Siciliano and Allegro by Telemann arr. Stephen Chin
$121.00
Telemann was a prolific composer, creating over 3000 works, including 100 concertos, 40 operas and numerous chamber music pieces. The Siciliano and Allegro movements from his violin sonatas showcase contrasting Baroque styles and are great for developing phrasing and articulation.
Siciliano and Allegro by Telemann arr. Stephen Chin
Georg Philipp Telemann was an extraordinarily gifted composer whose musical output was nothing short of astounding. His vast repertoire boasts an impressive array of works, including 1043 cantatas, 46 passions, 40 operas, over 100 concertos, 700 orchestral suites, and volumes of chamber music. The two pieces presented here are taken from his violin sonatas, which are excellent examples of the Baroque period's contrasting styles. The Siciliano is a slow, mournful piece with long, flowing lines that evoke a sense of melancholy. In contrast, the Allegro is a lively and energetic composition that showcases the skilful use of string crossings. This musical set is an excellent resource for musicians seeking to develop their phrasing and articulation in the Baroque style.
This suite of three unique pieces is perfect for beginners looking to improve technique and musicianship. Dedicated to Andrea Messenger OAM and the Western Suburbs String Orchestra community, inspiring young musicians everywhere.
La Tempesta di Mare is the overture to Salieri's opera, Cesare in Farmacusa. It narrates the journey of the young Julius Caesar as he sails through a treacherous storm to Farmacusa, near Sicily. The plot is filled with pirates, gypsy lovers, and, of course, Roman gods, providing much entertainment for audiences of that time.
Pablo Sarasate (1844-1908) was a brilliant Spanish composer and violinist known for his expressive and technically challenging pieces like "The Carmen Fantasy" and "Zigeunerweisen". While retaining the original's virtuosity, this arrangement is accessible to younger musicians.
In Greek mythology, the Furies brought the dead to the Underworld and were part of the legend of Orpheus. August Nolck's piece was originally for cello but is now perfect for developing string players' timing precision. The perpetual motion promotes refined right-hand movements and offers opportunities for section solos.
Originally for string quintet, this piece was arranged by Boccherini for guitar and string quartet. Castanets add a Spanish touch. Boccherini explored diverse textures and string effects within the Classical Period. The music's elegance and vibrancy captivate players and audiences alike.
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
The musette is a small French bagpipe that gained popularity in Louis XIV's time. It has a consistent G note for beginners. The "Air" is a beautiful tune from Handel's opera "Rinaldo". The set ends with a jolly bourree by the prolific composer Georg Philipp Telemann.
Two Italian Baroque masterpieces in contrast - Sarabande and Gigue. Simple melody with suspensions in Sarabande, orchestra showcases string crossings and quaver figuration in Gigue.