Genghis Khan, a feared warrior, and his soldiers ride through Mongolia into China. The piece's driving rhythms and accented chords create an atmosphere of strength and awe in battle. A gentler middle section uses the pentatonic scale, perhaps as Khan rests. The work concludes with a surge of energy as he moves towards his next battle.

For String Orchestra Grade 1.5

The Ming Dynasty (1368–1644) was a remarkable period in China’s history, characterised by extensive exploration and the expansion of trade routes to Europe, Africa, and the Indian Ocean, which resulted in a nearly doubled population. The Imperial Court became a hub for the arts, showcasing a diverse range of talents in literature, music, painting, sculpture, and ceramics. Artistic representations often depicted the calming lotus and dynamic horses, symbolising both serenity and strength, while music featured sustained notes and energetic rhythms that echoed these themes.

1. Lotus

2. Imperial Horses

The Wars of the Roses was a conflict between Lancaster and York from 1455 to 1487. Composer Walter Frye wrote music during this time, including "Alas, Alas, Alas is my Chief Song," which inspired this Fantasia. The piece depicts the storms of battle and blends antiquity with contemporary style.

Fantasia on a Theme by Walter Frye (d. 1474)

for String Orchestra (Grade 3) by Stephen Chin

This set of twelve short pieces is for basic orchestras and helps young musicians learn important string techniques. The pieces incorporate hissing, slapping of instruments, foot stomping, and improvisation to make playing in a string ensemble more enjoyable.

1. Pickin' 'n' Peckin'

2. Desert Nights

3. War Zone

4. Bagpipes

5. Attack of the Flying Insects

6. Raindrops

7. A Pirate's Shanty

8. Valse Enchante

9. Silk

10. Hootenanny Hoedown

11. Russian Easter Hymn

12. Surf's Up!

For String Orchestra Grade 1

Originally for string quintet, this piece was arranged by Boccherini for guitar and string quartet. Castanets add a Spanish touch. Boccherini explored diverse textures and string effects within the Classical Period. The music's elegance and vibrancy captivate players and audiences alike.

For String Orchestra Grade 3.5

Chin, Haydn Symphony No.60 1st Movement
This arrangement for strings is faithful to the original work with the added features of sharing the melodic lines, a slight editing of a few bars of the bass part, a violin 3 part and a keyboard realization. It is also an excellent way to develop Classical style spiccato in more advanced players.

Schubert's Sonatina Op. 137, No. 1's Allegro molto movement, originally for violin and piano, has been arranged for strings, making it more accessible.

Composer Franz Schubert was a skilled violinist who wrote over 12 string quartets by age 19. His first three violin sonatas, including Sonata No. 1 in D major, D 384, were later published as Sonatinas in 1836. The charming piece of music is relatively easy to perform.

Schubert's "März 1816" sonata has an intimate atmosphere, perfect for a small ensemble. It features three movements: Allegro molto, Andante, and Allegro vivace. The Allegro molto is a lively and fast-paced movement, followed by a slower, more contemplative Andante. The piece concludes with a rousing Allegro vivace.

These booklets promote accurate intonation, a left-hand framework, and a well-projected tone. They cover up to four sharps and three flats, providing a solid diatonic foundation. When studied with etudes and pieces, they achieve tonal beauty.

For violin Level 1.5-3