass for centuries. This awe-inspiring piece of music is a testament to the creator and is aimed at giving Him honour. The Excelsis is a composition for an orchestra and two-part choir that is characterized by its liveliness, vitality, and ease of play. The composer ensured that the piece could be played by any ensemble by replacing several instruments with alternative ones. Even male voices can comfortably sing the two vocal parts down the octave. Throughout the piece, each section of the orchestra is given a chance to shine during the interludes. The work reaches a crescendo of excitement towards the end, concluding with a joyous flourish that is bound to leave the audience feeling exhilarated.
These two South American-inspired tangos feature chromatic scales, harmonics, syncopated rhythms, and a range of textures. The main tunes and accompaniments are easy to play and share within the ensemble. Cello plays a high A.
Australia's National Anthem is a source of pride for Australians. We offer the first verse thoughtfully, with a piano part for accompaniment. A major key suits most voices. Great for school assemblies. Suitable for Grade 2 String Orchestra.
A musical arrangement for strings, percussion, and voice with four memorable Australian folk tunes that are easy to sing along to. The vocal part can be sung by a soloist or choir, and the lyrics are included. The piece can also be played as an instrumental work.
These pieces are from English folk songs. The Greens Bushes is about a lover who lost his beloved. The Wraggle Taggle Gypsies is about a group of nomads and their adventures.
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
Stephen Chin admires the power of earth-moving equipment and the creativity of humans who push boundaries in the sciences and arts. He likens their groundbreaking efforts to the driving force found in the key of G minor, characterised by strong themes and the frequent use of downbows.