This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
For String Orchestra Grade 1.5
As a companion piece to the earlier “Bells of Ghengis Khan”, this work evokes a sense of impending conflict with its insistent rhythms and pounding fifths. The music speaks to the intensity and anticipation of battle. In the middle section, the soldiers are depicted reflecting upon their loved ones on a quiet night before the battle resumes. The victors’ shouts of triumph can be heard as the piece comes to a close. The use of various techniques such as harmonics, tremolo, and pizzicato add depth and richness to the tapestry of tone colours, resulting in a powerful and emotionally charged musical experience.
For String Orchestra Grade 1.5
David Maddick compiled “Chinwagging” from the most popular tunes in “Thirty Concert Pieces” by Everything String. The piece teaches fundamental string techniques to young ensemble members, such as legato bowing, string crossing, re-taking, and right/left-hand pizzicato. It’s an enjoyable and solid introduction to foundational concepts.
For String Orchestra Grade 1
Feel the rush with this piece! The music's edgy rhythms and meter changes create a sense of urgency and desperation, like a frantic pursuit. A lyrical middle section offers a moment of respite before the thrilling journey resumes.
Canon in D by Johann Pachelbel is a beautiful piece for string orchestra. This arrangement includes optional adaptations to suit different instruments and grade levels. A universally cherished work, now more inclusive!
The French court of the 17th and 18th centuries was renowned for its grandeur and beauty, envied by all composers in Europe. These three works embody that spirit.
1. Marche pour la Ceremonie des Turcs
2. Les Baricades Misterieuses
3. Tambourin
For String Orchestra Grade 3
Martin Peerson's "The Fall of the Leafe" depicts a beautiful autumn day with descending notes. Susato's "Battle Pavan" was part of court entertainment and featured a call-and-response style.
1. The Fall of the Leafe
2. Battle Pavan
For String Orchestra Grade 2.5
The Ming Dynasty (1368–1644) was a remarkable period in China’s history, characterised by extensive exploration and the expansion of trade routes to Europe, Africa, and the Indian Ocean, which resulted in a nearly doubled population. The Imperial Court became a hub for the arts, showcasing a diverse range of talents in literature, music, painting, sculpture, and ceramics. Artistic representations often depicted the calming lotus and dynamic horses, symbolising both serenity and strength, while music featured sustained notes and energetic rhythms that echoed these themes.
1. Lotus
2. Imperial Horses
La Tempesta di Mare is the overture to Salieri's opera, Cesare in Farmacusa. It narrates the journey of the young Julius Caesar as he sails through a treacherous storm to Farmacusa, near Sicily. The plot is filled with pirates, gypsy lovers, and, of course, Roman gods, providing much entertainment for audiences of that time.
Originally written for wind ensemble and later arranged for pianoforte, these charming movements have been carefully placed to give the sense of a fully integrated work. Some elements of this work are similar in vein to Mozart's famous "Eine Kleine Nachtmusik." Advanced intermediate players will enjoy the challenges of spiccato quavers, martele crotchets, measured tremolo, and lifted upbows, which are a must for developing precision and clarity in a more advanced string ensemble.
For String Orchestra Grade 3
