The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
Music lovers and enthusiasts have been captivated by the Gloria from the Latin Mass for centuries. This awe-inspiring piece of music is a testament to the creator and is aimed at giving Him honour. The Excelsis is a composition for an orchestra and two-part choir that is characterized by its liveliness, vitality, and ease of play. The composer ensured that the piece could be played by any ensemble by replacing several instruments with alternative ones. Even male voices can comfortably sing the two vocal parts down the octave. Throughout the piece, each section of the orchestra is given a chance to shine during the interludes. The work reaches a crescendo of excitement towards the end, concluding with a joyous flourish that is bound to leave the audience feeling exhilarated.
Get ready for an adventure! This dynamic piece takes you on a journey where the high-pitched first position harmonics, sul ponticello, and arco/pizz create a sea-faring atmosphere. The repeated quavers keep the sense of a voyage underway. Each section of the ensemble eagerly awaits their turn to play the gorgeous melodies that abound in this dynamic work.
No need to wait years to perform Grieg's "Holberg Suite" with your ensemble. This arrangement is true to the original but with less tricky figurations. It features off-string work, trills, accented quavers, light legato bowing, martele and pizzicato to make the performance sparkle!
These two South American-inspired tangos feature chromatic scales, harmonics, syncopated rhythms, and a range of textures. The main tunes and accompaniments are easy to play and share within the ensemble. Cello plays a high A.
Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
The Midnight Serenade starts with faint calls of the night. The haunting melody is shared throughout the piece over a waltz-like accompaniment. Dark Train is a dynamic composition based on a simple three-note ostinato, with whistle effects that excite younger players.
Dig Tree and The Elegy reflect Australia's early explorers' unfortunate fate, while Goin' Overland captures the excitement of exploring the outback. The latter features various string techniques that highlight the Australian essence of the music.
"Two pieces, one idea: work hard, play hard. "The Volga Boatmen" has a shared melody and well-crafted counter-melodies. "Two Guitars" is fun and infectious, exploring spiccato quavers."
Canon in D by Johann Pachelbel is a beautiful piece for string orchestra. This arrangement includes optional adaptations to suit different instruments and grade levels. A universally cherished work, now more inclusive!