This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
As a companion piece to the earlier “Bells of Ghengis Khan”, this work evokes a sense of impending conflict with its insistent rhythms and pounding fifths. The music speaks to the intensity and anticipation of battle. In the middle section, the soldiers are depicted reflecting upon their loved ones on a quiet night before the battle resumes. The victors’ shouts of triumph can be heard as the piece comes to a close. The use of various techniques such as harmonics, tremolo, and pizzicato add depth and richness to the tapestry of tone colours, resulting in a powerful and emotionally charged musical experience.
We all love our pets, and each day brings new adventures! “Presto Puppies” features rising scale patterns and surprising dissonances, while “Cantabile Kitties” captures the subdued essence of our feline friends with major seventh intervals that evoke a kitten yawning. “Con Brio Birdies” portrays birds’ chatter through repeated quavers and gentle dissonances. The suite also showcases various techniques, including harmonics and different pizzicato styles.
Ignaz Joseph Pleyel was a renowned musician and entrepreneur who established a famous publishing house in Paris. This work, originally for two violins, embodies a late classical style with contrasting themes and a brighter ending. Your orchestra will enjoy this effective arrangement.
Introduce your students to Russian classical music with "Pictures at an Exhibition" by Mussorgsky. "Promenade" links various pieces, while "Danse Caracteristique" features harmonics, syncopated accompaniments, and chromatic scales.
In Greek mythology, the Furies brought the dead to the Underworld and were part of the legend of Orpheus. August Nolck's piece was originally for cello but is now perfect for developing string players' timing precision. The perpetual motion promotes refined right-hand movements and offers opportunities for section solos.
Mozart's Ave Verum Corpus and Alleluia from "Exultate Jubilate" are two of his most cherished liturgical compositions. All the difficult melismas have been adapted without losing the original excitement.
Arcangelo Corelli (1653 - 1713) was a Baroque composer who set the standard for musical composition in his time. This piece is based on the last of his opus five violin sonatas, which includes twenty-four variations on the Spanish melody "La Follia". The arrangement presents five variations after the theme is introduced, with each upper-string section playing the tune fully against Corelli's original figurations. The main theme returns in an opulent manner.
The Gloria from the Latin Mass is a joyful and energetic piece for orchestra and two-part choir, inspired by the homage to God. It is easy to play, with alternative instruments covering several parts. Male voices can sing the two vocal parts an octave lower. Each orchestra section is featured in the interludes, and the piece concludes with a lively flourish.
