Lux Angelis is an advanced string orchestra piece with optional grade 1 and 2 strings, keyboard, and percussion. It represents light pervading the universe through harmonics and suspended chords. The seventh interval symbolizes the seven days of creation, while the two sections portray the challenges of dark forces. The piece ends with a chorus of angels bathed in light, symbolizing light's resilience.
Lux Angelis is a majestic and captivating string orchestra composition showcasing the beauty of music. The piece is expertly crafted to be played with grade 1 and grade 2 strings, keyboard, and percussion, making it an accessible yet complex work. The theme of light permeates the entire composition, both in its physical and personal aspects. The use of suspended chords and harmonics creates a unique and ethereal atmosphere that transports the listener to another world. The presence of the seventh interval throughout the piece is a nod to the concept of creation taking seven days. The composition also features two interjecting sections that add a rhythmic drive and a sense of dissonance, representing the challenges that dark forces can present in our lives. Despite these challenges, the composer's message is hope and resilience, as light will always endure and prevail. The piece ends with a heavenly chorus of angels, symbolizing the triumph of light over darkness.
Vivaldi wrote many concertos for different instruments, including one for mandolin and strings. The composition's formal structure remains unaltered, but some intricate figurations have been tweaked. The music creates a dialogue between the orchestra's sections as they share the melody. The Baroque string crossings and harmonic progressions make the piece enjoyable to play.
For String Orchestra Grade 3
On a stormy night, a carriage leaves for an unknown destination. Chased by someone, urgency intensifies with repeated quavers. Different string ensemble sections are highlighted—a warm middle section followed by an even greater sense of urgency. The journey ends quietly, igniting players' imaginations.
For String Orchestra Grade 1.5
Pleyel, Haydn's student, had exceptional musical talent. The Duet Opus 8 no. 2 is a delightful and accessible piece highlighting different parts of the ensemble, showcasing diverse musical techniques like spiccato quavers, slurred string crossings, and martel crotchets. It's a great starting point for those who want to appreciate Classical music.
This piece of music is intended for a string orchestra with a difficulty level of grade 3.
These two South American-inspired tangos feature chromatic scales, harmonics, syncopated rhythms, and a range of textures. The main tunes and accompaniments are easy to play and share within the ensemble. Cello plays a high A.
Featuring Tango del Tucan and Tango de Tijuana
This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
For String Orchestra Grade 1.5
This is an excellent intro to Early Music. Arbeau's second piece was later used in "Capriol Suite" by Peter Warlock. To add authenticity, improvise and add bass drum or tambour parts.
1. Bransle
2. Pavan
3. Ballo Furlano
For String Orchestra Grade 1.5
These works are perfect for the beginner string ensemble player. They continue the earlier publication titled "A Dozen Dazzlers." They feature unison, simple parts and call-response writing and prepare the players for the greater demands of a full-string orchestra. All parts have been meticulously crafted for ease of playing and to focus on essential ensemble skills such as pizzicato, legato, staccato, and harmonics. These attractive pieces will ignite the students' imaginations.
