Two contrasting works with enduring melodies. "Let All Mortal Flesh" is dynamic, from an old French folk song. The "Drunken Sailor" arrangement is a gem, highlighting all sections. A hit with younger musicians!
These two musical compositions are a testament to the enduring power of beautiful melodies. "Let All Mortal Flesh" is a deeply expressive piece that originated from an old French folk song. Its haunting melody and poignant lyrics evoke a sense of reverence and awe. The arrangement of "Drunken Sailor" is a true gem, with each section of the orchestra showcasing its unique strengths. The piece is lively and energetic, with a catchy tune that will captivate the hearts of younger musicians and audiences alike.
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.
An excellent piece to introduce Early Music to students. Most rhythms are simple, with some quavers in the first violin part. Improvised percussion parts can be added for authenticity.
The music is a journey through the Mists of England, the lush green fields of Ireland, Wales's sublime beauty, and Scotland's invigorating highlands. The tunes and textures are vibrant, wistful, and unforgettable, making them perfect for any performance. Your players will be humming them long after the rehearsal is over.
La Tempesta di Mare is the overture to Salieri's opera, Cesare in Farmacusa. It narrates the journey of the young Julius Caesar as he sails through a treacherous storm to Farmacusa, near Sicily. The plot is filled with pirates, gypsy lovers, and, of course, Roman gods, providing much entertainment for audiences of that time.
The musette is a small French bagpipe that gained popularity in Louis XIV's time. It has a consistent G note for beginners. The "Air" is a beautiful tune from Handel's opera "Rinaldo". The set ends with a jolly bourree by the prolific composer Georg Philipp Telemann.
This rhapsodic work by Vittorio Monti captures the vibrant elements of Gypsy music and has been popularized in film and pop music. The arrangement includes two versions: one showcases each orchestra section, while the other features a solo violin supported by accompanying strings.
Listen to the two versions included in this product below:
Daniel Steibelt (1765-1823) composed elegant pieces that embody the Classical period's poise and vivacity. His piece includes an Andante section with beautiful melodies and an Allegro con brio section that presents a fun challenge for students. The E minor middle section highlights the first violins' talent and is perfect for String Orchestra Grade 2.