
Heart In The Highlands By Stephen Chin
'Heart in The Highlands', inspired by Robert Burns, evokes Scotland's rugged beauty with pizzicato, harmonics, dotted rhythms, and drones.
After the snowy start, climbers get to work. The fast melody depicts their chiselling on an icy rock face. A calm middle section shows the view from the top before the chiselling continues down. Younger players will love this energetic piece with catchy tunes and strong harmonies.
For String Orchestra Grade 1.5
The composition begins with the sound of footsteps in the snow, which sets the tone for the start of an exciting adventure. The main melody of the piece is characterized by rapid and repeated notes that imitate the sound of a pickaxe chiselling away at the ice, as if the climbers are frantically trying to make their way up a steep and treacherous rock face. As the climbers reach the top, the music transitions into a calm and peaceful section, reflecting the breathtaking view that awaits them. The sense of urgency and energy returns as the climbers make their way back down, chiselling their way through the ice once again. This highly energetic composition, with its captivating and catchy tunes and strong harmonies, is an ideal choice for young musicians who are looking for an exciting and challenging piece to play.
For String Orchestra Grade 1.5
'Heart in The Highlands', inspired by Robert Burns, evokes Scotland's rugged beauty with pizzicato, harmonics, dotted rhythms, and drones.
This piece uses dynamic change and harmonics to evoke the beauty and mystery of the stratosphere.
Dedicated to Stephen's wonderful wife, Ann. Grade 3.
Vivaldi wrote many concertos for different instruments, including one for mandolin and strings. The composition's formal structure remains unaltered, but some intricate figurations have been tweaked. The music creates a dialogue between the orchestra's sections as they share the melody. The Baroque string crossings and harmonic progressions make the piece enjoyable to play.
For String Orchestra Grade 3
"Two pieces, one idea: work hard, play hard. "The Volga Boatmen" has a shared melody and well-crafted counter-melodies. "Two Guitars" is fun and infectious, exploring spiccato quavers."
1. The Volga Boatmen
2. Two Guitars
For String Orchestra Grade 2.5
The Ming Dynasty (1368–1644) was a remarkable period in China’s history, characterised by extensive exploration and the expansion of trade routes to Europe, Africa, and the Indian Ocean, which resulted in a nearly doubled population. The Imperial Court became a hub for the arts, showcasing a diverse range of talents in literature, music, painting, sculpture, and ceramics. Artistic representations often depicted the calming lotus and dynamic horses, symbolising both serenity and strength, while music featured sustained notes and energetic rhythms that echoed these themes.
1. Lotus
2. Imperial Horses
Inspired by "The Rime of the Ancient Mariner", this festival piece is for eight-string orchestras and percussion. It starts with a wall of sound, then a mournful melody, and a lively jig-like section. Only Orchestra A needs to play percussion.
For eight string orchestras and percussion - Level 4, 3, 2, 1.5, 1
These works are perfect for the beginner string ensemble player. They continue the earlier publication titled "A Dozen Dazzlers." They feature unison, simple parts and call-response writing and prepare the players for the greater demands of a full-string orchestra. All parts have been meticulously crafted for ease of playing and to focus on essential ensemble skills such as pizzicato, legato, staccato, and harmonics. These attractive pieces will ignite the students' imaginations.
David Maddick compiled “Chinwagging” from the most popular tunes in “Thirty Concert Pieces” by Everything String. The piece teaches fundamental string techniques to young ensemble members, such as legato bowing, string crossing, re-taking, and right/left-hand pizzicato. It’s an enjoyable and solid introduction to foundational concepts.
For String Orchestra Grade 1