The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
For full orchestra and 2-part choir - Grade 3
Music lovers and enthusiasts have been captivated by the Gloria from the Latin Mass for centuries. This awe-inspiring piece of music is a testament to the creator and is aimed at giving Him honour. The Excelsis is a composition for an orchestra and two-part choir that is characterized by its liveliness, vitality, and ease of play. The composer ensured that the piece could be played by any ensemble by replacing several instruments with alternative ones. Even male voices can comfortably sing the two vocal parts down the octave. Throughout the piece, each section of the orchestra is given a chance to shine during the interludes. The work reaches a crescendo of excitement towards the end, concluding with a joyous flourish that is bound to leave the audience feeling exhilarated.
For full orchestra and 2-part choir - Grade 3
This music piece tells the legend of how the Kookaburra got its laugh. It was created for the Cooloola Shire Symphony Orchestra in Queensland, Australia, in collaboration with elders from the Nations in the area. The composition features a full orchestra, narrator, and didgeridoo. It's an engaging introduction to the orchestra for young listeners, with the didgeridoo blending well with the orchestra.
For Full Orchestra, Narrator and Didgeridoo Grade 4
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
For String Orchestra Grade 1.5
Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
Carl Bohm (1844 - 1920) was a renowned composer and teacher for violinists. His famous pieces, "Moto Perpetuo" and "Galop," showcase double semiquavers and highlight the cellos in the latter. The work is shared around for everyone to shine.
For String Orchestra Grade 2.5
Albeniz's piece was originally written for piano, showcasing Spanish passion and brilliance. It alludes to a legend from Asturias, with Moroccan influences. The use of string techniques adds intensity to this haunting work.
It's graded at level 3.5 for string orchestra.
The Wars of the Roses was a conflict between Lancaster and York from 1455 to 1487. Composer Walter Frye wrote music during this time, including "Alas, Alas, Alas is my Chief Song," which inspired this Fantasia. The piece depicts the storms of battle and blends antiquity with contemporary style.
Fantasia on a Theme by Walter Frye (d. 1474)
for String Orchestra (Grade 3) by Stephen Chin
"Two pieces, one idea: work hard, play hard. "The Volga Boatmen" has a shared melody and well-crafted counter-melodies. "Two Guitars" is fun and infectious, exploring spiccato quavers."
1. The Volga Boatmen
2. Two Guitars
For String Orchestra Grade 2.5
The Iching, a series of texts created by Emperor Zhou in the 9th century BC China, helps interpret thoughts and dreams. Its orchestral representation features an energetic section that paints a vibrant life in ancient China and concludes with thrilling cascades of repeated sixteenth notes.
