This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
As a companion piece to the earlier “Bells of Ghengis Khan”, this work evokes a sense of impending conflict with its insistent rhythms and pounding fifths. The music speaks to the intensity and anticipation of battle. In the middle section, the soldiers are depicted reflecting upon their loved ones on a quiet night before the battle resumes. The victors’ shouts of triumph can be heard as the piece comes to a close. The use of various techniques such as harmonics, tremolo, and pizzicato add depth and richness to the tapestry of tone colours, resulting in a powerful and emotionally charged musical experience.
Debussy was inspired by mysticism and exotic items. He combined Gregorian chant with Eastern influences in "Funeral Urn" and showcased his unique style with "The Girl with the Flaxen Hair". Students will enjoy the challenging rhythms and harmonies in these works.
Two Italian Baroque masterpieces in contrast - Sarabande and Gigue. Simple melody with suspensions in Sarabande, orchestra showcases string crossings and quaver figuration in Gigue.
These two South American-inspired tangos feature chromatic scales, harmonics, syncopated rhythms, and a range of textures. The main tunes and accompaniments are easy to play and share within the ensemble. Cello plays a high A.
Kakadu National Park is known for its wildlife. One piece depicts sunrise over the water with improvisation. "Twilight Trek," the second piece, conveys a journey of adventure on foot with staccato notes, pizzicato melodies, and sudden fortes.