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    Chords, Arpeggios And Scales – Violin By Stephen Chin

    Chords, Arpeggios And Scales – Violin By Stephen Chin

    $24.25

    These booklets promote accurate intonation, a left-hand framework, and a well-projected tone. They cover up to four sharps and three flats, providing a solid diatonic foundation. When studied with etudes and pieces, they achieve tonal beauty.

    For violin Level 1.5-3

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    Chords, Arpeggios And Scales – Violin By Stephen Chin

    These booklets offer an indispensable tool for musicians looking to improve their skills in intonation, left-hand technique, security in the first three positions, and tonal projection. The booklets contain a comprehensive guide to keys, covering up to four sharps and three flats, which provides a solid foundational knowledge of diatonic scales for players at any level. Additionally, the keys selected in the booklets enable players to tune their instruments in relation to one or more open strings, establishing a strong tonal foundation. When used in tandem with etudes and pieces, these booklets provide teachers and students with an effective methodology to achieve exceptional tonal beauty and musical expression.

    For violin Level 1.5-3

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    Caprice 24 by Paganini arr. Stephen Chin

    Nicolo Paganini was an exceptional violinist, and this particular piece is the final one in a series of caprices that represent the pinnacle of violin technique. It has inspired other great composers such as Rachmaninov. This arrangement preserves the melody, harmony, and structure, allowing players of all levels to experience and appreciate the beauty of Paganini's work.

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    Night Journey By Stephen Chin

    On a stormy night, a carriage leaves for an unknown destination. Chased by someone, urgency intensifies with repeated quavers. Different string ensemble sections are highlighted—a warm middle section followed by an even greater sense of urgency. The journey ends quietly, igniting players' imaginations.

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    A Trio of Lights (Stephen Chin) for String Orchestra

    Embark on a musical journey for young string players with a delightful composition specially crafted for beginning orchestras. This engaging piece introduces students to ensemble playing while promoting joy and a sense of accomplishment. With catchy melodies and expressive dynamics, it showcases the potential of aspiring musicians.

    Stephen Chen shares, "I am fascinated by the different qualities of light throughout the day. In this set of pieces, the gentle mood of twilight and the mystery of moonlight contrast with the joy of warm sunshine. Various melodic and rhythmic elements, including pizzicato and tremolo, convey these impressions."

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    Rooster Rag By Stephen Chin

    A funky rooster tune with staccato bowing and a catchy melody is featured in this rondo-style piece. The "cock-a-doodle-do" rhythm is present throughout, and the descending bass line adds to the rag-tune feel. Perfect for an early morning rehearsal!

    For String Orchestra Grade 2

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    Concerto In G By Vivaldi Arr. Stephen Chin

    Vivaldi wrote many concertos for different instruments, including one for mandolin and strings. The composition's formal structure remains unaltered, but some intricate figurations have been tweaked. The music creates a dialogue between the orchestra's sections as they share the melody. The Baroque string crossings and harmonic progressions make the piece enjoyable to play.

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    Pets (Stephen Chin) for String Orchestra

    We all love our pets, and each day brings new adventures! “Presto Puppies” features rising scale patterns and surprising dissonances, while “Cantabile Kitties” captures the subdued essence of our feline friends with major seventh intervals that evoke a kitten yawning. “Con Brio Birdies” portrays birds’ chatter through repeated quavers and gentle dissonances. The suite also showcases various techniques, including harmonics and different pizzicato styles.

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    La Follia By Corelli Arr Stephen Chin

    Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.

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