

Genghis Khan, a feared warrior, and his soldiers ride through Mongolia into China. The piece's driving rhythms and accented chords create an atmosphere of strength and awe in battle. A gentler middle section uses the pentatonic scale, perhaps as Khan rests. The work concludes with a surge of energy as he moves towards his next battle.
For String Orchestra Grade 1.5
Genghis Khan, the great conqueror of the Mongol Empire, strikes fear into the hearts of his enemies as he and his warriors gallop across the vast plains of Mongolia and into China. This musical composition brings his story to life with driving rhythms that mirror the pounding of hooves, parallel fifths that echo the clash of weapons, and heavily accented chords that evoke the atmosphere of an intense battle.
As the piece transitions to the middle section, the music softens, and the pentatonic scale is used to convey a gentler side to this imposing figure. Perhaps this is a portrayal of Genghis Khan as he rests in his tent after a long day of fighting, reflecting on the events of the day.
But the calm doesn't last long as the music builds again, and the energy surges forward once more. Genghis Khan is on the move, ferociously leading his troops towards their next battle.
For String Orchestra Grade 1.5
Hand-picking cotton is a gruelling task. 19th-century rural Americans sang to support each other. This piece starts with different players for each bar, evoking the image. The "Praising Song" celebrates the end of a tough day. An elementary ensemble will shine playing the double quavers, pizzicati, and syncopated beats.
1. Cottonfield Calls
2. Praising Song
For String Orchestra Grade 1
In Greek mythology, the Furies brought the dead to the Underworld and were part of the legend of Orpheus. August Nolck's piece was originally for cello but is now perfect for developing string players' timing precision. The perpetual motion promotes refined right-hand movements and offers opportunities for section solos.
For String Orchestra Grade 1.5
Ideal for a festival orchestra with players at different levels, this piece is based on the medieval melody "L'Homme Arme", depicting a sword-wielding warrior. The middle section features a violin solo as a lullaby reflecting the armed man's war experiences. The final section celebrates the armed man walking in the light of peace and liberty with the South African song "Simbayama".
For 4 string orchestras and untuned percussion - Grade 3.5, 2, 1.5 & 1
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
For String Orchestra Grade 1.5
Scotland offers diverse experiences. Skye Island has willow trees amidst breathtaking landscapes. Fiddlin' in Aberdeen is inspired by vibrant fiddle festivals. The piece features left-hand pizzicato, harmonics, and string crossings.
1. Willows of Skye
2. Fiddlin' in Aberdeen
For String Orchestra Grade 1
This music piece tells the legend of how the Kookaburra got its laugh. It was created for the Cooloola Shire Symphony Orchestra in Queensland, Australia, in collaboration with elders from the Nations in the area. The composition features a full orchestra, narrator, and didgeridoo. It's an engaging introduction to the orchestra for young listeners, with the didgeridoo blending well with the orchestra.
For Full Orchestra, Narrator and Didgeridoo Grade 4
This arrangement of a popular spiritual is perfect for younger players. The melody is shared, making it easy for even the least experienced to participate. Clashing notes represent the train's whistle, while easily managed syncopated notes add spice and energy.
For String Orchestra Grade 1