The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
Music lovers and enthusiasts have been captivated by the Gloria from the Latin Mass for centuries. This awe-inspiring piece of music is a testament to the creator and is aimed at giving Him honour. The Excelsis is a composition for an orchestra and two-part choir that is characterized by its liveliness, vitality, and ease of play. The composer ensured that the piece could be played by any ensemble by replacing several instruments with alternative ones. Even male voices can comfortably sing the two vocal parts down the octave. Throughout the piece, each section of the orchestra is given a chance to shine during the interludes. The work reaches a crescendo of excitement towards the end, concluding with a joyous flourish that is bound to leave the audience feeling exhilarated.
Australian summer holidays are magical! "Catamarans" captures the graceful movement of sailing vessels with wistful melodies. "Beach Party" is lively, depicting fun in the sand with driving quavers and unique textures. Both pieces feature harmonics and shifting in the first violins.
Pablo Sarasate (1844-1908) was a brilliant Spanish composer and violinist known for his expressive and technically challenging pieces like "The Carmen Fantasy" and "Zigeunerweisen". While retaining the original's virtuosity, this arrangement is accessible to younger musicians.
The Irish Blessing has been an inspiration for generations. This three-movement work for strings, SSAA choir, and optional bagpipes will make an impact on your audience.
No need to wait years to perform Grieg's "Holberg Suite" with your ensemble. This arrangement is true to the original but with less tricky figurations. It features off-string work, trills, accented quavers, light legato bowing, martele and pizzicato to make the performance sparkle!
An excellent piece to introduce Early Music to students. Most rhythms are simple, with some quavers in the first violin part. Improvised percussion parts can be added for authenticity.
Originally for string quintet, this piece was arranged by Boccherini for guitar and string quartet. Castanets add a Spanish touch. Boccherini explored diverse textures and string effects within the Classical Period. The music's elegance and vibrancy captivate players and audiences alike.
Ideal for a festival orchestra with players at different levels, this piece is based on the medieval melody "L'Homme Arme", depicting a sword-wielding warrior. The middle section features a violin solo as a lullaby reflecting the armed man's war experiences. The final section celebrates the armed man walking in the light of peace and liberty with the South African song "Simbayama".
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1