This work is a companion to “Bells of Ghengis Khan”, featuring insistent rhythms and pounding fifths that create a sense of impending conflict. The middle section depicts soldiers reflecting upon their loved ones before the battle resumes, with victors’ shouts heard towards the end. The piece uses techniques such as harmonics, tremolo, and pizzicato to add richness to the tone colours.
As a companion piece to the earlier “Bells of Ghengis Khan”, this work evokes a sense of impending conflict with its insistent rhythms and pounding fifths. The music speaks to the intensity and anticipation of battle. In the middle section, the soldiers are depicted reflecting upon their loved ones on a quiet night before the battle resumes. The victors’ shouts of triumph can be heard as the piece comes to a close. The use of various techniques such as harmonics, tremolo, and pizzicato add depth and richness to the tapestry of tone colours, resulting in a powerful and emotionally charged musical experience.
Two Italian Baroque masterpieces in contrast - Sarabande and Gigue. Simple melody with suspensions in Sarabande, orchestra showcases string crossings and quaver figuration in Gigue.
Brahms adapted 21 Hungarian Dances for two pianos and later for a symphony orchestra. The 1st Dance has a brooding nature, while the 2nd Dance is characterized by wild changes in tempo and mood. Either could make a rousing finale.
Australian summer holidays are magical! "Catamarans" captures the graceful movement of sailing vessels with wistful melodies. "Beach Party" is lively, depicting fun in the sand with driving quavers and unique textures. Both pieces feature harmonics and shifting in the first violins.
A funky rooster tune with staccato bowing and a catchy melody is featured in this rondo-style piece. The "cock-a-doodle-do" rhythm is present throughout, and the descending bass line adds to the rag-tune feel. Perfect for an early morning rehearsal!
Albeniz's piece was originally written for piano, showcasing Spanish passion and brilliance. It alludes to a legend from Asturias, with Moroccan influences. The use of string techniques adds intensity to this haunting work.
No need to wait years to perform Grieg's "Holberg Suite" with your ensemble. This arrangement is true to the original but with less tricky figurations. It features off-string work, trills, accented quavers, light legato bowing, martele and pizzicato to make the performance sparkle!