These works are perfect for the beginner string ensemble player. They continue the earlier publication titled "A Dozen Dazzlers." They feature unison, simple parts and call-response writing and prepare the players for the greater demands of a full-string orchestra. All parts have been meticulously crafted for ease of playing and to focus on essential ensemble skills such as pizzicato, legato, staccato, and harmonics. These attractive pieces will ignite the students' imaginations.

Haydn's second symphony in a minor key is a classic Sturm und Drang piece with strong emotional changes. It's great for expanding classical repertoire and practising playing techniques in G minor.

ES 133

This is an excellent intro to Early Music. Arbeau's second piece was later used in "Capriol Suite" by Peter Warlock. To add authenticity, improvise and add bass drum or tambour parts.

1. Bransle

2. Pavan

3. Ballo Furlano

For String Orchestra Grade 1.5

Two great pieces for young players! "Guitar Lullaby" is based on a familiar melody with a wide range. Hold the instrument like a guitar. "Chit Chat" is a catchy call and response piece with syncopated rhythms.

1. Guitar Lullaby

2. Chit Chat

For String Orchestra Grade 1

The Cliffs of Moher, rising about 200 meters above the Atlantic on Ireland's west coast, are home to many birds and sea life, such as grey seals and dolphins. In this work, I aimed to capture the feeling of sea spray, the beauty of green pastures, and the vibrant atmosphere of nearby towns, using musical textures such as pizzicato, sustained notes, bass melodies, and a reflective violin solo.

Experience a captivating musical journey to Kyoto with “Two Silk Screens from Kyoto” by Stephen Chin. This evocative string orchestra piece beautifully reflects Japanese culture through graceful melodies and intricate harmonies. Immerse yourself in its meditative ambiance, as the strings evoke vivid images of cherry blossoms and serene landscapes.

Stephen Chin: “These two pieces were inspired by my visit to Japan. They capture memories of the country's beauty, contrasting the elegance of cranes by a lake with the dynamic movements of samurai. I frequently used the Japanese scale, Hirajōshi, along with other pentatonic scales throughout the set.”

This music piece tells the legend of how the Kookaburra got its laugh. It was created for the Cooloola Shire Symphony Orchestra in Queensland, Australia, in collaboration with elders from the Nations in the area. The composition features a full orchestra, narrator, and didgeridoo. It's an engaging introduction to the orchestra for young listeners, with the didgeridoo blending well with the orchestra.

For Full Orchestra, Narrator and Didgeridoo Grade 4

Whether dancing freely, creating something inspiring, or powering through a gym class, moving positively inspires this work, supported by driving rhythms, contrasting textures, and melodic lines.