The Ming Dynasty (1368–1644) was a remarkable period in China’s history, characterised by extensive exploration and the expansion of trade routes to Europe, Africa, and the Indian Ocean, which resulted in a nearly doubled population. The Imperial Court became a hub for the arts, showcasing a diverse range of talents in literature, music, painting, sculpture, and ceramics. Artistic representations often depicted the calming lotus and dynamic horses, symbolising both serenity and strength, while music featured sustained notes and energetic rhythms that echoed these themes.
1. Lotus
2. Imperial Horses
The Ming Dynasty (1368–1644) was a remarkable period in China’s history, characterised by extensive exploration and the opening of trade routes to Europe, Africa, and across the Indian Ocean. During this time, China's population doubled. The Imperial Court became the center of a flourishing arts scene, producing remarkable achievements in literature, music, painting, sculpture, and ceramics. It also served as a gathering place for important visitors from distant countries.
In the arts, the calming image of the lotus and the dynamic portrayal of horses were often used to express the serenity and strength of the court. The music of this era featured sustained notes, open strings, harmonics, energetic retakes, and driving quavers, all of which reflected these sentiments.
1. Lotus
2. Imperial Horses
Two contrasting works with enduring melodies. "Let All Mortal Flesh" is dynamic, from an old French folk song. The "Drunken Sailor" arrangement is a gem, highlighting all sections. A hit with younger musicians!
1. Let All Mortal Flesh Keep Silent
2. Drunken Sailor
For String Orchestra Grade 1.5
Pablo Sarasate (1844-1908) was a brilliant Spanish composer and violinist known for his expressive and technically challenging pieces like "The Carmen Fantasy" and "Zigeunerweisen". While retaining the original's virtuosity, this arrangement is accessible to younger musicians.
For String Orchestra Grade 2.
This set of twelve short pieces is for basic orchestras and helps young musicians learn important string techniques. The pieces incorporate hissing, slapping of instruments, foot stomping, and improvisation to make playing in a string ensemble more enjoyable.
1. Pickin' 'n' Peckin'
2. Desert Nights
3. War Zone
4. Bagpipes
5. Attack of the Flying Insects
6. Raindrops
7. A Pirate's Shanty
8. Valse Enchante
9. Silk
10. Hootenanny Hoedown
11. Russian Easter Hymn
12. Surf's Up!
For String Orchestra Grade 1
These quirky pieces are trinkets that can spark young musicians' imaginations. They cover many techniques, such as pizzicato, staccato, harmonics, and rapid eighth notes, which can help beginning orchestras build their skills in a fun way. The memorable tunes often shared around the orchestra will indeed have your students begging for more!
1. Busy Bikes
2. Sanpan in the Clouds
3. Elephants and Fleas
4. It's Raining Diamonds
5. Very Dark Elves
6. Tibetan Trinkets
7. King Bruce's Spider
8. Nullarbor
9. Dragon Crusher
10. Magical Mandolines
11. Fuji
12. Ice Train
For String Orchestra Grade 1
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
For full orchestra and 2-part choir - Grade 3
Showcase your beginner strings and concert band in an orchestra with this fun rondo piece written in the Hungarian style. The wind, strings and full orchestra each have their own chance to shine, and the manageable note values and pitch repertoire make it perfect for novices.
This suite of three contrasting movements is perfect for young string players. It includes fun techniques like tremolo, pizzicato, harmonics, tapping, and even screaming. Bumps in the Dark is thrilling, Far Away Dreams is gentle and thoughtful, and Shooting Stars is exciting. The suite encourages active listening within the ensemble.
Listen to #1 – Bumps in the Dark
